At Cavalcanti’s Boutique:
*With money in her pocket and a smile on her face O’Malley walks down the streets of Deppville.
She and Donnie have yet to work out the details of the wedding plan, such as
a date and witnesses … but she is headed for Cavalcanti’s Boutique in search of a wedding dress. She enters the boutique feeling somewhat awkward in her long black skirt, boots, and captain’s jacket
among all the fashionable clothing*
Lady Cynthia *conversing
with her help DeeDee at the shop, a tall bleached model who looks like she hasn't eaten anything since last year* How many times have I to tell you that you must be discreet. You
are not going to tell a customer that we don't have anything she could squeeze herself into. She
will never be back if she is treated without respect.
DeeDee: Yeah, well,
what's the problem, hey, we won't ever sell any extra-large tents.
Lady Cynthia *about to answer sharply, hears
that someone enters the store, her expression changes in a second into a syrupy smile, fades a little when she takes in the
clothing of the woman - a pirate, for sure, a pirate in her exclusive store! - but she quickly composes herself. A customer is a customer, and her companion doesn't look pirate at all, so she beams at him* Hello, darling, and welcome to Pink Perfection. *her glance
sweeps disapprovingly over her figure and she starts to talk to the man* What
can I do for you?
Donnie *(who weren’t actually there, LOL) smiles to Lady Cynthia; nudges O’Malley, who’s
looking more and more uncomfortable*
O’Malley *clears her throat* ‘Ello … I be lookin’ fer a dress. A weddin’ dress actually, but not a white one, I don’t want te be lookin’ like a marshmallow,
savvy?
Marja: LOL, I didn't read properly, now I notice that Donnie wasn't with
O'Malley. I am suffering the separation anxiety from my trusty laptop which crashed
and was sent to be repaired and they say it takes up to ten days! I am devastated.
Lady Cynthia *still to Donnie*
Is that so. Well there are several
alternatives today. The latest fashion is a diamond encrusted bikini top wedding
dress with a wide skirt sliced up to the hip from both sides, for an informal beach ceremony. Our
DeeDee can demonstrate it to you, if you wish. This season, Milano presented quite a variety of wedding dresses from
white brocade to transparent red silk. What kind of wedding would that be, sir?
*moving closer to him, still smiling her polite smile. She is wearing a tight short pink dress and high heeled shoes in matching color, her hair immaculately coiffed*
DeeDee
*eyes O'Malley with amusement. If Lady Cynthia weren't there, she would have
told the 'customer' to bugger off to a flea market* Yeah, sure. You wanna see it? *strikes a catwalk pose staring at Donnie
straight in the eyes*
Donnie *ignoring DeeDee the best he can; to Lady Cynthia* I’m
just tagging along. *nods towards O’Malley* My fiancée is doing the shopping. She will be wearing the dress,
so she will be picking it out.
O’Malley *Eyeing DeeDee suspiciously* Ye don’t
needin’ te be demonstratin’ anything … iffen ‘e needs a demonstration of them dresses, I will be the
one wearin’ ‘em, savvy? *To Lady Cynthia* The wedding will be ‘eld at our cabin, on the deck.
Lady Cynthia *gives Donnie
a dazzling smile* Of course, my dear, but it will you who will stand by her,
and you do want your bride to look as beautiful as possible ... *pats him on the shoulder* To
what direction do your tastes go? *to O'Malley* Remember,
honey, we women do dress for our men.
DeeDee: How 'bout that scarlet mini
skirt, about this long … *lifts her tight miniskirt a few inches upward* I
just loved it. *smiles at Donnie, glances disapprovingly at O'Malley* Of course, it needs a certain kind of body, but ...
Lady Cynthia *gives DeeDee a cold stare* DeeDee, will you get our wedding catalogue. *to
O'Malley* A wedding is the woman's most important day in her whole life, the
goal of every girl is to get married. You have to make it a special day, and
even if your wedding would be held at some cabin, you can dress well for the occasion. Will
it be a cocktail party type of a wedding?
O’Malley *glaring at Donnie as she catches him glancing at DeeDee’s legs; quietly* Ye best be gettin’ them eyes turned somewhere else, luv.
Donnie *smiles quickly to O’Malley; clears his throat, to Lady Cynthia* Anything will be to my taste if Grace is wearing it.
O’Malley *smiles coldly to Lady Cynthia* Really?
Be that who we dress fer? *grins*
Iffen that were true, we’d all be walkin’ around naked. It weren’t the ‘appiest day o’ times last I were married, mate. An’ I reckon it be very sad, iffen gettin’ married were a woman’s only goal … *notices
a green dress on a mannequin; points to it* I like that dress …
Lady Cynthia *follows her
gaze* Yes, but that is a nice little simple dress, but it is not a wedding dress.
But since you are a second timer, it might be very appropriate, yes, definitely,
you can't wear white in that case. DeeDee, will you take the dress and show it.
DeeDee
*shrugs* Sure, yes, Ma'm. *she walks
over to the mannequin wearing the dress, brushing very close to Donnie, touching his leg with hers, purring a quiet 'apologies
luv* in his ear*
Lady Cynthia: Would you try this on? But I really must say that it needs something … maybe some diamond accessories ...
Donnie *smiles; looks nervously at O’Malley* It’s
OK …
O’Malley *glaring angrily at DeeDee trying to control her temper; counts to ten quietly as
she notices one of the mannequins starting to shake a little; to Lady Cynthia* Be
yer staff fer sale too? She be actin’ like she is … an’ at
a very low price! *Looks at Donnie and back at Lady Cynthia with a grin* Aye, I think some diamonds would be jus’ right … some really expensive
ones …
*this
be not a pirate thing, it's an Irish thing ... and also, sometimes the sea looks green*
Lady Cynthia:
You must excuse her these small digressions. I
am still schooling her. But she made a remarkable career in Milano when she was
young, being one of the favourites of Lagerfeld, Dolce & Gabbana, Rabanne just to mention some. It was Guido himself who wanted me to take her now that she's 22 and too old to be a model anymore. Isn't that so, darling?
DeeDee *her smile fades as she undresses the mannequin
and she gives Lady Cynthia a nasty stare* I also did a campaign for Gaultier's
swimsuits. He said I had the perfect body.
Lady Cynthia: Yes, dear, had is the right word. Now bring the dress over
here. *to O'Malley* A long, double
diamond necklace should be fine, but then you should go for the most expensive diamonds that don't have a shade of any color,
just pure brilliant light. And a small diamond tiara, my dear, after you've had
a haircut, of course.
DeeDee *pretends to stumble on her high heels and lands in the arms of Donnie, quickly pressing
herself against him and pulling away as fast with a giggle* Oh sir, I am so sorry!
Donnie *flustered* Uhm … are you OK?
O’Malley *to Lady Cynthia* Ah yes, we wouldn’t
want the tramp te be roamin’ the streets now that her looks no longer be suitin’ the runways … *notices
that DeeDee is standing in front of a mannequin, she focuses on it and in the next moment it falls over, hitting DeeDee on
the head; to Lady Cynthia* No worries, we’ll be goin’ te the jewellery
store right after we leave ‘ere.
Donnie *knowing exactly what made the mannequin fall, looks guiltily at O’Malley; quietly*
Wasn’t my fault she fell!
O’Malley *quietly* An’ that be why the
thing didn’t fall on yer ‘ead, savvy?
Lady Cynthia *looks annoyed
at DeeDee* Time for your lunch break dear. For
the quarter of an apple or whatever it is you have with you.
DeeDee *holds her head, sniffs* Would do you good instead of those croissants ... *manages a smile as she passes Donnie* You will be having a bachelor party, will you?
Lady Cynthia *sighs, rolls eyes* Those modern girls ... So, are you going to try it on? I think
this would be about the right size, but we will want it to fit perfectly, won't we, so maybe we need to do some modifications.
O’Malley *smothers a laugh; smiles as pleasantly as she can, given her dislike of Lady Cynthia* Aye, I’ll be tryin’ it on … *follows Lady Cynthia to a fitting room; Lady Cynthia leaves
and draws the curtain for privacy. O’Malley puts on the dress and it fits
perfectly; she steps out of the fitting room, looks at Donnie expectantly* What
do ye think, luv?
Donnie *rarely seeing her in any kind of dress – at least not without heavy boots; gulps at the sight; smiles* You look beautiful. *O’Malley smiles*
Lady Cynthia: Excellent.
The dress is just perfect for you, but you really need shoes to go with it. Classical high heeled pumps would obviously be
the best choice. In matching colour of course. *turn to Donnie* defnitely worth a diamond necklace, isn't she *thinks
to herself that you could almost forget that she is a horrible pirate, save those gross boots...What is wrong with the men
in Deppville who are so attracted to these gruffy pirate wenches? Even his own brother disgraced the family name by marrying
one of the worst kind... Then she pulls herself together. Her mission is to bring civilisation to this pirate-infested little
backward town...* Very chic. This dress belongs to dear Guido's latest haute couture collection called the Mermaids.
Donnie: *smiles* Absolutely!
O’Malley *grins back; smile fades as she realizes Lady Cynthia mentioned high heeled pumps* Me boots ‘ave a little heel in them, but not much. I
don’t want te fall in this long dress an’ high heels. I were thinkin’
bare feet would go well with it … *Adds quickly as Lady Cynthia is about to protest* Aye,
I know a lady would ne’er wear bare feet out o’ the shower, but it be more natural an’ free spirited, savvy?
Lady Cynthia *appalled* Oh no dear, you just can't go barefoot in this dress at your own wedding! I absolutely forbid you not having proper shoes with this dress! If
you don't want to go for the pumps, how about sandals from the Blahnik Leisure Collection. Take
a look at them. *turns, shouts* DeeDee,
bring the Blahnik sandals, the low ones, you know what I mean, the beach party sandals.
*shakes her head at O'Malley. She really has lots to do in this godforsaken
town*
DeeDee *emerges from the back room avoiding carefully any mannequins. She
has changed into stiletto heeled black boots and she makes it to Donnie and O'Malley as if she were on the catwalk, swaying
her hips, looking with contempt at O'Malley's boots. She presents Donnie with
a pair of sandals with small sparkling straps and practically no heel at all, she casts a longing look first at the sandals
and then at Donnie* Lovely, ain't they? *and
her eyes add a silent question to Donnie: Lovely, ain't I?
Donnie *strangely nervous at DeeDee’s expression; quietly*
They look nice, but you better check with my fiancée.
At Corso’s hideout (in From Hell
Court):
Corso *at his hideout by
the table, opens an old dusty book and stops to look at an engraving on the title page, a serpent with bat's wings. The title of the book is in Greek, and he translates it in his mind into English: The Sad and Terrible Truth About The Vile Night
Creatures Called Vrykolakas Causing Death And Various Illnesses and Spreading Fear Through The Christendom. It is the only existing copy of a book of a very limited edition, distributed
hand by hand in great secrecy from adept to adept. Many have believed that the
book never even existed ... Corso has been hunting for it for years, spending lots of time and money, bribery, threats
and blackmail, and now it finally is here, brought directly from a monastery in Spain, where his business partner Gallego
traced it, thus avoiding a jail sentence for forgery and theft. Corso
has had him hanging by a thread since the Colonel's visit ... It is always good to have people owing you. He is about to start reading when someone knocks at the door. Annoyed, he opens it and sees Charlie* What are you doing
here at this time? I wasn't expecting you yet.
Did you get what I wanted?
Charlie *pushing in past
him* Nope. She hasn't left her room for
long enough during the day. Look, couldn't you just trade the tapes with
money?
Corso *grins* That's not my way, laddie. So why are you here if you don't have
it?
Charlie: Official business, mate. The Commander requested you
to keep an open eye, you know, those killings around here. Seems she doesn't
like someone cleaning this place up. She didn't like those 'unfortunates'
killed, though I can't say why. All of those have been just bloody wrecks. She'd put Abberline on it, but it seems he's wounded, and she does not remember where
she sent Godley.
Corso: Aye, the Commander does not like disorder. As a matter of
fact, I already have started my private little investigation on these killings. Tell
her I have some leads that I am following.
Charlie: Can I take part too? She won't let me do any police duty.
Corso: No. This is no case for kids.
And I know she prefers to keep her toy boy and eye candy unharmed.
At Cavalcanti’s Boutique:
O’Malley *frowns at DeeDee’s flirtatious behaviour towards Donnie; approaches her, pretends
to be looking at the shoes while speaking to DeeDee in a low voice* Ye best not
push it, luv. Ye don’t want more things te fall on yer pretty lil’
head, now do ye? *Muttering* Not
that it would do much damage … *to Lady Cynthia* I reckon I still ‘ave
a bit o’ time rehearsin’ in high heels, why don’t ye ‘ave yer lovely assistant go find some?
Lady Cynthia: High heels? Yes, I think we do have some more that would go
with the dress. DeeDee, please, pick some more that could go with the dress. DeeDee can teach you to walk in high heels, walking is the one thing she seems quite
capable of. *frowns, looking after DeeDee swaying slowly away* The only thing these models need to learn nowadays. Back to
you, dearie. Accessories are a very important part of the dress. A hat, a purse and gloves are obligatory.
DeeDee *turns at the door, looks behind her shoulder and
winks to Donnie* Yes, ma'm.
O’Malley *muttering* one more bloody wink an’ I’ll turn ye into a toad!
Donnie *puts his hand on O’Malley’s shoulder; quietly*
Calm down, just try to ignore her.
O’Malley *looks at him with raised eyebrows* Like
yer doin’? *To Lady Cynthia* I
can live with a purse, but ye can ferget the gloves … *frowns* A hat? Ye don’t be meaning one o’ them broad-brimmed hats with flowers in ‘em,
do ye? Ye mentioned a tiara earlier, ‘ow
about we forget the hat an’ I promise te get something fancy in my hair … pearls or some type o’ ornament?
Lady Cynthia: Yes, of course, you know the hats the Royalty wear at Ascot. If
you don't want to have flowers, you could have fruit, or birds or feathers. You
don't wear the hat during the wedding, but you need it afterwards at the reception.
And remember that a hat shields a woman's delicate white skin from the sun. But
you can't have pearls, the don't go together with a green dress and diamond necklaces.
How about a diamond tiara? What kind of flowers will you have in the bouquet?
DeeDee *Returns with a load
of shoes, and suddenly she lurches and trips on the diamond sandal and Donnie catches her automatically, without thinking,
and DeeDee rests a while in his arms till she finally gets on her feet and pulls away looking him in the eyes and brushing
his chest with her push-up bosom* Thank you.
Lady Cynthia *finally losing
her control* This is a respectable boutique.
This is not a brothel. Behave yourself, miss, or you are fired. Didn't your parents teach you any good manners at all?
Donnie: Uhm ... you're welcome. *glances nervously at O'Malley as he helps DeeDee to her feet*
O’Malley *muttering* Obviously they didn’t
do a very good job … *To Lady Cynthia* I be ‘aving no doubts that
ye can tell that I’m no lady with delicate skin, I don’t be needin’ any hat, gloves or anythin’ else
fancy. Jus’ the dress … now I’m going te change inte me own
clothes an’ then ye can wrap up the dress, so we can be on our way. An’
whatever tiara or diamonds I be wantin’, we’ll get that at the jewellers. I
‘ave no intension o’ puttin’ me money in a shop where my fiancé be live prey, savvy? I be only buyin’ that dress because a woman does need the perfect dress for her weddin’ an’
it ‘appens te be in yer shop. Any questions?
Lady Cynthia:
Just one, dear: cash or credit? *beams
at O'Malley and casts a murderous glance at DeeDee*
DeeDee *who pretends not to see Lady Cynthia's wrath, starts to
pick up the shoes, trying to bend most gracefully, stealing glances at Donnie hoping that he notices her perfect, tight bum*
I shall wrap it up.
Lady Cynthia: I
don't think so. You are fired. I
will take care of it myself. *to O'Malley* Please
accept these gloves as a pardon from me. You may still want to change your mind
and need someday good gloves. *Wraps the gloves with the dress and hands her
the package* There you are, sweetie. And
when is the wedding going to be?
Donnie *moves around DeeDee towards the cash register; takes his out wallet* It’ll be cash, thank you. We haven’t set the date
yet actually. There seem to be a lot of things going on it town at the moment,
so we can’t quite make up our minds. *Smiles* But probably soon.
O’Malley *casually takes a few steps back and gives DeeDee a little push while she’s
leaning down, causing her to lose her balance and fall over; grins* Oops! Clumsy me.
DeeDee
*getting up not so gracefully, sniffs, mutters to herself as she goes to the back room*
Halloween's the perfect day for witches ...
Lady Cynthia: Have
a good day, dear. *and as Donnie and Grace step out of shop they can hear her
stern voice* Now, you bony bleached bitchy coat hanger, get out of my shop. I'll withdraw the damage you've done from your pay.
DeeDee *whines* I'll tell Daddy, he's not liking the way you treat me.
Lady Cynthia *in an icy voice* By all means, darling, do tell him. He will probably be very
pleased with your conduct.
At Corso’s Hideout:
Manouche *approaches the
door of Corso's hideout, glances around to see whether anyone has noticed her; turns to the door, taps cautiously* Corso?
Ye 'ere, mate? It's me, Manouche ... I 'ave a question or two fer ye ...
Corso *opens the door, peeks
out then he looks quickly around and drags Manouche hastily in* Don't go shouting
my name on the street, lady. This is a hideout, and a hideout is used for hiding,
isn't it? What is it you want? If
you came because of those bloody notes, I've heard that the Inspector is fortunately indisposed at the moment ... *looks questioningly
at her, lights a cigarette and then offers one to her with a grin* Though I am
always for female visitors, especially when they are beautiful ...
Manouche: Blimey, no need t’ get rough, savvy? No one heard me. *straightens her coat from Corso grabbing her and hauling her through the door; smirks* Smooth as ever, aren’t ye? Keep
yer hair on, luv, I’m not ‘ere regardin’ them notes. Far as
I’m concerned, you an’ I ‘ave settled our account on that’un.
It’s history, that. Now, I can’t speak fer th’ Inspector. His personal score-settlin’ with ye is entirely up to him. *takes the cigarette from him, nods thanks* I’m ‘ere
about … well, I wanted to talk t’ ye about vampire lore, as it were. I
recall that yer somewhat knowledgable on th’ subject. Can ye tell me what
ye know regardin’ … ah, bringin’ back someone what’s been turned into a vampire but ain’t happy
with th’ arrangement, in a manner o’ speakin’? I’ll make
it worth yer while, if ye’d be willin’ to impart. *looks at him,
blushes slightly at the way he’s looking her up and down; brings a hand up involuntarily to the top button of her shirt,
as if to cover up more* Bloody ‘ell, leave somethin’ on me with yer
eyes, mate, I might catch cold! That weren’t th’ exact payment I
were considerin'. *she looks away, thinks for a moment, grins to herself; turns to him again, takes her hand away from
her shirt, smiling* However, that ain't t' say th' thought never crossed me mind. *takes a drag from her cigarette,
moves a little closer to him* In me single days, before I married Mr. Blake ... I remember seein' ye out an' about,
an' I couldn't deny that yer a right 'andsome an' fetchin' specimen o' manhood, savvy? Never let it be said that Manouche
Roussel don't appreciate a well-chiseled cheekbone or a pair o' mysterious dark eyes. Even now, with me troubled mind
... *she reaches out, gently pushes a tendril of hair off his forehead* ... aye, even now, yer charms ain't lost on me ...
Corso *laughs and reaches
out his hand to unbutton the first button on her shirt* Now that is better, if
you are trying to seduce me, which I don't find objectionable at all. You are
very sharp, aren't you ... So, what would you really be paying with if I provide you with the information you are seeking?
How far would you go? I know this
is all just bargaining, but it's the same to me. One button more and I'll tell
you if you can bring your dear Blake back among the breathing. And if you can
give some information I want, I will perhaps tell you how it maybe could be done ....
Manouche *smoothly* Ahh, so yer aware o’ me question even before I ask it, ay? *looks at him approvingly* Smart an’ good lookin’,
that’s a dashed deadly combination, luv. Ye'd make a fine pirate, if ye don't mind me sayin' so. But I reckon yer well aware o’ yer charms. *she reaches
up, unbuttons one more button, exposing a shoulder, holding his eyes with hers* It’s
all checks an’ balances, innit? Greasin’ th’ palm, as it were. *she shakes her head, tossing her full, dark hair so that it tumbles around her bare
shoulder. She leans into him as she reaches across him, grabs his cigarettes
from the table, takes two from the pack, lights them both, passes one from her lips to his, smiles* I’m glad I don’t ‘ave to waste precious time bringin’ ye up to date on th’
situation as it exists. Aye, yer right, I’ve come t’ find out about
bringin’ me Mr. Blake back. He is breathin’, at least, not t’
put too fine a point on it … but he decidedly ain’t himself. Now
… *she takes a deep drag from the cigarette, blows a smoke ring, gazes at him* … we could easily do a bit o’
th’ ol' mess-about ‘ere in these less than ideal surroundin’s … *she looks around the dank little
room, shrugs, looks at him again* Or … I could offer ye somethin’
that ye might actually prefer to pleasures o’ th’ flesh with ol’ Manouche, savvy? *she rises, stands in front of him, leans down so that he has a better view inside her open shirt.
He stares, starts to reach for her; she stops him, puts her hand under his chin, holds his face so that they’re
nearly nose-to-nose, and she purrs* Truth be told, luv … I ‘ave a
leather-bound miracle that I reckon it’s safe t’ say ye never seen before in all yer experiences. Somethin’ … quite … titillatin’. *she brings her face very close to
his as she says this, nearly touching his lips with hers. Then she releases his
face; lightly, playfully slaps his cheek, grins mischievously, straightens up, walks sexily over to the table, picks
up the rare book. She turns her head to look at him as she holds up the book,
tossing her head so that her hair tumbles over her bare shoulder again; she winks at him*
I ‘ave th’ companion piece to this, mate. Th’ Tale of Philinnon, complete with th’ original engravin’s.
A direct interpretation, in th’ original Greek, straight from Phlegon’s recountin’ o’ th’
tale. Th’ story goes clear back t’ circa 135 BC, mate, Roman Emperor
Hadrian’s time. ‘Course, I don’t ‘ave to tell ye all
that about it. *nods toward book* Anyone
who has this already knows anythin’ I could ‘ave to say on th’ subject.
*she puts the book down carefully, turns away from it as she brings her cigarette up to her lips, which she had held
away from the book respectfully. She leans a hip against the table, smoking,
looking at him* Th’ book I ‘ave in me possession is as much a one-of-a-kind
as this’un, luv. It even has the thin parchment sheet frontspiece, with
th’ explanation o’ th’ name Vrykolakas, how it comes from th’ Slavic, vblk'b dlaka. Jus’ imagine, ‘avin’ BOTH o’ these books in one set. *she glances at the book, then looks at him again, grins to herself as she sees he’s salivating at
the thought* Ye got this'un from Gallego, didn’t ye? That bloke
in Spain? I were wonderin’ why he wouldn’t
sell me both. Y’see, that’s where I got Tale of Philinnon … Gallego. He didn’t tell ye he had
both books, did he? *smirks, shakes her head*
He’s a shrewd one, ain’t he? *she looks over, notices a bottle
of rum on a counter-top, walks over, pours a couple of glasses, brings them over to Corso, sits down next to him, hands him
a glass* So, there it is, luv. You
an’ I could continue t’ discuss ‘avin’ a good time together – an option I believe ye would find
to yer likin’, though it would be one-time only an’ temporary pleasure – or, you could ‘ave th’
volume I jus’ described to ye, as a permanent part o’ yer collection, an’ a completion to th’ aforementioned
title, yers free an’ clear, no strings attached. From our previous barterin', I don’t ‘ave to
tell ye that I’m on th’ level when it comes to book-dealin’. Th’ Tale of Philinnon is th’ genuine article, I guarantee, jus’
as I described. Go ahead an’ take all th’ time ye need to consider,
mate. *she brings the glass to her lips, drinks, looks around the room casually*
Corso *who has been eyeing
Manouche greedily, has only eyes for the book after she shows it to him* Whatever
you want, you know how to seduce a man. *he picks up the book, and in his usual
way leafs it, listens to the sound the leaves make, nods approvingly, smells the scent he loves most in the world - ancient
leather and ink, and his fingers caress the letters embossed on the back of the book*
I can see that this is genuine, I can feel it ... You know, the books talk to me ... I may be able to help you, though
you are wasted on Blake the bleak guy. *finds something interesting in the book
and starts to read* Yes, this is amazing!
I do know that Gallego is a thief and crook, but don't worry, he's not yet off the hook, he will get what he deserves
when he stops being useful for me ... *reads further for a while* Umm ... yes,
Blake - if he's breathing he isn't a vampire any more, but the thing is that he has lost his soul. That happens if a vampire-to-be has no time to be prepared for the transition. It's very simple. You just have to find his soul. *grins* It is somewhere, floating homeless, unable to return
without proper ceremonies, and if you don't catch it in time, it will slowly fade into nothingness. *puts down the book* You ever heard of soul trapping - and
I don't mean anything like the soul box, just catching souls that have lost the contact with the bodies. And now - it is pay time. *takes the glass from her* I know that you can toss me to the floor with one hand, but I'll take a risk. *pushes her shirt down from the other shoulder and fondles her exposed skin, moves
his lips close to hers, but to her astonishment he does not try to kiss her, instead he whispers to her, looking her straight
in the eyes* Show me the place where Loralee died.
Manouche *smiles,
nods to herself as Corso’s interest shifts from her to the book. She listens
to him, her concern growing as he explains about Blake’s soul* Oh, blimey
… it sounds like his soul's in limbo, in a manner o’ speakin’.
*her mind starts racing on how she might be able to bypass anything Corso suggests and do something with her own powers,
the way she helped Abberline when she was in the soul box. But then Corso mentions
that this is a different case than the use of the soul box, and she feels uncertain of her abilities. She’s about to ask Corso about this when he startles her by taking her glass away and quickly pulling
her shirt away from her shoulders before she even has time to protest; she gasps at his touch on her flesh, and she starts
to back away as he leans in closer to her, her heart beating fast. She tries
not to let him see her sigh of relief when he doesn’t kiss her; but then his words sink in, and her face goes pale* Th’ … th’ place where L-Loralee … *she trembles slightly,
bites her lip, swallows* Dean Corso, please don’t ask me t’ go back
there. I ain’t been there since … Ohh, mate, why do ye want t’
go there? Does it ‘ave to do with savin’ Mr. Blake? If so, then I’ll brace up an’ face it. I can rally. But if it’s yer own curiosity fer whatever purpose ye ‘ave in mind that
don’t concern me or Mr. Blake … then in that case, I’ll be happy t’ guide ye there, an’
send ye on yer onesies, savvy? *His hands are still caressing her; she considers throwing him off and giving him a thrashing,
but she hesitates. She's not really afraid of him. He's an opportunist; but he's right, she can overpower him,
and they both know it. At the same time, she may still need something from him. And it does sound like he knows
how to save Blake. She waits breathlessly for his response*
Corso *not backing away,
his hand stroking her shoulder, moving to the neck* That's a deal, Manouche,
just show me the place where it happened. I need to see the place where Loralee
died. *if vampires can be said to die, let's rather say that some of them move
from this plane to another - but he doesn't tell it to Manouche* It might even
help Blake, who knows where his soul fled from his body. They often tend to remain
haunting the same place, and it might be so with him. It would be a good starting
point. Maybe you with those dreamer abilities even can feel if he is there ...
*suddenly he brings his hand to her chin and holds it, kisses her on the lips* It
seems to me that you've been without a man too long ... I could help you ... *laughs and backs quickly off before she has
time to grab him* We should become somewhat closer if we are going to do some
soultrapping together.
Manouche *scowls* Right, that’s it. *swiftly stands
up, grabs Corso by the front of his shirt, hauls him up onto his feet, swings him around, slams him against the wall* So ye think I been without a man too long, ay?
Well, let me tell ye somethin’, y’ bounder … *her voice trails off as she sees he’s not listening
to her, he’s eyeing her hungrily; she follows his gaze, looks down, and rolls her eyes as she sees how wrestling him
to the wall has left her more exposed* Oh, blast!
*She swears under her breath, quickly pulls her shirt back up with her free hand, buttons it. Still holding him pinned to the wall, she glares at him. She’s
about to let him have it when she notices his expression – like a small boy who’s been peeking into a ladies dressing
room – and she grins, despite her annoyance with him. She looks down, shaking
her head, then she finally laughs* Bloody ‘ell, Corso, ye are a cheeky
scoundrel! *she laughs so hard, tears come to her eyes, and Corso, a little nervous
at first, starts to relax and laugh along with her. She loosens her hold on him,
he starts to move away from the wall; then she quickly grabs him by the hair, and he cries out as she digs her nails into
his scalp and slams his head against the wall. Looks at him very closely, their
noses almost touching, she continues, her voice low and deadly serious* However,
don’t press yer luck, mate. We won’t be gettin’ any closer
than we are right now, savvy? I’m askin’ fer yer assist with Mr.
Blake, an’ that’s where it ends. That book I’m offerin’
ye is more than sufficient payment. You an’ I both know its worth, so don’t
go gettin’ greedy, or ye may end up with less than zero. Or to put it another
way, luv … *looks down at his body, then back up to his face again* … I can hit ye where ye live. So unless yer keen on experiencin’ life as a soprano, we’ll ‘ave no more o’ this
messin’ about. Now, if yer ready t’ stop actin’ like a bleedin’
schoolboy, let’s get into some serious talk about what t’ do next. *smiles* Do we ‘ave an accord?
Corso: Err … I would nod if I could, so would you please let
me down? *he isn't actually scared, there is a glint of appreciation and admiration
in his eyes - what a woman! but he thinks better than to give her a witty answer,
not wanting to risk the book because of some exposed flesh* Let me down, and
I can start looking for a soul trap for your poor darling. *manages a small schoolboy
grin and looks at her with brown innocent eyes*
Manouche *studies
him for a moment, then once again has to smile. She has to admit, she admires
his quick mind, humor and silver tongue … and she can’t help but be amused at his Casanova-like appreciation for
pleasures of the flesh* Blimey, ye do ‘ave yer charms, laddie, I can’t
deny it. Excellent survival tactics ye ‘ave, as well. But God help th’ woman who genuinely falls in love with ye … ye’ll break her heart. *she releases him, nods* So we ‘ave
an understandin’ between us, that's good. What ‘appens next? Do ye want me t’ take ye to that place now?
Or do ye find a trap? By th’ powers, what on earth do ye use t’
trap a soul, other than one o’ them soul boxes?
Corso *grins* It's up to you what happens next ... *raises quickly a hand to shield himself in case she wants to strike
again* No ... the soul trap is actually a very simple thing. All we need
is a living being like a bird or a rat, and then we will lure the soul into the animal and transfer it to Blake. I'll bet that his soul is still around the place where he was transformed. We
will go there at midnight. I will have the soul trap prepared
and you will show me the place. Agreed? *he's
about to say something more but then his cell phone rings* So, lass, be on your
way and come here before midnight.
Manouche *smirks* Ye’d best watch yer cheap dialogue, luv, it’ll get ye in real trouble
someday. All right, I’ll return 'ere tonight before midnight, an’ we’ll see what ‘appens.
*she reaches past him, picks up her glass, drains it, holds out her hand, he shakes it. She sets the glass
back down, turns toward the door. Stops, tosses her hair, looks over her shoulder
at him, grins, murmurs* Au revoir pour le moment, les yeux bruns fous. *winks, opens the door, closes it softly behind her*
At Chateau Blanchefort:
Godalming
*slowly walks the road leading to the castle on the hill looming over the whole town. The
Commander has chosen the place well, indeed. He passes green meadows that seem
very artificial to him in their carefully planned almost natural profusion of flowers and grasses. On the left of him near the beach he spots an ancient looking stone circle. He
raises an eyebrow and examines it closer. It looks genuine enough, but he knows
there can't be any ancient monuments like that in this part of the world. He
takes the path to the stone circle and touches briefly the closest erect stone and hastily withdraws his fingers; the power
surged through the stone to his hand like an electric shock - these stones are clearly tuned up for some sinister purposes
and it doesn't take him long to find out that the circle has to be aligned towards the setting sun on Halloween Eve. He shudders and withdraws.*
*The walls with dark small sharply arched windows
make him feel uncomfortable as he draws nearer to the castle. He crosses the
moat on a drawbridge and comes to the doors with a knocker shaped like a gargoyle that seems to stare malignantly at him,
and at the same time a gust of winds blows through the stones of the circle and it sounds like they were singing ... He grabs
the knocker and lets it fall with a mighty thud that seems to echo from the stone walls. While
waiting for someone to appear, he notes the letters above the door: 'VERITAS
VOS LIBERAVIT' and he can't help smiling at the pompous setup* The truth shall
set you free ... Indeed.
*The butler breaks the spell. He really isn't
anything he imagined - he had anticipated a gloomy old gentleman with the bearing of a soldier and with a shining starched
shirt front, tux and white gloves - this butler does have a black coat but it seems like leather to Godalming, and he is rather
young, dark haired, dark eyed, with sharp-sculpted cheekbones and friendly eyes*
Godalming: My
name is Lord Fairfax. Is the Commander receiving? *and he picks a thick calling card with embossed gold letters and hands it to the butler*
Wilson *taken aback* Oh, yes, sure. Will
you step in, I will announce you.
Godalming *follows Wilson through a magnificent hall with a vaulted ceiling and dark
big paintings at the wall - at one point he stops astonished to look at a tapestry, it looks very much like the famous medieval
Unicorn tapestry, and right next to it there is a frieze that he could have sworn is one of the Elgin Marbles, but Wilson
leads him on till they arrive at a smaller room with a huge fireplace, comfortable white sofas and a thick white rug*
Wilson:
Please be seated, sir! *he goes
through another door and leaves Godalming alone for a moment*
At From Hell Court:
Delano *sinks down in a chair in his room at the tavern. He
went to the little clearing behind the gypsy’s house again today; hid behind the trees and observed everything that
went on when she went to see Blake again. With his keen senses, he heard everything
that was said in the wagon; he felt both sad for the gypsy and the poet, but also hope … at least Blake seemed to remember
a little of his previous life, maybe in time he’d remember it all.*
*He lifts a glass from the table next to him and takes a large drink … as a vampire, he doesn’t need any
other fluids or food than blood, but he likes the way alcohol feels … the burning sensation as it runs down your throat
and the way it settles in and relaxes you. As he drinks, he thinks about the
gypsy … thinks about how deeply she must love her poet to enter that wagon, despite knowing what he is, what he has
become*
*Bearing witness to their love and affection reminds him of Loralee … of their good times, those few moments
when she wasn’t obsessing over LaCroix and revenge. She was so passionate,
so beautiful … and so deadly that even some vampires feared her. Of course,
part of that also had to do with the fact that she could be smiling and talking sweetly with a soft voice in one moment and
try to kill you in the next. Strong as she was, she could be so weak at times,
like a small child. And it always filled him with the urge to protect her. He seemed to be the only one who could talk her down when she was furious and make
her smile when she was sad. And he loved doing it. It made him hope, at least for a moment, that she needed him as much as he needed her.*
Delano *is torn out of his trip down memory lane when there’s a knock on the door; he rises from the chair and
opens the door letting in his visitor, another vampire … one of the students he and Loralee turned to use as assistance
the night she was killed* Bonjour …
Alex: Hello Delano … you asked around for me, I hear.
Delano *sits back down in the chair* Yes, I did …
*looks at him intently* You were a student, right? So you’re smart … know your way around books?
Alex *not without pride* Yes, I should think so. I studied folklore, actually. Funny, at the time I thought
those people who believed in vampires were ridiculous …
Delano *smiles* If only your professors could see
you now … *grows serious* I need you to look into something for me.
Alex: What?
Delano: I want you to find out if there is a way of
bringing back a slain vampire … I’ve heard stories about it, but just like humans having their folklore, we have
ours.
Alex: Well, some say that there is some truth in every folklore …
I’ll look into it. *Hesitates* You
want to bring back Loralee, don’t you?
Delano: You don’t need to worry about that.
Just do the research.
Alex: All right … Better get on that, then. *Leaves Delano alone to this thoughts.*
At the University Library:
Alex *was already thinking about where to begin his research before he’d even reached the street when he left
Delano. On
his way out of From Hell Court he tried to remember his time at the university and soon enough he remembered that he and his
study group researched the possibility of the existence of vampires. They never
got far with it as focus was soon on upcoming mid-terms, but he remembered coming across an old book, which might prove useful.*
Alex *enters the university library late at night. The library is open
all hours, but few visit it this late. Still he pulls up the collar of his jacket
and wears a hat as a disguise … after all, his friends think he’s dead. He
quickly finds the shelves containing books on folklore. He walks along the shelf
reading the titles of the books; smiles to himself when he finds the one he was looking for. He
pulls out a heavy, old, and fragile book intitled “Vampyrs”. He considers
sitting down by a table, but decides it’s too risky if anyone who knows him should show up, so he puts the book inside
his coat – although it is far too thick to hide that way – and hurries out of the library, ignoring the alarm
that goes off due to the little magnet on the back of the book. He grabs a pen
and a few sheets of paper from the front desk on his way.*
Alex *heads back to Sleepy Hollow woods; not needing much light to read, he sits down by a tree and begins reading
by the light of the moon.*
At Bournemouth House:
Kat *discussing
her delivery with Abberline* O'course it'll 'elp. Lessin' ye go faintin'
on me, eh?
Abberline: Me faint? You forget who you are talking to. I am a policeman, you wouldn't believe what I have seen and witnessed in my work. *after a while, adds less confidently* Though never a childbirth
...
Kat: First time for e'erythin' luv.
By the way, there be some people waitin' outside, they want te apply to be Chiana's nanny. Thought ye'd best 'ave a look at 'em. *Smiles*
*Followed by a curious array of lasses, including Wonder Woman, lol!
At From Hell Court:
Alex *quickly flips the pages of the book, skipping the sections of where vampires hail from and
what they are. These are things he’s read about before during his time
at university and he hardly needs to read up on what vampires are at this point. He
begins reading the pages more thoroughly and taking a few notes as he reaches the section of the resurrection of slain vampires.
The book speaks of the ritual as a myth, but what books sometimes refer to as
myth is in fact real. He considers himself living proof of that. As soon as he is sure that it’s the right ritual, he closes the book, grabs his notes and heads back
to From Hell Court. He knocks on Delano’s door, but there is no answer, he tries calling
out, but the room is silent. He shrugs and sits down on the floor, deciding to
wait for Delano to return*
At Sleepy Hollow Woods:
Delano *has gone to the cave again … he had decided to stay at the tavern in his room and
wait for Alex to return with answers, but he grew impatient and told himself that this kind of research would take a long
time. So he left the tavern. More
out of boredom than hunger, he relieved another ‘misfortunate’ from her miseries … a young woman with long
dark hair, a beautiful woman if you saw past her weary expression. But she had
reminded him of Loralee and he almost felt sad at having taken her life. He almost
fled towards the woods after looking at her lifeless face on the ground.*
*He stays at the cave for a while, thinking of Loralee … wondering if she would be same if
they were successful in bringing her back. Wondering if she would still be consumed
by the desire for revenge. He decides that there is no sense in deluding himself
into thinking that she will be different, that she will ever be his wholeheartedly. A
part of her will probably always love LaCroix, but he still can’t help hoping that maybe he will take first place. He leaves the cave again and wanders aimlessly around the woods. And again, without intentionally going there, he finds himself at the spot where Loralee was slain. He sits down leaning against a tree, for a moment wanting to weep at the loss of his
dark queen. He leans his head back against the tree-trunk and closes his eyes
as he hums one of Loralee’s favourite songs.*
*Something
like a high-pitched buzzing is filling his consciousness, his thoughts, his mind, and he wishes he could scream, or even speak
of his misery, but he cannot. He’s aware of someone approaching the area,
sitting down against a tree, and to his horror, he realizes it’s Delano, the very man responsible for his -- he
doesn’t even know what to call it, his condition … he thinks he surely must be in hell, to have to share this
place with this man. But what could he have done differently? He had to stop Loralee, after what she was doing to hurt his love, his Manouche. Manouche had
done nothing to Loralee, it was all a terrible mistake, how many times had he and Delano both tried to reason with her …
*
*Delano is humming, adding to the din in his head. He fears an abyss that he senses
more than he actually sees, but it’s there waiting for him, he knows; and he fights it with all his might, and once
again he thumbs through his memories for the two things that have helped him maintain all this time, his poetry, and thoughts
of Manouche … his mind’s eye is soothed by visions of his beautiful gypsy girl, but he needs words to fill his
head, to drown out the sound of Delano's humming, so he thinks of poetry … *
The sun descending
in the West The evening star does shine The birds are silent in their nest And I must seek for mine The moon,
like a flower In heaven's high bower With silent delight Sits and smiles on the night ...
*He sees
Delano shiver slightly, pulling his coat closer around him … he wonders if his poetry has put a chill in the air …
he supposes anything is possible, and quickly adds to himself that he hopes that also means nothing is impossible, if only
he could return to what he once knew, or barring that, put an end to all this, because he’s not sure how much more he
can bear … and he feels something akin to tears, and the wind howls … *
At Corso’s hideout:
Corso *still grinning after
Manouche, answers the phone* Charlie? Another
victim? Didn't I tell you lad to keep your hands off this business, it's not
for the likes of you, no, don't try to interrupt ... WHAT? Say it again … By the Devil and his Dad, you can't mean
it. Yes, I heard you. So we do have
an eyewitness .. .Two eyewitnesses? Some junkies and drunks, Charlie, they don't
amount to mu... Ivan? Did he really
see for himself ... Now this is great news indeed. Now we have two eyewitnesses
who have seen the night stalker at the job. Did they recognize the stalker? *Corso almost drops the phone, his mouth drops open, and he sits down on the dirty
opium den couch* Bloody hell, that's a familiar face indeed! Now this is what you have to do. Run along to Portsmith and
tell her that the stalker has been seen and identified. She will no doubt reward
you when you tell her who it is. *laughs*
Who would have believed! How strange!
The Commander will be able to march to the town in all her uniformed glory and make a good scene of the arrest, ha
ha ... The body? Don't touch it. You
must never move the body. I will take care of it.
*he shuts the cell phone, whistles to himself as he puts the books in his bag and goes to collect the dead victim,
and he mutters to himself* Soon, Loralee …
At Sleepy Hollow Woods:
Delano *stops humming, senses something, like a presence, but when he listens for it, he hears nothing
but the sound of woods and when he looks around he sees nothing but the trees. He
shudders again … strange, he never notices temperatures, but still he feels a chill in the air. For a moment he wonders if it’s a spirit coming to haunt him, but he quickly discards the thought
and tells himself that he must be losing his mind. He has no doubt that spirits,
ghosts, and the like exists, but one of his victims were to haunt him, it probably would have happened a long time ago. Still, he decides to leave and go back to From Hell Court to see if Alex has any news.*
At Rartigillichal:
Blake *awakening
late in the day, finds that he has been left alone. He slowly emerges from the
wagon, sees that the campfire has been doused, and Courbet and Jerod are nowhere to be found.
He stretches, finds that he feels better than he’s felt in quite some time – stronger, at least, though
no less miserable over what he has become. He’s not sure how much longer
he wants to wait, not sure how many more times he wants to try whatever Jerod has to suggest.
He’s fast reaching a point where he would prefer to simply have Jerod put him out of his misery. He frowns, then thinks of the woman he had seen earlier, Manouche, and he once again feels the confusion
he had felt when they had talked. What was it about her … he wishes he
could pinpoint it. He sighs, then soon feels the hunger, and his self-loathing
is piqued. He knows he must find nourishment, but the idea is still as appalling
to him as ever. He thinks of the vampires who, after trying to help him, quickly
turned away from him in disgust at his reluctance to kill. He scowls as he remembers
them. Did they think he enjoys feeling this way?
He sighs again, starts walking away from the camp. The hunger won’t
leave him; like it or not, he must do something about it.*
*He wanders
around aimlessly for awhile, then finds himself on Manouche’s property, though he doesn’t know it’s hers. He soon realizes his mistake; looking off in the other direction, he sees that he
should be heading for the woods instead, where perhaps he can catch a small animal or two to sate his hunger. He starts to turn around, but his curiosity about the property gets the better of him, and he decides to
look around a little more before going in search of sustenance. He comes upon
the first building of the property, enters, and is surprised to see two horses and a colt.
The sight of the animals, and the scent of their blood, fires his hunger unbearably, and he’s unable to resist. He slowly starts to approach the mare, who stamps her hooves nervously, then whinnies
loudly as he comes closer … *
Manouche *her
voice deadly* Leave them horses be.
Blake *turns
to see her standing in the doorway, pistol drawn. He quickly covers his amazement
at the fact that she was able to take him unawares; he nods at the gun, grins* Surely
you know that weapon is useless against me.
Manouche *hesitates* A-aye … I do know that. I reckon
it’s jus’ … impulse. *she lowers the pistol, but she continues
to look him sternly in the eyes* I’m still gonna ‘ave to insist that
ye leave them horses alone.
Blake: Is that so? *he turns away from the horses,
comes toward her* They must mean a lot to you.
But they’re just horses. You can always get more horses.
Manouche: It ain’t up fer debate, savvy? Subject’s
closed, mate, shove off. *she wants to break down and cry, she can’t believe
she’s having this conversation with him; but she remains calm, continues to watch him carefully, her voice firm*
Blake *moving
still closer to her, laughs* Well … I have to feed on something, don’t
I? *he stands directly before her, and he hides his surprise that she doesn’t
flinch or back away from him* What would you suggest? *he grabs her, takes her in his arms* Perhaps it’s time
I follow the advice of my peers and move on to human prey …
Manouche *voice
slightly shaky, but she still gazes into his eyes* I – I don’t believe
ye’ll do that. I d-don’t believe ye want to. I don’t believe ye h-have any desire t’ do that …
Blake: You don’t, eh? *he holds her tight,
swiftly grasps her hair and pulls her head back, bends her backward; he leans over her, his lips grazing her exposed throat* And what in the world is there to stop me? There’s
no one around for miles, no one will hear you scream for help. I have to feed
or perish. Why shouldn’t I choose you as my victim … you look very
delicious to me … *he opens his mouth wider*
Manouche *sees
his fangs, closes her eyes, whispers* J-Je t'aime …
Blake *pauses,
looks at her questioningly*
Manouche *eyes
still closed, suddenly recites some of Blake’s verse that comes to her; she has no idea why, but she goes with it*
When wolves and tigers howl for prey They pitying stand and weep Seeking to drive their thirst
away And keep them from the sheep But, if they rush dreadful The angels, most heedful Receive each mild spirit New
worlds to inherit …
Blake *looks
at her curiously; his arms tightly wrapped around her begin to shake, and he hears himself responding:*
And there the lion's ruddy eyes Shall flow with tears of gold And pitying the tender cries And
walking ‘round the fold …
Manouche *opens
her eyes as his voice trails off, and she gazes at him, not knowing what to say*
Blake *stares
at her, wide-eyed* Wh-what was that? …
Manouche *swallows* That … that were yers, love. You
wrote it …
Blake *struggling
with his thoughts, and the relentless hunger that’s almost painful, tries to will himself to continue, to attack her. He looks at her again, sees tears in her eyes, and he’s suddenly filled with
a deep compassion that he’s not sure he’s ever felt before for anyone or anything; if he has, he thinks it must
have been long ago. He pulls her close, crushes her against his chest, sobbing,
and they slowly sink to the floor*
Manouche *holds
him, murmuring* Easy, love, shhh …
Blake *trembling,
his voice muffled in her hair* I … I don’t understand … I don’t
know who you are … I don’t even know who I am …
Manouche: W-we’re tryin’ t’ help ye, straight up. We’re tryin’ …
Blake *moans* No! *pulls away from her; grips her by
the arms, hurting her, stares at her, wild-eyed* The only way you can help me
is to get those fools to listen to me. Jerod knows how to do it, he can destroy
me. *he frowns as he sees tears roll down her cheeks* Don’t. S-stop that … I can’t go on
like this, you don’t understand … *he winces, ducks his head for a moment, as if in severe pain; he looks up at
her, shakes her, hard* Please, I’m begging you … make them understand. *he looks around from side to side desperately, as if he’s being surrounded
by captors; then he pulls her to him, kisses her lips passionately. He releases
her, pushes her backward, jumps to his feet; he looks down at her, lying back on some of the straw that covers the floor of
the stable* I have to go. I have
to go now, or I’ll kill you. *he gazes at her, eyes filled with despair*
I -- I’m sorry. I won’t hurt your horses, I promise. *he turns away from her, staggers toward the door, runs outside, into the twilight*
Manouche *scrambles
to her feet, runs to the door, steps outside looking all around, but he’s gone without a trace. She lowers her head, wipes the tears from her eyes, goes back into the stable to calm the horses. She pets each of them, speaking softly, till they’re no longer fussing, and
she gives them extra food, checks their water. She leaves the stable, locks the
door, looks around one more time, still sees no sign of Blake. She sighs deeply,
walks slowly back to the house to pour a very strong drink, rest awhile, and count the hours and minutes until time to meet
Corso*
At From Hell Court:
Delano *makes it up the stairs to his room at the tavern and sees Alex sitting on the floor waiting
with a thick book in his arms; unlocks the door and enters his room followed by Alex* Find
anything useful?
Alex *smiles satisfactorily* Indeed, I did! *Turns serious* Although … the books says the ritual
is only a myth, so there are no guarantees it’ll work.
Delano *glares at him* Make it
work!
Alex *now realizing the pressure put on him starts explaining nervously* OK … we need a wooden box or cage, five sacrifices … *hesitates; quietly* … vampires …
Delano *muttering* That’ll
make us popular … *sinks into the chair and pours a drink* Go on.
Alex: We also need a personal object of Loralee’s
and some incense … apart from the sacrifices, it’s fairly simple; you put the personal object inside the box,
chain the sacrifices to the box, burn the incense while saying the so-called magic words.
Delano *gently touches the necklace he’s wearing … a gold necklace
with a heart-shaped pendant with a black gemstone. It’s all he has left
of her; looks at Alex intently* Do you think it will work?
Alex *not sure if he should say what Delano wants to hear or be honest; quietly* I
… I don’t know.
Delano *gulps down the drink and rises* Go
get a hold of the box and incense … *smiles grimly* I’ll go find
our sacrifices.
Alex *grins* Happy hunting!
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