Depp Shadows

Part 38
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The company is infinitely better than last time, I think.  The scenery has definitely improved. 

 

Being where Portsmith surprises Corso with the breadth of her awareness of his trickery … Daphne shocks the rather easily-shockable Godley … Godley and Abberline finally have a serious talk in which Godley tells Abberline something of his past he didn’t know about … in turn, Abberline shocks Godley (even more than a scantily-clad Daphne) by explaining how he betrayed Manouche … Jerod tells Manouche and Malachi that they’re in danger, backing up his information with a chilling visual aid … Daphne proves herself resourceful at the hospital (and shrewd at Chez Roux) … after watching the film of himself with the Order guys, Abberline – now finding himself on the receiving end of betrayal – is galvanized into a private investigation against Portsmith … Deppville suddenly falls under the spell of a full moon, or somesuch (Marja started it!!), and things get very romantic for a few of our principals … Malachi finds he’s not so lucky during this phase, sharing nothing more than an unnerving moment with Loralee … Daphne reconsiders her cavalier attitude toward Abberline … and the surprise from Blake that Manouche has been dreading comes to a very happy conclusion.

 

At Chateau Blanchefort:

 

Portsmith:  Any news on Colonel yet?

Corso:  Yes, she was at the police station and saw my friend Golz.

Portsmith:  What did he say?

Corso *shrugs*  He said she didn't seem the kind to be bribed.

Porsmith *sighs*  I could believe that.  I remember the letter she sent, the one that you tried to intercept.  Don't try to look innocent, I saw it in your room.  *grins*  She's not going far with that honesty, she couldn't be both friends with the pirate and my right hand.  I doubt she could be bribed with money either, nor with what you tried to do.  Don't deny, I know you had to try.  *grins sarcastically, Corso blushes*  I could have told you that you don't have a chance with her, not with her married to that chocolate-eyed cute little Hanson.  So, she is an excellent choice on this case.  What's the next move?

Corso:  She should be seeing Ferdinand Gallego at the Prado next.  I sent him back the Virgin and Child that he forged, I would love to see his face when the Colonel shows the stolen painting.  His assistant promised to bring in the parcel when the Colonel is visiting him.

Portsmith:  Very good, Corso.  Gallego will be the first one.  It means that I don't have to pay him for the last acquisitions.  *frowns*  But how can I know they are not forged?

Corso:  You can trust me, Commander.  As always.  I checked them myself.

Portsmith *suspiciously*  Of course.  How could I ever forget that?

At Bournemouth House:

Daphne *comes down the stairs wearing Abberline's pyjama top and little else.  Glances back up the stairs as if to make sure she's alone, then ducks into the drawing room.  Starts browsing bookshelves, pulling out a book here or there, replacing it ... notices a small chest of drawers against one wall, opens the top drawer, rummages around.  Pulls out a couple of old letters, reads them, only mildly interested since she doesn't know who Victoria is.  Finds a small, black velvet jewelry box, opens it, eyes widen at a pair of beautiful antique diamond earrings.  Closes box after a minute, returns it to drawer.  Thinks she hears Abberline moving around upstairs; closes drawer, quickly leaves the room and goes into the kitchen.  Searches a few cabinets, finds what she needs to start making coffee*

Sergeant Godley *opens the door to Bournemouth House, with a bag of groceries from Grape's, resolved to make Abberline talk about the journal he read, he knows it isn't going to be a pleasant discussion for either of them, so he wants to brace himself with a good breakfast first.  He goes to the kitchen, sees Daphne brewing coffee, drops the bag and draws his gun*  What the ... who the blazes are you, and what on earth are you doing here!  *Notes what she has on, blushes, avoids looking at her*  Explain yourself, and ... and get yourself decently dressed!

 

Daphne *looks down at herself, looks back up at Godley, grins*  I’m Daphne, I work at the hospital.  I helped Freddie work on his case while he was there.  We had a date last night, and he brought me home.  That’s all.  *walks up closer to Godley, amused at his embarrassment*  Shy, aren’t you?  Who are you?

 

Godley *utterly shocked, really not understanding what she says*  Freddie?  Date?  With whom?  How?  *backs out of kitchen* Inspector, are you there?  *casts one horrified look at Daphne and flees upstairs, finds Abberline in the bedroom, he's wearing the bottom half of the pyjamas*  Who is that ... that red-headed Jezebel downstairs?

Abberline *looks at him innocently*  Why, didn't she already tell her name?  She's Daphne.  How many times have you yourself expressed the wish that 'I had someone'?

Godley:  No, no, not like this.

Abberline *takes Godley by his arm*  Calm down, Godley, let's go downstairs and I’ll introduce you to her.  She's a nice girl.

Godley *looks at him*  Are you out of your mind?  What about
Victoria?

Abberline:  Don't mention her.  She's dead.

Godley *blinks, follows him passively down the stairs but balks at the kitchen door*  But she has nothing on ...

Abberline:  Well doesn't that sound good ...  Daphne, meet my long-time friend and colleague Sergeant Godley.  *sits down and takes her in his lap*  I am sorry that he busted in like that upon you.

 

Daphne *shrugs, puts her arms around Abberline’s neck*  That’s okay.  *kisses him noisily on the cheek, nods at Godley*  Pleased to meet you, Sergeant.  I finished making coffee, if you’d care to help yourself.  And you could pour us some, as well.  *turns back to Abberline*  Freddie, sweetie, I was wondering … wouldn’t it be nice if I had some earrings to go with that pretty necklace you gave me?

 

Abberline *ignoring Godley's disapproving gaze, smiles at Daphne*  Earrings?  Why not, you can choose any earrings you want from the jewel shop.  What kind of earrings do you like?

Godley:  Inspector.  I do have very grave matters to discuss with you.  I – can't you – can't she get dressed properly.  *glares angrily at Daphne*  I need to talk to you.  Why are you doing this, Inspector?  She's ... she's ... cheap.  *turns and walks out of the kitchen, muttering to himself*  Freddie, sweetie … indeed ...

 

Daphne *frowns after Godley*  Hmph.  I don’t think your friend likes me.  *turns back to him, nuzzles his ear*  But you like me just fine, don’t you?  *presses against him, kisses his neck, slowly brings her lips back to his ear, whispers*  Sometime you’ll have to tell me about Victoria … and that other name, the funny one you said in your sleep last night … Manooosh? … *glances up at clock*  Oh!  I didn’t realize it’s so late.  I have to go to work.  Don’t worry, I’ll get those records for you.  See?  I didn’t forget.  *jumps off Abberline’s lap, leans down, wraps her arms around his neck, kisses his mouth passionately, gazes into his eyes*  Earrings … diamond … antique gold … that’s what I like.  *smiles, straightens up, runs out of the kitchen, sees Godley standing in the hallway, glowering at her.  She waves gaily to him*  He’s all yours, Sergeant Gadfrey.  *she turns and runs up the stairs to get dressed*

 

Godley *still indignant, returns to the kitchen, pours coffee into two mugs, shoves the other one in front of Abberline*  Diamond antique gold earrings for the damsel, eh?  She's been snooping around.  A golddigger if I ever saw one.  Just like the ones you gave Victoria as a birthday present.  Her favourite earrings.  Ain't that just nice.  I bet that lady of yours set her eyes on them here.

Abberline *lights a smoke, shrugs, frowns*  She can have them.  Thanks for reminding me of Victoria, Godley.  She's dead.  She's dead.  I have been married for years to a dead woman.  She was my everything.  And now I have nothing.  What do I need a pair of earrings for?

Godley *opens his mouth, doesn't find anything to say, hears Daphne coming down the stairs, shuts his mouth again*

 

Daphne:  Well, here I am … I gotta run.  *glances at Godley, takes coffee mug from him*  Thanks.  *takes a quick drink, leaving a smear of lipstick on the mug, hands it back to him, winks.  Turns to Abberline, kisses him deeply*  I’ll take care of that business for you, like we said.  Meet me tonight at Chez Roux.  *smiles brightly at them both, turns, leaves the house, heads to hospital*

 

Godley *looks disgusted at the cup, then at Abberline*

Abberline:  What are you staring at me for?

Godley:  I must say that I would be happier for you if you'd found yourself a better girl, someone like Manouche.

Abberline *sharply*  Stop that.  You are talking like I wanted to marry that girl.  I don't love her, she doesn't love me.  It's a perfect relationship.  I don't ever want to deal with feelings like love again ...

Godley:  Funny that strumpet of yours mentioned Manouche.  I had a talk with her about you, actually that's why I am here.

Abberline *suddenly wary, almost frightened*  What did she say?

Godley:  She told me about a journal of yours.

Abberline *relieved*  Oh.  *pushes the coffee cup aside*  You can have your talk now, but I am going to get dressed first.  *leaves the kitchen*

Godley *takes the cup with the lipstick stain and cleans it with a detergent while waiting for him to come back, brews new coffee, heats some rolls.*

 

Abberline *returning to the kitchen, taking the mug of coffee*  I am listening now.

Godley:  As I said, I have talked to Manouche about you.  It seems that Manouche knows more about you than I do.  You know already that she read this last will of yours and was moved to tears.  All the time you have been wary and guarded, you have never let anyone near you, not me, your closest friend, not even Victoria, the one and only woman you truly loved.  Nor Manouche, who has listened to you, helped you unconditionally, been a trusty friend to you.

Abberline:  Don't talk about her.

Godley *understanding that he talks about
Victoria*  Yes, let's not talk about her.  By all means, shut the door once again on me.  You never want to talk about anything that should be talked about.  *takes the journal and tosses it to Abberline*  I bet you don't want to talk about this either.

Abberline *frowning*  No.  I did not intend it to be read by just everyone.  I could as well have published it.

Godley:  But you intended those last pages to be read by someone else than you.  Let me tell you this.  When I met you for the first time, you were such a tough young man, a man of action, cold facts, few words, but that's not what I saw.  I saw a young sensitive man, I saw how wounded and vulnerable you were behind your shield.  I taught you everything I knew of the profession, shared all facts and my experience with you, but that's not what made you an excellent investigator, not the cold facts you love, it was your sensitivity and intuition that made you so good in this profession.  You were, and you still are so damned fragile, that I never got to asking any 'awkward questions'. Since then I have supported you, I have helped you through hard times, I have been there when you needed me, I have even saved your life.  And I have never asked you any of those questions you are so afraid of.  But it seems I should have done so.  You have been keeping all the most important things in your life from me, but I got to confess that I haven't been entirely frank with you either.  If you had told me about your dismal views on life, about your family, I could have shared some important facts with you that might have eased your conscience.  But you never did tell a thing.  I have some cold facts for you, as you prefer them more than compassion.  Now, I know that you sent an invitation to your mother, and I know she never even responded to it.  So I went to see her.  I could not see how a mother would not want to attend her only son's wedding.

Abberline *shocked*  I don't believe you.

Godley:  Yes, I went to see her.  She said that she didn't have a son, not after what you did to your father.  I could not turn her head, so I see where you got that stubbornness from.  She wasn't very polite to me, but she told me some interesting things ... What you wrote of your father is mostly rubbish.  I don't doubt that he was a horrible father, but still, you were wrong, horribly wrong about him.  You heard how he threatened your uncle, and then you turned all the hatred you had towards your father and were not allowed to show him, into these visions about murders that never happened.  You don't believe in it yourself.  I can see it clearly.  Where are your cold facts?  Why did you not search their graves, why did you not drop an anonymous hint, why did you not try to locate your uncle who fled abroad with his family?  Because you knew.  You knew that anything like that did not really happen.  The only thing that happened is that you managed to get your revenge on your father.  You turned him into a killer to justify your hate.  You still don't understand how much it cost you.

Abberline:  Godley, please stop.

Godley:  I understand you.  I can't even begin to imagine how it was to grow up in a family without love.  I cannot understand how you can hate both your parents so much, but I can see that you were unable to deal with all that hatred.  I can understand how you don't want to get more hurt by people, why you want keep your distance, but I can't understand how you have managed to keep all this inside you, how you haven't wanted to confide in me.  I can't understand how deeply you distrust even me.  I can't understand how you can live your life like this.

Abberline *softly*  I don't know of any other way.  Talking only makes things worse.  And does it matter?

Godley:  It matters a lot.  You are now a father yourself.  You don't want to be like your own father.  You have to build up your relationship with Raven and take your responsibility for him.  That's what fathers are for, to provide unconditioned love and stability.  To be a role model for a son.

Abberline:  No, I don't want to be like my father, but don't you see, I am as bad as he was.  You don't know what I have done, and I don't want my son to be like me.  I want to protect him from me.  Kat is taking him away.

Godley *shakes his head*  No, don't think for a moment that you can desert your son.  He needs you.  I never before saw a pair of such confused and confusing parents as you two.  Have either of you ever thought how Raven feels?  He can't rely on either of you.  And I got to say, dear friend, you are never going to be like your father, though I believe he also would be a man of cold facts.  No, you are not like that, even if you always try to suppress your feelings.  But, ironic as it is, I can see you beginning to resemble your mother – reserved, suspicious of everyone, paranoid and reclusive.  You are not deceiving me a moment with that redhead of yours.  Are you really going to do the same to your son that your mother did to you?  Can you still remember how it felt to be rejected?

Abberline:  But he doesn't want to remember me.

Godley:  You just have to be the man, not the wounded kid, and deal with it.  Sooner or later Raven will get his memory back, and you'll better be prepared then.

 

Abberline:  Manouche doesn't want me near Raven.  Or herself.

Godley:  Manouche?  On the contrary, dear friend.  She wants Raven to have a father.

Abberline *stubbornly*  Raven has Blake.  Manouche doesn't want anything to do with me.  She's mad at me.

Godley:  She's always so concerned about you.

Abberline:  Is she?  Listen, Godley.  *lights a cigarette, looks him straight in the eyes*  She's not concerned about me anymore.  She's angry.  She's hurt.  And it is entirely my fault.  *thinks for a while how to proceed*  Those Order guys ...  I made a deal with them.  They gave me the men who murdered
Victoria.  I gave them Manouche.

Godley:  What are you saying?  I don't understand.  *puts very carefully his cup on the table.*  You did what?

Abberline:  I betrayed her.  I betrayed Manouche.  Took out Blake so that she would be at home alone.  That's it.

Godley *rises slowly, looks incredulously at Abberline*  I don't believe you.

Abberline:  Why would I lie to you?

Godley *blinks, looks uncertain*  I don't believe you.  Manouche is your friend.

Abberline *rises, looks steadily at Godley*  Not anymore.  She was a friend.  So, what are you going to do?

Godley *slowly*  I don't know.  I really don't know.  *turns around, walks out, bangs the door after him*

Abberline *softly, after Godley's gone*  Goodbye, Godley.

 

At the abandoned house:

 

Jerod *to Kat, talking about Loralee*  It's more what I did to her.  Though she was already a bloodthirsty little savage when I first saw her.  Her murderous nature was astounding.  I found her most amusing at the time.  Plotting to kill her rival, the lovely Danielle.  Seemed poetic justice to give her the dark gift and watch as she was drawn inescapably to the object of her affections for her first kill.  Being a fledging she had absolutely no control.  A pity the child intruded and died as well.  *Glancing at Kat, sneers*  Why do you look at me in that way?  You know what I am.  I never denied being a monster.  My sins and regrets are more numerous than you could ever begin to imagine.

 

Manouche *eyes wide, carefully turns doorknob, finds it's unlocked.  Opens door as softly as possible, cringing as the hinges squeak.  Carefully makes her way through the house, listening to the voices.  Stops just outside room where she hears Jerod talking, trembling at what he's saying.  Thinks to herself*  Blimey ... Danielle ...   *swallows, braces herself, jumps in through doorway, pistol raised, points it at Jerod, face dark*  Right, hands up!  Step away from Kat, leave 'er be, y' bastard!

 

Kat:  Manouche?  You've no idea what you're doin', mate.  That'll do 'im no 'arm.  'ave a care.  'e may well be the only chance we 'ave mate.  As scary as that thought is.

 

Manouche *glaring fiercely at Jerod, glances over at Kat, blinks at what she says*  Ch-chance?  Our only … chance?  Th-this blighter?  Whatcha mean, th’ pistol won’t do ‘im no …… *looks back at Jerod, who’s now staring at her in a most unpleasant way.  She gets it, smacks her forehead*  Oh, bloody ‘ELL.  He’s … he’s a …  *She lowers her gun, looks at Jerod*  Ahh … don’t believe I’ve ‘ad th’ pleasure, mate …  *holds out hand to Jerod, smiles hopefully*

 

Jerod:  You need not fear me.  I've seen too many lifetimes of horror and death.  Vampire I may be, but I have come to a crossroads in which I seek that what might have been in place of the death and horror I've inspired through the centuries.  I cry peace.

 

Manouche:  Peace?  *slowly puts pistol away, staring at him*  Ye ‘ave an odd way o’ showin’ it, if ye don’t mind me sayin’.  *pauses, thinks of everything she’s heard*  I don’t understand … but it sounds as if ye know somethin’ of a certain Danielle.  Which leads me t’ believe ye also can tell me what possible connection I ‘ave with th’ Danielle that Loralee seems to ‘ave me confused with.  *motions toward Kat*  An’ if ye mean well, why th’ blazes did ye feel th’ need t’ abduct Kat?

 

*They hear a noise coming from the front of the house.  Manouche turns toward door, draws pistol again, holds her breath … and Malachi peeks into the room*

 

Manouche:  Malachi!  *lowers pistol*  Blimey, what the ‘ell ye doin’ here?

 

Malachi *looks at her steadily for a moment, shrugs slightly*  I – I’m not sure.  I don’t know how I knew you’d be here … something just came to me.

 

Manouche *peers at him*  Ye been chasin’ a dragon, then?

 

Malachi *shakes head*  No, I haven’t.  That’s what’s so strange.  *brings hand up to eyes, shakes his head, then looks around, sees Kat and Jerod*  Wh-what’s goin’ on? 

 

Manouche *puts pistol away, waves hand at Jerod*  Kat tells me this bloke can help with one o’ our existin’ dire situations …

 

Jerod: I've done some investigation since Kat informed me of another vampire’s presence.  I've reached the conclusion that Loralee seeks vengence against Danielle, as well as a chance to be reunited with her love, now that I have seen your heroic friend here.  I've made notes here that will help you see the connection.  *Hands small notebook to Manouche.*  You, Manouche, as well as this one you call Malachi are in danger.  There may well be a child at risk that I have yet to find.  As for Kat, leave her to me.  If I'm successful, Loralee will either be driven away or destroyed.  By the way, take this key, go to my home.  There is a portrait there that will be of much interest to you.  It hangs in the foyer.  Now go!

 

Manouche *looks at Kat, who nods reassuringly; she looks at Jerod*  Well … all right, as long as Kat’s sure … I reckon I’ll trust ye.  Ye’ll ‘ave to fergive me if I ain’t so quick to trust.  Me trust in people in general has been a bit strained as of late.  *turns to Malachi*  C’mon, mate, let’s go.  *puts notebook in pocket, looks at key, reads address tag.  They leave the house, make their way back to town.*

 

Malachi *reading some of her thoughts*  Kat’ll be all right.  She wouldn’t have let us go if she thought she needed help with that guy.

 

Manouche:  I hope so.

 

Malachi *wants to take her mind off her worries, then remembers something*  Oh, guess who I saw – I saw that snake in the grass, Abberline.

 

Manouche *jumps slightly*  Y-ye did?  When?  Where?

 

Malachi:  I was passing by Chez Roux, before I came here.  *grins*  You’ll like this.  He was on a date.  With that redhead I was seeing for a little while, that Nurse Daphne.

 

Manouche:  A date?  Are ye sure?

 

Malachi:  Oh yeah, I know the look Daphne gets when she’s on a date.  *smirks*  People make the mistake of thinking Daphne’s kinda empty-headed.  In some ways, she’s not very bright, and she sure isn’t sophisticated.  But she’s no fool.  *laughs*  You should’ve seen the uptight Inspector Abberline, watching her take her gum out of her mouth and stick it under the table so she could drink her frothy little cocktail!  *shakes head, chuckling*

 

Manouche:  Blimey.  Him an’ Daphne?  Y’think … ?  Y’reckon she’d be good fer ‘im?

 

Malachi:  Who knows?  He’ll sure have his hands full.  I actually watched them for a minute, it struck me so funny.  They finally got talking, looked pretty chummy, and then he stood up, pulled her up and laid a big kiss on her.  Lust at first sight!  Not so bad … might be good for him, the way he’s been moping over his dead wife all this time.  *snorts*  Not that I give a damn.  He can rot in hell after what he did to you and Blake.  And if I ever get the chance, I’ll give him such a …. *voice trails off, he stops walking, grabs Manouche by the arm, swings her around*  No.  Don’t tell me!  *glares at her*  You’re feeling sorry for him, aren’t you?

 

Manouche *looks uncomfortable*  Well … I —

 

Malachi:  I don’t believe it!  *squeezes her arm harder, shakes her, his voice rising*  Are you really that big of a fool?  What the hell do you care what happens to him at this point?  He damn well didn’t give a toss what happened to you.

 

Manouche *nods*  I can’t argue with ye on that’un.  I jus’ ain’t right as of late, s-savvy?  I … I don’t know what t’ make o’ so many things …

 

Malachi *exasperated, releases her*  What the hell am I gonna do with you?  You have got to quit being so tender-hearted, it’s gonna get you killed.  Did it ever occur to you to listen to people who’ve known the guy for awhile, like Kat?  She’s been right about him all along.

 

Manouche *fights back tears*  I said I ain’t arguin’ with ye, didn’t I?  All me life I’ve tried to be fair, to keep in mind there’s many sides to every story, an’ good an’ bad in everyone.  It’s -- it's hard enough t’ be betrayed, then findin’ out that—  *cuts herself off, pauses*  Findin’ out … *shakes her head*  Never mind.  Let’s jus’ say th’ last thing I need right now is t’ be yelled at by a mate.  Savvy?  *looks up at street sign*  Look, we’re almost there.  That bloke’s house is right down this street.  I suggest we drop this, an’ keep to th’ business at hand, all right?

 

Malachi *still angry, waving his arms as they approach Jerod’s house*  Look, I’m sorry to be yelling at you, but damn it, Manouche, you drive me crazy.  You’re like the poor sod in that old fable – the guy who finds a snake on the ground in winter, it’s nearly frozen to death but still alive, so he brings it into his home … *Manouche irritably pushes him aside as they step up on the porch; she puts the key in the door* …. He takes the snake in by the fire, and his kids are all around him, and they’re looking at this snake and wondering what they can do for it … *follows Manouche as they enter the house* … so they cover it up, massage it, keep it warm by the fire, the kids are petting it … and it starts to revive, and the kids are all excited.  Then the damn thing spins around and bites one of the kids.  *continues as he follows her into the foyer of the house*  The moral being, a snake is a snake, no matter how you treat it.  It’s its nature, got it?  It simply can’t help it.  When are you gonna start listening?  If someone tells you someone else is no good, maybe you should just accept that and keep your distance, quit trying to save the world from itself.  A little self-preservation would serve you well.  Then maybe …  *voice trails off as he stops, looks at her, sees she’s gone pale*  Manouche?  *puts a gentle hand on her shoulder, speaks more softly*  Manouche?  *sees she’s staring at something, follows her gaze to the wall.  His eyes widen as he sees the painting she’s staring at – a portrait of a couple, the spitting image of the two of them, but from another time, the clothing indicating the 18th century* 

 

Malachi *stares at the painting, puts arms protectively around Manouche*  Oh my god …

 

Manouche *whispers*  D-Danielle, I presume …

 

At Deppville Hospital:

 

Daphne *after having been at work for about an hour or so, manages to slip away, approaches Dr. Rainey’s office, carrying a manila file folder containing a magazine, an envelope slightly smaller than the folder, and some miscellaneous paperwork that needs to be filed.  Taps lightly on door, listens, opens door cautiously.  Sees no one inside, looks up and down hall to make sure she’s not being watched; goes into office, shuts door behind her, turns lock.  Steps over to file cabinet, opens drawer, finds file labeled ABBERLINE.  Pulls file from drawer, then leafs through other files.  Pulls another file labeled SANDS, takes paperwork from it, puts empty file back in drawer.  Takes Abberline’s paperwork, puts it in the envelope.  Seals envelope, places it in the manila file folder, underneath the magazine and other papers to be filed.  Places Sands’ paperwork in the folder marked ABBERLINE, puts it back in file drawer.  Takes folder, goes to door, unlocks door, and is just about to step out when she hears footsteps in the hall; listens carefully, hears Dr. Rainey and Sebastian talking as they approach the office.  Catches her breath as Dr. Rainey turns the knob, opens the door.  He and Sebastian look at her, surprised* 

 

Daphne *brightly*  Oh, hi, Doctor!  Sebastian!  *holds up folder*  Just catching up on a little filing …

 

Dr. Rainey *looks at her suspiciously * And what filing would that be, nurse?

Sebastian: With all due respect, Dr. Rainey, you should keep the door locked.

Dr. Rainey: So it would seem. One would assume that no one enters a private room when the owner is away, but not in this hospital. Where do we get these little stupid nurses from? *to Daphne* And would you please show me the files, nurse. *holds out his hand, waiting for her to hand over the files*

 

Daphne *stammering*  Oh … y’know, just the usual paperwork … *jumps as Dr. Rainey snatches the folder away from her.  He opens it, Sebastian peers over his shoulder, they look inside; Sebastian quickly glances away, Dr. Rainey rolls his eyes, closes it, hands it back to her distastefully, glaring at her*

 

Daphne *takes folder back*  S-s-sorry about that, Doctor … all right, I guess I may as well tell you.  It’s Playgirl magazine.  This issue has a survey, asking for readers to vote on who they’d like to see in the next centerfold.  I … I’ve been taking it around to the other nurses, to get votes … I want to nominate the Mayor.  *smiles, opens the folder to show him the magazine*  Here, look, it’s on page 37 … Oh!  Ooops, no, sorry, that’s not the survey … *peers closer at page*  Hmmm … well, he’s all right, I guess, but I don’t think Brad Pitt’s got anything that our Mayor hasn’t got.  *smiles suggestively at Dr. Rainey, nudges him*  Wouldn’t you agree?

 

Dr. Rainey:  If you are done with your 'surveys' would you mind getting out of my room.  I will report on you if I once more catch you in my room without my authorization.  *turns to Sebastian*  Sebastian, give me Mr. Abberline's papers.  You do have the results of the blood tests, do you?

Sebastian:  Yes, why of course, Doctor!  *hands him the results*

Dr. Rainey *starts to go through the blood tests*  Good, no trace of the old detox drug.  But look at this.  He's a heavy user.  A real junkie.  These kind of results can only come from years of opium abuse.  Seems that he's a drinker too.  And he smokes far too much.  Well, he makes an interesting case, indeed.  If we can get him on the clean, we can move on in our testing.  Did you know, Sebastian, if you perform the test first in the laboratory, then on animals, it takes years to get a new drug on the market.  And the costs are high.  I have always believed in clinical testing.  This way, we get the results fast.  Using animals is unethical.  *he frowns, seeing Daphne in the doorway*  For goodness sake, nurse, try to move a little slower and stop gloating at that abominable mag.  Don't you have work to do?

 

Daphne:  Yes doctor, I’ll be on my way.  Thank you for your understanding, sir, it won’t happen again.  *heads down the hall quickly, leaves floor, goes down to reception desk on main floor, speaks to receptionist*  I’m going to take an early lunch break … I’ll be back in a little while.  *She leaves hospital, quickly runs home to her apartment.  Grabs a pad and pen, jots down the things she overheard Dr. Rainey say to Sebastian, so she remembers to tell Abberline.  Puts the notepaper along with the file into a cabinet, locks them away.  Pockets the key, leaves her apartment, returns to hospital to finish her shift*

 

At Bournemouth House:

 

Abberline *goes to the study, takes the memory chip Manouche gave him, puts it in the reader.  He watches the short clip once, then starts it over and over.  How easily they tricked him into it.  The clip starts to play once more, he thinks of Manouche watching him, of his utterly stupid confession to her; he cringes with shame but forces himself to watch it once again.  It isn't her friendship he wants, but there was no way he could be even a friend to her ever again after this.*

*He smokes a cigarette, takes a drink from his brandy bottle.  He stops listening to the voices, looks at the surroundings, the abandoned warehouse, thinks of how the clip was recorded.  Portsmith.  She had the room bugged, which means that not only did she know where the hideout of the Order guys was, but all their plans.  She must have more chips with them making up their plans ...  She had someone follow the Order guys, she knew all their movements, their conversations.  She knew everything.  Commander Portsmith could have intervened, but she didn't.  She knew about the meeting at Chez Roux.  She seemed to know everything, and still she did nothing, just sat back waiting in her castle for the flies to be caught in her web.  She could have stopped the guys if she wanted.  But she didn't.  She didn't need Manouche or Malachi, but she wanted him to fall in the trap.  And he did.  Abberline changes the chip and watches himself, watches how the men take him down with their talk, watches himself shooting in blind rage, watches Portsmith grin at the scene.  Abberline clenches his fist.*  'Your only friend' ...

 

Abberline *takes the chip, looks for paper, the first he finds is his the notorious small black journal, writes down the details he sees on the chip, locks it in the drawer and leaves for the computer shop.*

 

At Deppville Computer shop:

Abberline:  I'm Inspector Abberline, and I'd like to ask you a few questions.

Shopkeeper:  And what would that be?

Abberline:  Do you sell chips like these here?  *shows him the data he wrote down*

Shopkeeper:  Let me see ... Noo, these are of a special brand, seldom used hig-tech equipment.  Cost a lot.  Used in surveillance equipment that can be hidden almost anywhere.  There are cheaper variants we keep in stock that you might want to look at.  In fact, we got one big order on exclusive chips awhile ago.  *stops, looks at Abberline with suspicion*  Did you say Abberline?  Why, wouldn't you yourself know what chips you bought?  The order was placed in your name for the Security.

Abberline *hides his surprise, looks at the shopkeeper*  I am not talking of that order, and I can't keep track of all such small details as the model of memory chips.  That's your business.  I just placed the order, on behalf of Commander Portsmith.  If you got a problem here, I can contact her right away.

Shopkeeper*hurriedly*  Of course, sir, sorry sir!

Abberline:  So you don't keep them in stock?

Shopkeeper:  No, they are too expensive.  We order them on demand and the minimum order is twenty five.  So far, the order you placed for the Security is the only one.  *checks on the computer*  The only one, as I said.

Abberline:  Thanks.  If any chips like these turn out in this town, they would be from the Security?  You have been very helpful.

Shopkeeper:  Yes sir.

Abberline *leaves the shop, goes to Chez Roux to wait for Daphne and think of the mysterious order of chips.*

 

At Chez Roux:

 

Daphne *enters Chez Roux carrying a large envelope, sees Abberline, slides into booth, sitting next to him this time instead of across from him.  Puts an arm around his shoulders, pulls him close, kisses him deeply; holds him back, smiles*  I’ve been wanting to do that all day.  *holds up envelope, sets it on the table in front of him*  Here y’ are, sugar.  *watches him as he eagerly rips envelope open … and thinks to herself about the more significant hospital records she withheld, that are back at her apartment, locked away – the highly confidential ones, explaining the treatment*

 

Abberline:  Nothing of the research?  *Smiles at her*  Don't worry.  This is enough.  *Takes a quick look at the papers, checks that they really are his medical records, puts them back, content with her, then takes her hand; brushes her cheek with his lips, speaks in a low voice*  And I have got something for you, love, a little gift.  Waiting for you at my house.  And I've been waiting all the day to see you ... in private ... What do you say?  Do you really want to sit here?  *gives her the look that made her knees weak*

 

Daphne *swallows, feels herself blush slightly under the gaze of the deep, dark eyes*  Ohh … oh yes, I would love to go to your house.  A gift?  *thinks of the earrings she found; hides her sly smile behind a sweet one, leans into him, pressing against him*  Yes, it’s much too crowded here.

 

*At Bournemouth House, Abberline leads Daphne to the living-room, takes the ornate box with the earrings, after a short hesitation picks a larger box in the same style, winces briefly as he remembers the pieces of jewelry on Victoria.  They were her favourites, as Godley said.  But they were not a birthday present and he didn't buy them, they were his grandmother's jewels and they were given by him to her on their wedding day to go with the engagement ring that he had given her earlier.  He decided to give Daphne the necklace for not having to see the one she got from the 'secret agents'.  He forgets that the engagement ring is in the same box with the necklace*

Abberline: These are mine, they once belonged to my grandmother; they were made in
France before the Great Revolution.  You won't find anything like these in any jewel shops.  *sits beside her, wraps his arm around her shoulder, hands her the boxes suppressing a sigh*  They are just as beautiful and unique as you.  *watches her open first the box with earrings*

 

Daphne *tries to act surprised as she admires the earrings.  Then opens the second box, eyes wide as she pulls out the necklace.*  Oh, my gosh … *holds it up, her mouth falls open, her gum drops into her lap.  She quickly retrieves it, puts it back in her mouth; *  I – I don’t know what to say … *she lowers the necklace, then notices another piece in the box; sees the engagement ring.  She carefully puts the necklace back in the box, closes the box, then turns to Abberline*  Are – are you sure you want me to have all this?  *she stammers; though she’s keeping silent about the ring, she feels all her femme fatale plans have been thrown asunder in the face of his generosity*  F-Freddie … I don’t know if I can accept …

 

Abberline *looks at her, notes that she really is stunning, especially when she's looking wide-eyed at him*  You will have to accept them, Daphne.  I want you to wear them.  What good are they hidden in a drawer?  Can I fasten the necklace?  *opens the first buttons on her shirt slowly*

 

Daphne *looks down as he unbuttons her shirt, then looks back at him, feels herself trembling slightly.  She carefully opens the box just enough to remove the necklace without exposing the ring, closes the box quickly.  Holds the necklace out to him, blushes as she sees him gazing at her exposed flesh at the open neckline of her shirt*  W-well, since you put it that way … yes, p-please help me put this on … I … I’d love to see how it looks … *with her free hand, she gathers up her mass of red hair, holds it up, away from her neck*

 

Abberline *fastens the necklace, leans back to look at her, with a feeling of wistfulness ...  It's a long time since he saw the necklace in use.  Manages a smile*  See, it's just perfect for you.  *leans in on her again to give her a kiss on the neck, takes her hand to let her hair fall free again, then kisses her on the mouth*

 

Daphne *returns the kiss, pulls back, smiles at him*  H-how 'bout we go upstairs, sugar?  In case that friend of yours comes barging in again ...  *She stands up, takes his hand.  They go up the stairs; they reach the landing, and she giggles as Abberline scoops her up in his arms.  He carries her into the bedroom, kicks the door shut behind them*

 

At the docks:

 

Loralee *to Corso, who has swept her away from Abberline*  You dare interfer in my pleasures.  Or is it perhaps that you prefer to be my entertainment of the moment?  *Moves closer, smiling an invitation*

 

Corso:  Er …  No, sorry, just go after him ...  I was just passing by, as it were ...  *backs off, swearing to himself for forgetting the white roses, then adds hopefully*  I can show you where he lives, all you need is an invitation to get in.

 

Loralee:  He can wait love.*  Reaching out and running her hand through his hair.  Pulls him closer.*  I'm thinking you and I have unfinished business to attend to.  Why should we not mix business with pleasure
my love?  I assure you, there'll be no regrets.

 

Corso *trying faintly to resist*  Oh no, I would never interfere with your er ... pleasures … 

 

Loralee:  Kat's place is nearby and I know it to be unoccupied.  Hurry my sweet, the night is young and carefree, but tomorrow brings its own sorrows.  *Brushes his neck with a kiss*  Not yet my love, but very soon.

 

Corso *forgets to avoid her gaze and looks her right into the eyes*  Yes, anything you want ...  *lets her lead him away*

 

At the abandoned house:

 

Kat:  What now?


Jerod:  She's seen me.  She'll not be in a hurry to do battle.  We wait.  *Looks at Kat*  I'm sure we can find a pleasurable activity to pass the time.  After all, we're not strangers.  *Moves closer, whispers in her ear.  She smiles*  No not strangers at all.  *He leads her into an adjoining room*


Kat:  Don't forget to turn off the light. 

Jerod:  I'm a vampire, I see in the dark.

Kat *Laughs*  I know.  At least close the door.  Manouche 'as an annoyin' 'abit of turnin' up at just the wrong time.  I think she's got radar or somethin' … 

 

Manouche *bursts through door, indignant*  By th' powers!  That's th' bloody thanks I get fer tryin' t' save ye when I thought ye were in danger!  Nothin' but besmirchin'!  I 'ave a good mind to ...  *voice trails off as she sees Kat and Jerod in an embrace*  Oh!  Blimey!  A-apologies, luvs ...  *smiles nervously, backs out of room, closes door*

 

At Manouche and Blake’s house:

 

*Manouche and Malachi arrive in front of her house, on their way back from Jerod’s house, after having seen the painting.*

 

Malachi:  You still have that notebook he gave you?

 

Manouche *nods*  Aye.  I’ll read it tomorrow.  I can’t think about it anymore tonight, I’m exhausted …

 

Malachi:  I’m sure whatever’s written in it can wait till then.  Would you like me to take it, read it first?

 

Manouche *shakes head*  I’ll do it.  Though, after seein’ that paintin’, I reckon it does concern us both, don’t it?  *sighs deeply*

 

Malachi:  Go in, go get some rest.  *pauses*  Listen, Manouche … I’m sorry I got so mad back there.  I just don’t want to see Abberline hurt you again. 

 

Manouche:  No worries, mate, I know ye meant well.  Th’ thing is … he’s still Raven’s dad … an’ … long as Raven’s in our care, I may ‘ave t’ find a way t’ deal with him.  Besides that, he … I don’t see how he could’ve done what he did, when he trusted me with … when he told me … *tears fill her eyes*  I – I can’t think about ‘im right now.

 

Malachi *puts arms around her, hugs her, speaks softly*  Okay, shhh.  Don’t think about any of that anymore.  *kisses the top of her head, holds her out at arm’s length*  Now, go on in, do something really mindless, try to relax, get some rest.  Have Blake pamper you.

 

Manouche *glances at house*  Looks pretty dark … reckon he’s asleep.  I’ll slip in real quiet-like, run a bath.  *looks up at him*  Ch-cheers, mate.  An’ I appreciate th’ escort home.  *reaches in coat, takes out pistol, hands it to him*  ‘Ere, take this with ye, luv.  I can collect it from ye tomorrow.  I think … after seein’ that portrait, I’d feel better if ye were armed fer yer walk home.  Or you could stay ‘ere tonight, yer always welcome.

 

Malachi *puts gun in pocket*  No, I’m goin’ home.  I’ve finally gotten it straightened out, back to normal.  Well, as normal as any home of mine ever is.  *grins*

 

Manouche *frowns*  Back t’ normal?  Whatcha mean?

 

Malachi *remembers he hasn’t told her everything that’s happened to him recently*  Oh!  Well, long story.  Nothing to worry about, just a little trouble with … exterminators.  Too many little varmints in that building.  I’ll tell you all about it later.  Now, go on in, quit keepin’ me yackin’ out here.  I’m beat, I’d like to get home and at least get a little sleep before the sun comes up, savvy?

 

Manouche *grins*  I won’t stand in th’ way o’ yer beauty sleep, luv.  *starts to turn away, then turns back and throws her arms around him.  Releases him, smiles, runs up to front door, waves at him.  He waves, turns and heads toward From Hell Court*

 

Manouche *quietly opens door, steps inside … and is amazed to see the room illuminated with candles.  She sniffs the air appreciatively, smells something delicious, and suddenly realizes how hungry she is; she can’t remember when she last ate.  Walks into the living room, sees a fire blazing, and in front of the fireplace on the floor is a tablecloth and several large cushions around it.  On the cloth is an assortment of food, plates and silverware, a bottle of wine and two glasses.  She becomes aware of the sound of water running; hears it shut off, then Blake enters room, stops as he sees her*

 

Blake *smiles*  You and I … have perfect timing.  *walks up to her, takes her in his arms, kisses her tenderly*

 

Manouche *kisses him back, feels tears come to her eyes, she’s so glad to be home.  She pulls back slightly, looks at him*  Wh-what’s all this, then?

 

Blake:  It’s a date.  Or, to be more precise, a picnic.  You were gone so long at The Viper, I figured by the time you got home, you could use a treat.  So I ordered food from Chez Roux … all your favorites, Marijke made it all up herself, and sent it with her compliments … and I got some of our favorite red wine … and thought it’d be nice to have it in here by the fire.  And … *motions toward hallway*  In the master bath, I’ve run a bubble bath for milady.  I took a chance with that, I didn’t really know exactly when you’d get home … that’s why I say we both have perfect timing.  I just got through running it, it’s all ready for you.

 

Manouche:  B-blimey … where’s Raven?

 

Blake:  He’s staying at the Wonkas’ tonight.  *grins*  That’s a bit of a story, it’s pretty funny.  I’ll tell you about it later.  It was a spur-of-the-moment decision for him to stay there, but they were having a good time together, and it just kinda came up, so I figured, why not?  They’ve been wanting to show him the factory.  But he did tell me to be sure and give you this …  *kisses her on the cheek* … and to tell you that if you need him to come back tonight, for any reason at all, no matter how small, he’ll come home.  He really is somethin’, isn’t he?  *shakes head*  Well, when I got back here, I thought how empty the place seemed without him.  So I figured it was high time we have a romantic evening.  We haven’t done that in quite awhile … honey?  Are you all right?

 

Manouche *gazes at him, tears in her eyes*  Mr. William Blake, ye are without a doubt th’ most perfect man ever walked th’ earth.

 

Blake *looks at her carefully*  What happened today?

 

Manouche *shrugs*  J-jus’ a lot on me mind, lately, is all, love.  But I’m hereby settin’ all worries aside fer th’ duration of this night.  Tonight we revel in each other … tonight we’re th’ only ones on th’ planet, savvy?

 

Blake *smiles*  Savvy.  *pulls her close, his arm around her waist, brushes her hair back from her face, kisses her mouth; his lips travel down to her throat, and she arches her head back slightly as he finds the spot on her neck that makes her melt.  He stops, tilts her face close to his, gazes into her eyes*  I guess I should let you go in and take that bath before it gets cold ...

 

Manouche *breathing heavily, murmurs*  I’ll do it on one condition … ye join me.  An’ bring in a coupla glasses o’ champagne.

 

Blake *grins*  I was kinda hoping you’d invite me.  Champagne bottle and two glasses are already in there.  *pulls her close again, whispers in her ear*  Let’s hurry, before the champagne loses its fizz.  *ends the sentence with a kiss to her ear that sends shivers down her spine.  He kisses her cheek, then is about to kiss her mouth again, when he stops*  Damn.  Hold that thought.  *releases her reluctantly, reaches down to coffee table, picks up a piece of thin cardboard*  I got this from Marijke, too.  She has a few of these, for people who stay at the rooms above Chez Roux every now an’ then.  *holds up a Do Not Disturb sign*  I’m putting this on our door.  I’ve also drawn all curtains and shades, and the house is locked up tight as a drum.  I know it’s late … and I love our friends … but … we are not gonna be interrupted tonight.  If our problems can wait till tomorrow, so can everyone else’s.  *leaves room, places sign on front door, returns quickly, takes Manouche in his arms.*  Shall we proceed, Mrs. Blake?  I suddenly have a wish to see you all in bubbles.

 

Manouche *laughs*  Far be it fer me t’ stand in th’ way of such a simple an’ heartfelt request!  Aye, Mr. Blake, me love, let us repair to th’ bath.  *Arms around each other, they start toward the hallway.  As they pass Wilko, he squawks and starts to sing:*

 

She was wide-eyed, now she’s street-wise

To the lies and the jive talk

But she’ll find true love and tenderness on the block …

 

Manouche *stops, stares at him, surprised*  Wilko, mate!  Ye learned a new song!

 

Blake:  I’ve been playin’ Warren Zevon around him a lot … figured it was time he learned another tune besides the Willy Wonka song.

 

Manouche:  Aye, I reckon an expanded repertoire couldn’t hurt, eh, lil’ one?  *reaches out, scratches Wilko’s head, he stretches forward, spreads his wings.  Manouche speaks to him in a quieter voice*  Jus’ keep it down fer a bit … per’aps a pretty love song, savvy? 

 

*Wilko chirps agreeably, they turn and head down the hall to the bath.  After about five minutes of lightly splashing water, quiet talking and soft laughter, the room suddenly goes very quiet – at which time Wilko decides to regale them with another selection:*

 

AHHWOOOOOOOOOOOOO ---- Werewolves of London!

 

*Loud splash, followed by Manouche’s voice*  BLAST, Wilko!   .... S-sorry, love!

 

Blake *laughing*  It’s okay, it’s just champagne!

 

Manouche:  I know, but … blimey, th’ bubbles are reactin’ to th’ champagne! … or th’ champagne’s reactin’ to th’ bubbles …

 

Wilko:  AAHHWOOOOOOOOOOOOOOOO ….

 

On the way to From Hell Court:

 

Loralee:*Having left Corso sleeping, watches Malachi's approach.*

 

Malachi *sees the beautiful woman up ahead; hesitates for a moment, not sure who she is, but his keen instincts kick in and he knows to be wary.  He keeps going, a little slower but steady; he nods to her slightly, prepares to pass by*

 

Loralee *Malachi draws near she steps out lays her hand on his arm.  As she looks into his eyes, her expression softens.*  I've waited so very long for you.  I almost gave up hope.  *Places her fingers gently to his lips to prevent his reply.*  I know you don't remember.  But soon, I promise you will.  *Moves in closer, catching him off guard, lightly kissing his neck.  At that moment, the memory of that first time fills her mind.  The horror of standing over his lifeless and bloodless body with his only child breathing her last at his side.  Loralee gasps from the pain of the memory.  Sobbing*  I didn't mean it.  I didn't know.  I couldn't stop.  It was her fault.  All of it.  She'll pay.  *Closes her eyes trying to block the image*  Forgive me.  *She turns and flees into the night.*

 

Malachi *stares after her incredulously, brings a hand up to his neck where she kissed him.  Though she's very beautiful, he's filled with a fear and a revulsion, and he’s very glad she's racing away from him.  Thinks to himself*  What the hell ... "She'll pay" ... who'll pay?  For what?  *shakes his head, heads for home, quickening his pace.  Arrives safely, locks door behind him.  Sets Manouche's gun on the table, takes off coat, throws it over a chair; lights a cigarette, walks over to window, stares down at the street, still fairly busy with the usual colorful characters of From Hell Court, despite the late hour.  Feels a misgiving, shivers slightly*

 

*CUT.  END SCENE.  Malachi leaves set, walks up to director Cecil B. DuBois, looking agitated.  Shakes script at him, annoyance in his voice*  Damn it, I'm the only one who went home alone!  That hardly seems fair, does it?  Steamy night in Deppville, and all I get is a kiss on the neck and a cigarette by the window!

 

At Bournemouth House:

 

Abberline *wakes with a start from a nightmare, where he once again he comes home late, knows he will see Victoria dead on the floor, switches on the light, looks at the body and starts:  it's not Victoria with her blond hair and blue eyes, it's someone with dark tresses ... it's Manouche.  He knows he's said her name in his sleep again, sits up, lights a cigarette to calm down his nerves, looks at Daphne sleeping peacefully beside him.  She looks young and innocent to him; for a moment he feels sorry for her, feels something like tenderness towards her.  He leans over her and brushes her hair from her face.  She's sleeping peacefully and he's relieved she didn't hear him talking in the sleep this time.*

 

*Unable to sleep more, though it is very early, afraid of more nightmares, gets up, dresses, goes downstairs to brew coffee, the only breakfast he can make.  While the coffee is brewing, he goes to his study, takes the notebook, opens it on the page with the microchip info, writes a short entry on the discussion at the computer shop, thinks for a while what his next step will be.  For now, he doesn't want to confront Portsmith, but it is clear she's been using him to cover up her actions.  Leaves the notebook on the already cluttered desk with the photos and police reports on Victoria's case, goes quietly downstairs, not wanting to wake Daphne; pours himself coffee in the kitchen, takes one of the old rolls that Godley left on the table, stares out the window on the empty street.*

 

Daphne *wakes up, stretches, realizes she’s alone in the bed.  Sits up, looks around the room, brings hand up to the beautiful necklace, which she’s still wearing.  Goes through a jumble of mixed feelings as she gets out of bed, dresses, and makes her way downstairs.  Peeks through the kitchen door, sees Abberline staring out the window.  She comes up to him, puts her hands on his shoulders, leans down and kisses him softly on the cheek*  ‘Morning, sugar.  *walks over to coffee, pours some for herself, comes back over to table, refills his cup.  Takes coffeepot back to counter, sits down next to him at the table.  She studies him for a moment, sees his remote expression, puts a hand over his*  You … you never sleep very well, do you?

 

Abberline *smiles at her*  No, I don't.  I hope I didn't wake you up.  I watched you sleeping ...  You said I talked in my sleep.  Er … did I say anything else other than that name?  *looks at the coffee*  I am sorry that I don't have a better breakfast for you.  Do you really have to go to work today?  Can't you stay with me, I am not feeling well.  *because he's been off from the drugs for some days.  He caresses her hand*  Or could you get me some laudanum from the hospital?  It would help me sleep better.

 

Daphne *smiles regretfully*  I really do have to work, I’m sorry.  It’s hard for me to just take a day off without notice, they always really need us all down there.  I can bring you some … laud … laudanum, if you like.  I’m not very familiar with it.  I've heard of it, but I don’t think it’s used much.  Are you sure that’s what you want?  *he nods, she drinks her coffee*  I’m not sure what you said in your sleep last night … I woke up, heard your voice, but I was so sleepy, I didn’t really hear what you said.  It might've been that same name.  Anyway, you were tossing and turning a lot.  *leans close to him*  Guess I thought you would’ve been too tired for all that physical activity.  *grins, kisses him.  Glances up at clock, sighs*  I really have to go.  *thinks about the significant paperwork she withheld from him, feels a pang of guilt*  Listen, I … thank you for the beautiful jewelry.  I’m gonna take them home on the way to work.  I’ll … I’ll keep watching Dr. Rainey … if I find out anything else, I’ll let you know.  *stands up, brushes hair back from his face.  Leaves kitchen, goes into drawing room, picks up the jewelry boxes on the table.  Returns to kitchen, wraps her arms around him, kisses him*  See you later.  *smiles, leaves kitchen, walks through house out front door*

 

At Manouche and Blake’s house:

 

*Very early next morning, Manouche wakes up on the floor in front of the fireplace, wrapped in a blanket.  Looks around, sees Blake has already gotten up.  She slowly sits up, smiles warmly at him as he comes in carrying two cups of coffee*  Ay, there's that married man I'm livin' with ...

 

Blake *smiles, sets the cups down on the coffee table; sits down next to her, takes her in his arms, kisses her, long and lovingly*  And there's that pirate I rescued once, who thanked me by leaving me my money and stealing my heart.

 

Manouche:  This was th' most beautiful night I've 'ad in a long time, love, per'aps the most beautiful.  Ye 'ave no idea how much I needed it ...

 

Blake:  If half as much as I needed it, that's significant.  *pauses, looks at her, an expression of love and a little excitement*  I, ah ... there's one more thing I'd like to do, before we take that sign off the door an' it becomes Grand Central Station in here again.  *reaches in pocket, pulls out tiny velvet-covered jewel box*

 

Manouche *catches her breath, stares with fear at the box*  Oh, my love ... I – I ...

 

Blake *holds hand up, stopping her.  Opens box, takes engagement ring out, holds it in his left hand; takes her left hand with his right, brings it to his lips, kisses it*  I know you said you didn't want anything fancy ... I know you've said you don't want a big, formal ceremony ... well guess what?  I decided to ignore you, at least on this.  I want my girl to have a diamond.  *smiles a little shyly, takes the ring, slips it on her finger*  Honey, I love you with all my heart, and can't begin to imagine my life without you.  I can't wait to have our proper wedding, where I can tell you how I feel, with all our friends around us ... wash away forever the memory of us standing in chains while that bastard who was holding us captive read the ceremony.  I mean, I'm not sorry ... I'll never regret that we did that.  But I'll be so glad when we can finally make it right, make it the way it should be, for all the beauty an' joy you bring into my life.  *holds her left hand with both hands, looks down at the ring sparkling on her finger, looks up at her*  Manouche, will you give me the great pleasure and honor of marrying me?  *grins*  I guess that's a rhetorical question.

 

Manouche *stares down at the ring, thinks of the circumstances around its purchase; she goes pale, for a moment she fears she'll faint.  Then she remembers some of her training with Alifi – how to use her Romani magic to her own advantage – and she feels a little foolish she hadn’t thought of it sooner.  She closes her eyes, concentrates on the lessons of control ... somehow manages to push aside the grim aspects of the ring.  She opens her eyes, looks down at her hand, sees nothing but a beautiful token of her man's deep love for her, sparkling merrily.  A wave of relief and gratitude for Alifi, for Blake, for everyone who's been so good to her, sweeps over her; quite overwhelmed, she bursts into tears*  I – I will marry ye, Mr. William Blake, an' I'll love ye with all me heart, till death parts us ... an' beyond that, if we can find a way.  *she throws herself at him, nearly pushing him over, kisses him passionately.*

 

Blake *after a few minutes, holds her close, gazes into her eyes.  Takes her left hand, holds it up, admires ring*  I knew it would be perfect on you.  I was nervous about buyin' it ... I don't know much about diamonds.  You'll never guess who helped me -- Inspector Abberline.

 

Manouche *swallows, braces herself, remembers what Alifi told her*  Is -- is that so ...

 

Blake:  He was very kind about it, but … he shouldn't have done it.  I think it was too hard on him, prob'ly brought up thoughts of his wife.  Anyway ... he helped me pick one out.  But I was stupid, I waited too long to go back and buy it.  Someone bought it before I could get the money together.

 

Manouche *absently listening, perks up at this last*  Y-y'what?

 

Blake *nods*  I was so disappointed ... but then I saw this one ... and the more I looked at it, the more I thought it's a much better choice.  Now I'm glad things went the way they did.  I mean, I appreciated his help, an' I'm gonna have to show my appreciation to him sometime ... but ... well, I'm glad I was able to pick one out for you by myself.  And I'm even happier that the one I picked is a better choice after all.  This one suits you far better than the other one did, it's more your style.  It's ...  *voice trails off as he sees her looking at him*  Honey?  What is it?

 

Manouche *beaming at him, brings her hand up to her lips, kisses the ring; reaches arms out, pulls him close*  Everythin's right an' sound as can be, love.  'Cept ye talk a bit too much.  *kisses him, grins*  How 'bout we leave that bloody sign on th' door jus' a bit longer?

 

Blake *starts to speak, then simply nods.  She holds part of the blanket open, throws it around him, wrapping him up in it with her; they kiss deeply, slowly sink back onto the cushions*

 

Wilko:  I saw a werewolf with a Chinese menu in his hand ... walkin' through the streets of Soho in the rain ...

 

Manouche *still kissing Blake, sits up slightly, reaches over to one of the plates on the floor from their dinner; grabs piece of bread, tosses it to Wilko.  He catches it, stops his singing as he shreds it with his bill*

 

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