At Godley’s house:
Manouche *a little worse the wear for drink, slowly approaches Godley’s
house, knocks on door* Sergeant Godley?
Y’there, mate? I need t’ speak to ye …
Godley *opens the door* Manouche, how nice to see you! I have
been wanting to visit you, but I've had lots of work to do. *notices her condition* Something wrong? Or have you been feasting
the engagement? *helps her in, leads her to a small, neat and cozy living-room,
disappears into the kitchen and comes out with a tray with a coffee-pot and two mugs and rolls with butter and cheese, sits
on the sofa opposite of her, pours her coffee* So what is it you want to speak
about?
Manouche: Cheers, mate. *takes coffee, blows on it to cool it, takes
small sip* I, ah … I ‘ave to give ye somethin’. It’s fer Inspector Abberline. *takes padded envelope
from her coat* Y’see, we appear to ‘ave reached an accord …
we come t’ realize that it’s prob’ly fer th’ best we don’t cross paths so much from now on. *holds up envelope* I don’t know
what he’s told ye … let’s jus’ say he betrayed me trust, an’ … well, there's more, but
I'll let 'im tell ye th' rest. We’ve ‘ad our partin’ words,
but … I meant t’ give him this, an’ I didn’t ‘ave a chance.
I’d really rather not see ‘im again, an’ he’d just as soon not see me. *sets envelope on table* These are memory chips, lil’
films, as it were. I stole ‘em from Commander Portsmith’s home. I don’t know her plan fer any o’ these, but they obviously concern th’
Inspector. One o’ the clips is … is th’ evidence o’ him
meetin’ with th’ blokes from th’ Order … it’s how I come t’ learn of his betrayal. The others … well, ye’ll see fer yerself, if y' watch ‘em. I’ve watched ‘em all, copied ‘em, as well. But these are th’ originals. I thought he should ‘ave
‘em. They may prove useful to him, an’ they’re of no use t’
me. *looks away, thinking* Not even
sure why I copied ‘em. Don’t know what earthly good it’ll do
t’ keep ‘em. *shrugs* Reckon
I’ll delete ‘em eventually. *pauses, turns back to Godley* Ye’ll see he gets ‘em, won’t ye, mate? An’
fer what it’s worth … I wanted t’ try to forgive ‘im, fer Raven’s sake if fer no other reason. But he wouldn’t ‘ave it. Anyway
… I won’t be standin’ in th’ way o’ him seein’ Raven, if he wants. That’s between ‘im an’ Kat. *looks down,
runs hand through hair* I’m talkin’ in circles, aren’t I? Apologies, luv. I can blame it at least
in part on th’ drink …
Godley *looks at the envelope* I can't believe what you are saying – parting words? What parting words? For what he did, yes Manouche, the Inspector
told me as much, about how he betrayed you, but I got no further explanation from him.
*sighs, puts down his coffee mug* I will give them to him, but the fact
is, I haven't had any chance to speak to him because of that ... that ... you know who I mean.
I haven't been to his house lately, because the last time … *blushes* … never mind. What's got into him now? Manouche, I know you, you are the
one who's understood him best – what's happened to him? I wish you could
forgive him, but I can understand you if you don't. I – I myself find it
hard this time. *shakes his head* I
have never seen you like this before, Manouche, poor lass. *frowns, looks at
the coffee mug* I hope this does not mean that you don't like to see me either,
because I feel I have to stick with him, no matter how hard it is. I will give
them to him. Can I say they were from you?
And I'll have to give them myself, I can't have that snooping wench find them.
*sighs* Is there anything I can do for you? *stirs his coffee* Have a roll, they are fresh from the oven. *tires to smile at her*
Manouche: Aye, ye can tell ‘im they’re from me. He’ll
prob’ly know anyway. *looks at Godley*
I’ll always be ‘appy to see you, savvy? Yer always welcome
at th’ house. I would never expect ye t’ take sides, or to turn from
‘im. He’s yer longtime friend.
I wouldn’t want ye t’ feel ye ‘ave to turn away from ‘im fer you an’ I to remain mates. But I thought ye should know what ‘appened between ‘im an’ me, seein’
as how we had all been spendin’ a fair amount o’ time together till recent.
Blimey, I don’t know how I’m gonna tell Mr. Blake. I don’t
look forward t’ that. *drinks coffee*
I don’t know what’s ‘appened to him, Sergeant. I thought
I understood him, or was beginnin’ to. Turns out I don’t. Y’ don’t understand, I actually do forgive ‘im.
But it don’t matter, ‘cause he can’t forgive himself. An’
he’s worn me down to th’ point where I ain’t even angry with ‘im anymore. Instead … I jus’ feel nothin’. After th'
things he said t' me ... I can’t let ‘im hurt me anymore. *pauses,
then grins at Godley’s blushing* So, it’s a bit dodgy at th’
house these days with him an’ his new lil’ playmate, ay? Don’t
be too hard on ‘im, Sergeant, it’s prob’ly th’ first thing he’s felt akin t’ love in many
years. *smile fades as she thinks of Abberline’s declaration of love for
her; she sighs* As fer Nurse Daphne … I don't know her at all. She
may not be a bad sort. But … I do know she’s … she’s
kept things from th’ Inspector. So yer most likely right t’ not trust
‘er completely at this particular juncture.
Godley: I am relieved of that, Manouche, but I knew you would not be narrow-minded. I
look forward to seeing you, and besides … *grins* … I just began on teaching Raven football. I guess he's had enough of unpleasant things, as it were. *pours
more coffee for them both, tastes it, smiles* This is rare Kenyan blend, a very
refined taste. Now, where was I ... I won't ask you what he told you. I'll ask him instead. But I would like to give you advice:
don't keep Mr. Blake in the dark. If
he finds out, it sure will shake even a good relationship. Just trust him. You are not responsible for any acts of the Inspector, that's his problem. Tell Blake. *scratches head* I
thought you were the one who understood the Inspector, cause during all these years, I don't. And
I won't let him or anyone else hurt you. Turn to me, if you get a problem. *coughs, confused, still red in the face* That's
nothing to do with love, and I don't even want to think what it is. It is shameless.
I don't trust that red-headed lady a bit. She
is of a bad sort, and not good for him at all. You just confirm my suspicions.
But enough of the Inspector. I am
sorry for what he did to you, but I can't alter what's done. What are you going
to do with Raven? Maybe he's happier when he doesn't remember. Maybe that part of memory is totally erased from his mind. He
has Blake. *grins* And I will teach
him to be a football player.
Manouche: Aye,
lil’ mate has plenty o’ people to take an interest in ‘im. There’s
been some talk of him stayin’ with his mum fer a time. Could be good fer
‘im. He’s been wantin’ to, an’ it’d be good fer
th' pair of ‘em to get to know each other proper. Kat’s a bit
worried about it, but I know she’ll treat ‘im right, she loves him dearly, as he does her. There’s also his uncle, Kat’s brother Gili, who’s been spendin’ more time with
‘im lately, an’ they’re ‘avin’ a grand time together.
An’ of course he’s always got a home with Mr. Blake an’ me.
*smiles* An' he even spent a night with Willy an' Madame recently, so
he's quite th' social climber, as ye can see. As far as him rememberin’
his dad, I’m gonna let it be. If it all comes back to him, we’ll
all be ‘round to help him understand. If he never remembers … well,
it’s one o’ many sad aspects of a very sad situation, Sergeant, but he’ll not be lackin’ in father
an’ brother figures in his life. *grins*
Includin’ his football coach. *finishes coffee, stands up* I reckon I should be on me way. Thank
you for th’ coffee, it cleared me head a bit. Reckon I overindulged in
th’ rum earlier. S-sorry I couldn’t eat anythin’. Jus’ no appetite right now, savvy? I appreciate yer
advice on Mr. Blake, too … yer right, of course. I also agree ye should
trust yer instincts where Daphne is concerned. It ain't like ye don't know a thing or two about readin' people, after
all yer years of experience. Ye didn't rise in th' ranks o' th' force by sheer luck, after all. An’ Sergeant … *smiles gratefully* Yer a good
friend. Cheers, mate. *leans down,
kisses him on the cheek* I’ll let meself out. *turns, leaves the room, walks outside, closing the door softly behind her, heads home*
Godley *blushes again, grins
stupidly* By the bloody powers, as she would say ... *drinks his coffee and eats
some rolls in deep thoughts, glances at the envelope, curious at the chips, then decides that he has to know what they contain.
He goes to his computer, switches it on, tries for a long to figure out where
to insert the chip before he finds the right slot. He types some commands, curses,
types again, finally understands how to play the chips, he leans back and starts to watch the first one. Abberline and two men whom he recognizes as Mr. Black and Mr. Brown in a warehouse. Shakes his head, disgusted with what he saw and heard, removes the chip before it ends and inserts another
one. Abberline again. With two men
bound in chairs. Godley is even more horrified, this time he watches the clip
to end, to the last shots. Dreading what he might find, he inserts the next one
and recognizes the scene. It's at the hospital, he sees Manouche, himself, Abberline,
Kat snatching Manouche's sword. He stops it. Inserts
next chip and almost chokes on his coffee when he recognizes the living-room of Bournemouth House. Abberline with the Order men again. He doesn't want to watch
it. Next one is even worse: Abberline's
bedroom, Abberline lying on the bed asleep, Manouche in an armchair. There are
still a bunch of the chips left, none of which have any markings or clues what they contain, but he has seen enough. Portsmith has been following very closely the doings of Inspector Abberline. He scratches his head, unable to figure out what Commander Portsmith has in mind. Finally, he gathers them back in the envelope. And when he
switches the computer off, a very horrible thought strikes him. If the cameras
are still installed at Bournemouth House, it means that Daphne and the Inspector …
*
At the hospital:
*Commander Portsmith and
Dr. Rainey are going through the latest news in the project. Dr. Rainey is relieved
to have the files copied in the last moment before the Commander showed up and has no intention of telling of the disappearance
of them. Portsmith is very impatient and indignant*
Portsmith: I am getting impatient. Do you know how much funds this research
has already taken? Where are the results? I
want results. I don't have time to wait. This
project is already eating up the statue funds, and I had to postpone the unveiling ceremony.
Dr. Rainey: I am soon ready to proceed, but not yet. There are some points
to consider, and we can't try to sell a patent for a drug that is defective.
Portsmith: Those three fatal complications? Where they all of the same
sort? Can't you just ignore them and remove them from the files?
Dr. Rainey:
But three fatal complications is not a small matter at all. I am working to find a solution.
Portsmith: And I already
said that I can't wait any longer. Erase them. Addicts
have any way all kinds of illnesses that may prove fatal, so no one will suspect it was the drug. I order you to go on.
Dr. Rainey *indignantly* I need
more testing before we can release the drug.
Portsmith: Well, do it then.
Immediately. I will bring Abberline
to the hospital. I know that he's changed his mind and that he tried to cancel,
but he has no right for that. And see that it's Sebastian who takes care of him.
You must keep everything confidential and keep as few members of the crew involved
as possible. On no account let that red-headed nurse get anywhere near him. She is incompetent.
Dr. Rainey: If
you wish so. I am sure that I get this little problem sorted out sooner or later.
Portsmith:
It better be sooner.
Dr. Rainey *calls in Sebastian* Sebastian, prepare Mr. Abberline's room. He is coming in soon.
Do you remember the name of the nurse with the red head and that mag?
Sebastian
*grins, then looks at Portsmith's frown and immediately grows serious* Sure,
that's Daphne. But we have to have time to get someone instead of her. She
has been doing a good job.
Portsmith *glaring angrily at him* She's incompetent, I say. Are you questioning my orders?
Sebastian *growing worried * No, of course not! I am most honoured to be of assistance in this important project.
Dr. Rainey *to Sebastian* If she should happen to work a shift on the research unit, erase her from the list.
Portsmith
*smiles* Good, very good. By the
way, Dr. Rainey, I happened to see that 'Cornfields of Sleepy Hollow' has miraculously showed up on the art markets.
At 27 Sparrow Lane
*At Sparrow Lane, Zach's hard at work putting the finishing touches on a room that would appeal to a 10 year
old boy. Hoping he can finish before Kat gets back and starts yelling again because
he flatly refused to use the wallpaper with the balloons, clowns and cotton candy border she had been so hot for. No, he knew boys, and there wasn't a 10 year old alive that wouldn't be mortified by such nonsense. Then there was all the other stuff she kept thinking of.* Good grief he's 10, he's a big boy. You don't have to childproof the entire house. *Grumbling* I'm not going to do a lot of work and have to
turn around and rip it out. When the kid sees it she'll back off. I hope.
At Manouche and Blake’s house:
Raven *excitedly packing
things in a suitcase and a canvas bag, keeps packing things then removing them, then repacking. Manouche stands in doorway, laughs*
Manouche: It ain’t so easy, is it?
Raven: I can’t decide what all to take. I want to have stuff
to draw with … an’ I want my books, too. *looks up at her* Can I take one of the guitars?
Manouche *nods, smiling* Y’can take anything ye want, luv. Jus’
remember, it’s only fer a few days. Ye won’t ‘ave time to do
everythin’. Besides, yer mum may ‘ave some things planned, too.
Raven *beams* Maybe she'll take me out on The Apparition. I can show
her what I learned on The Lancet.
Manouche *nods* She jus’ might. An’ won’t she be impressed
when she sees what yer made of! *comes over, moves a book out of the way, sits
on edge of bed* This’ll be good fer th’ pair o’ ye. I know ye been wantin’ t’ spend some time with ‘er.
An’ I know she feels th’ same way. *reaches up, pushes a lock
of his longish dark brown hair back from his eyes, refrains from telling him how handsome he’s becoming, how she loves
that lock of hair that constantly falls over his face. She’s glad for the
unruly hair for the boyishness it gives him, for it seems to her that very little of the boy remains. He’s taller and leaner since returning from his time on the ship, and his face has a new weighted
thoughtfulness about it, as if he’s giving great consideration to many things; but the expression seems more a result
of his own choosing than of burdens put upon him. Contemplative, not careworn. He’s a fine blend of the best of both his parents; and Manouche smiles wistfully
as she realizes it won’t be long before the girls will be noting with great interest the fine cheekbones and the physical
assuredness so in keeping with his Cherokee heritage … and the deep, dark eyes that are so like his father’s,
though their solemn depths are very much all his own.*
Raven *grins self-consciously,
tries to push the hair back as she did, with the same lack of luck.* Yeah, she
won’t be able to run away this time, will she? It’s her house.
Manouche *laughs* No, I reckon she won’t! *pauses* Y’ do know she weren’t really runnin’ from you all them times, don’t ye? She were jus’ … I dunno, runnin’ scared, I reckon.
You understand, don’t ye?
Raven: Sure I do. It was … *goes quiet, and Manouche knows
he’s thinking about True Dreamer* … it was … a lot. It was a lot for her to deal with. *folds a sweatshirt sloppily, stuffs it in the canvas bag. Looks
across the room, brightens* I should take the football. D’you suppose she plays football?
Manouche: Fer you, luv, I believe she’d ‘ave a bash.
Raven *walks over, picks
up the ball, crams it into the bag* Where are you an’ Mr. Blake goin’? Did you decide?
Manouche *shakes head* No course charted. We may not go anywhere
in particular, we may jus’ sail a bit. It’ll be good, it’s
been awhile. We’ll take ye with us next time, per’aps yer mum, too. *He nods, she pulls him over to her* I
want t’ remind ye, lil’ mate … if ye need me, fer any reason at all, y’know how to let me know. Savvy? *he grins, she raises an eyebrow* What’s th’ face for, then?
Raven: I was just about to tell you that.
Manouche: Aye, an’ why am I not surprised about that? *she hugs
him, then stands up, walks to doorway* Right, best keep at it. We need t’ get ye over to Kat’s house before too long.
We reckon it’s best we’re not wanderin’ about too much after dark …
Raven: Is it true? Are there vampires here?
Manouche *hesitates* I don’t rightly know fer sure, luv. It
appears t’ be a possibility. So let’s not push it, ay? *winks at him. He grins, pushes the hair out of his eyes,
resumes packing. She leaves him to it, goes into bedroom, opens jewelry box on
top of dresser. Digs around a little, finds what she was looking for, smiles;
opens top dresser drawer, finds a small cardboard box. Takes both items, leaves
room*
At 27 Sparrow Lane:
*Sometime
later, Zach hears the front door open followed by several crashes and bangs. Then
Kat calls out to him*
Kat: Zach, come 'ere, I got some stuff to show ye.
*Cringing, he quickly slips out of the boys room closing the door carefully behind him. Follows a trail of assorted bags and packages until he sees Kat surrounded by more of the same.*
Kat: Look at these. *She upends several bags
out on the floor spilling every imaginable style of miniature hot wheel cars.* Aren't
they great. Look at 'em. What I'm
thinkin' is ye could build some kinda display cabinet or somethin' so 'e can set 'em up and see 'em, eh?
Zach *Raising
an eyebrow* Just how many of these did you buy?
Kat: Not sure really, I wiped out three of them Toys R Us stores. They promised to order all the ones I missed and deliver 'em as soon as possible.
Zach *Clears
throat* I see. *Notices another
package* Kat why'd you buy this?
Kat: It's a monitor, silly, I figure ye can put it up in Raven's room and put that
other part in mine. Savvy?
Zach:
Kat, it's a baby monitor. You can't
put that in there. It's for babies.
Kat: So, Raven can talk, it'll work e'en better and lookee. Ye
said 'e wouldn't like that circus wallpaper, so I got this. *Smiles, holding
up a sample.*
Zach *Incredulously*
Cherubs? You want to put cherubs
on his walls? Kat, do you want to drive him off completely? Kat, listen, why don't you go see Manouche.
Show her some of this stuff, see what she thinks? Go on I've got work to do. *Sighs* Pirates ...
Kat *Frowning*
I'll do that. *Brightens* I can show 'er all these instruction manuals I bought on kids.
In Spain:
Colonel
*exits the museum, her cell phone vibrating (has roaming), surprised to see it's her grandfather, gets the news that her step-grandma
has cancer, in the brain, lungs, and liver, says I-love-you to both, puts phone away*
Hanson
*walks after her*
Colonel
*in shock, feels dizzy, walks over to a bench, sits down and just stares at nothing*
Hanson:
Britt? *doesn't get an answer* Britt? *still nothing, puts a gentle hand
on her knee* Britt? Britt, everything
ok?
Colonel
*shakes her head of the news, wants to speak, but no words come out, puts hand to mouth, rocks forward and back*
Hanson
*sits next to her, arm around her shoulders, places his hand on her head, brings her head close to him, kisses the top of
her head, places the other hand around her waist, lifting her legs so they are on top of his, rocks her*
Colonel
*saves the tears, still tries to soak in the news, memories flashing before her eyes*
At Bournemouth House:
Abberline *wakes up on his
own bed, dressed and on the cover, clutching the envelope he got from Manouche, the engagement ring on the bed beside him,
fumbles for Daphne, but he's alone. The last thing he remembers was going to
From Hell Court, and now for once he's passed a night without seeing any nightmares. He
tries to sit up, but the horrible headache forces him back, he winces in pain and shuts his eyes. After a while, he looks at the envelope, rips it open and takes a look at the papers; he doesn't understand
much of it, only that these are the medical papers he asked for from Daphne. Why
did Manouche have them, then? Puzzled, he picks up a letter with her handwriting
and starts to read, reads it to the end with mixed feelings:*
"... I forgive
you, Fred Abberline, with a free and open heart; may you be able to do as much for yourself."
*He swallows hard,
drops it as if it were hot, staggers up to the bathroom, wipes all things from the shelves looking for his laudanum bottle
before he remembers he's out of it. Daphne promised to get him some but hasn't
done it. He finds some aspirin, takes a handful of the pills with water, then
he sets his eyes on the brandy bottle still half full, opens the cork with great difficulty and drinks all at one time. He returns to the bed and slumps down, his eyes filling with tears he is unable to
restrain.*
At Manouche and Blake’s house:
Kat *Bangs on Manouche's
door* Mate you 'ere? I'm needin'
yer 'elp!
Manouche *opens door* Kat! C'mon in, mate, Raven's jus' gettin'
ready t' come to yer house. What y'need, then, is somethin' amiss?
Kat: Manouche, Zach turned up at my house today sayin' Kidd had hired 'em to redo a room for Raven. Well o' course I thought it a grand idea and let 'im in. But
when I tried tellin' 'im what I thought should be done, 'e wouldn't listen 'e practically threw me out several times, said
'e already 'ad 'is orders from Kidd. Manouche, I e'en went out and got samples
of wallpapers tryin' te convince 'im, along with a few other lil’ items that were catchin' my eye. But 'e still don't listen and 'e won't let me see. I'm afeard
of what Kidd might be 'avin' 'im doin' te that room. Please Manouche, come talk
te 'im, 'e'll listen te ye.
Manouche: Well, sure, I’ll see what I can do. Wait right ‘ere. *goes into study where Blake is writing* Sorry
t’ interrupt, love, but Kat’s come over an’ would like some assist at her house … somethin’
to do with the bloke who’s settin’ up a room fer Raven. She’s
asked me to come over … so how ‘bout you bring Raven in a little while, when he’s ready?
Blake: No problem. *grins*
I’ll be curious to see this room.
Manouche *smiles, kisses
him, comes back into room where Kat is waiting* Right, mate, let’s go.
At Sparrow Lane:
*Arriving at Sparrow Lane with Manouche. Kat barges through front door, tripping over one of the many packages she'd left behind.* 'ang it. ZACH! GET
OUT 'ERE.
Zach *Enters the room*
What crazy idea do you have now? Oh,
Manouche, sorry, didn't see you there. I've finished the room. And Kat, I apologize for acting the way I did, but I had my orders.
Go have a look, I hope you like it. *Smiles, steps aside, opens the door.*
Kat *Nervously* No, I can't look. Manouche, you look and
tell me how bad it be.
Manouche *grins* Right, luv, steady on. *steps past her, goes inside, looks
around, eyes wide. Three of the walls are painted a beautiful blue; on one wall
hangs a large treasure map, in a frame. At the foot of the bed is a treasure
chest, a Jolly Roger flag draped over it. She turns around, loving it all, then
takes in her breath as she sees the fourth wall, on which is painted a stunning mural of the Black Pearl, on the ocean at
full sail.* Blimey … *smiles broadly with delight, calls out* Kat! C’mon in, luv … I think ye’ll be most
pleasantly surprised … an’ I’m thinkin’ ye may ‘ave a hard time gettin’ Raven t’
leave it th’ whole time he’s here. By th' powers, Zach, yer an artist, to be sure!
Zach: Thank you Manouche. Kidd was determined that I follow her orders
and ignore Kat. *Whispers* You have
a look at some of the stuff she come up with.
Kat *Peeks around door* I 'eard that. *Stops looks about room,
spots the mural.* Bloody 'ell.
Manouche: So … what say ye, luv? Now, granted, I don’t know
what ye ‘ad in mind … but knowin’ lil’ mate as I do, I can safely say he’ll be quite enthused. *leans in closer to Kat* Y’know,
there’s another plus to this … it’s such an unusual room, an’ so beautifully an’ professionally
realized … I can see it windin’ up on th’ cover of one o’ th’ local home magazines, like Pomp
an’ Circumstance. Think of it, mate … a full color glossy photo spread
of a room in yer house, bloody famous … with a pirate byline, “designed by Kidd” … knockin’
Commander Portsmith off the bleedin' charts! That’d be a damn good laugh,
ay? *grins, nudges her*
Kat: It's beautiful. *Smiles*
Portsmith would go volcanic. It'd be worth it just to see that. *Laughing loudly*
Manouche *looks over Kat’s
shoulder, winks at Zach* Right, then, looks like we’re all set. *to Kat* Before Mr. Blake an’ I set sail, I’ll
get word t’ Willy an’ Madame, see if they’ll help contact th’ magazine, get a story started. Willy’s good at that sorta thing, he’s got lots o’ influence. An’ Zach, ye’ll ‘ave to be sure you’re about, I reckon they’ll
want t’ interview ye. An’ we’ll need a quote from Kidd … *her words are cut off as they hear voices at the front of the house*
Blake: We’re here! And Raven brought enough stuff for
a month …
Raven *comes running in,
sees Kat, runs to her, hugs her. Looks around room* Coooool!!
On The Viper:
Blake *comes up from below,
where Manouche stands on deck, looking at a compass* We’re all set. Is that everything? Need to go
back to the house one more time?
Manouche: No …
I think that’s it. *closes compass, puts in pocket; turns to him, smiles* When’s th’ last time
we did this?
Blake: Honey, we’ve
never done this. I mean, not purely for pleasure. We went to Fiji …
an’ then we got shipwrecked …
Manouche *smile fades*
Oh, aye … th’ Libertine Trailer. Blimey, I miss ‘er sometimes. Don’t get me wrong, Th’
Viper’s a fine vessel, an’ I look forward t’ seein’ how she an’ I get on. I’ve no
doubt we’ll be fast friends. But … I ‘ad a lot o’ memories with that little ship o’ mine.
Blake *takes her in his arms*
Highly sentimental talk for a pirate. Better not let Kidd hear you talk like that.
Manouche: Ah, but that’s
where yer wrong, love. If there’s one thing Kidd would wax poetic about, it’d be Th’ Apparition.
After all, a ship, an’ what it means t’ a pirate … well, I don’t ‘ave to give ye th’ spiel,
do I?
Blake: No, you don’t,
I remember … freedom. *kisses her* When I look back at those two times we’ve been to sea together,
there were moments. Parts of the Fiji trip were beautiful …
Manouche: Especially
comin’ home, how we dropped anchor offshore fer a time …
Blake *nods, smiles*
I remember.
Manouche: An’
th’ shipwreck ... though it weren’t ideal conditions, it is when we got married.
Blake *looks down, takes
her left hand in his, looks at the ring on her finger; brings her hand up, kisses it* We’ll improve on that very
soon.
Manouche: It’ll
be a grand weddin’, to be sure, an’ I am lookin’ forward to it. But we can’t improve on th’
way ye looked at me when we made our promises t’ each other. That’s th’ part o’ that original
ceremony I’m keepin’, love, an’ I’m keepin’ it forever. *kisses him*
Blake: Me too, honey.
*looks up at the sky* Shall we be on our way? We have a perfect day for it, don’t we?
Manouche: Aye, couldn’t
be better. Right, let’s be off. Four days t’ sea with me true first mate. *smiles, looks out
at the gentle waves* Let’s you an’ I bring us that horizon, Mr. Blake.
*Soon The Viper is making
its way out to sea. Manouche watches the town as they pull away, counts off the familiar landmarks, like she always
does – Chez Roux, the Wonkas’ factory, the turrets of Chateau Blanchefort, the fountain with the statue of the
Mayor in it … she feels a poignant tug as she recognizes part of Bournemouth House … then something moving catches
her eye. She frowns as she spots an unfamiliar vehicle—an old hearse, driving slowly along the frontage road ...
*
Blake *interrupting her thoughts*
They sure did a nice job fixing up Raven’s room at Kat’s house, didn’t they? Hey, did Kat like your
gift?
Manouche *grins* I
‘ad to leave it for ‘er, didn’t ‘ave time to actually give it to her. I left it on th' counter
in her kitchen. She always has a laugh at me an’ me trinkets, but I think she’ll like this’un.
Blake *smiles* I’m
sure she will. *He goes below to pour drinks for them both. Manouche continues to guide the ship, shifts her gaze
from the shore to the water; thinks of the white box and note she left for Kat:*
Kat,
A little gift for you
– one of Raven’s white feathers, one of the smaller ones. I always save them when I find them. I’ve
made it into a hair barrette, of sorts. I’ve added some beadwork, and a fastener. I don’t have
to tell you about the good luck inherent in the feathers of a white raven, so I hope you'll see this as a right suitable
adornment. Wear it in good health, luv, a token of my gratitude for allowing Mr. Blake and me to share in the joy of
having Raven in our lives. I hope the two of you have a grand visit, and we’ll see you in a few days. Cheers,
mate,
Manouche
At Sparrow Lane:
Kat *having just finished
telling Raven a tale of how certain pirates being war heroes in the history of the states, rises* That's enuff of that for now. *Smiles* I been thinkin' lately ye should meet some mates of yer own age. I
gotta 'nother surprise for ye luv. I'ave a non pirate friend o'er in the next
town. It be only a hour drive. She
'as a lil girl just yer age and she be 'avin' birthday party today and yer invited, luv.
Now with them not bein' pirates, I bought us some duds to wear for it, savvy? A
friend 'elped pick 'em out. Ye'll find yers in yer room. They may seem strange to ye, but you'll fit right in and don't worry 'bout me. Go on and get dressed. I gotta go upstairs and figure out 'ow
to be puttin' my own strange garments. But ye'll see it'll be worth it. Go ahead, sweet. *Raven looking doubtful,
but not wanting to disappoint his mother goes to his room and proceeds to dress.
Kat *in her room where her
old friend Dora is waiting to help her dress. Once dressed, Dora pulls out a
bag and opens it, revealing a makeup kit.
Kat: Oh no not that. I won't 'ave that gunk on me.
Dora: You don't want to shame Raven, do you? *Kat sighs and relents;
Dora finishes up by doing her hair.
Kat *Frowns* I wish I 'ad a mirror.
Dora: You're beautiful. Don't you dare change a thing. Promise me.
Kat *Reluctantly* Aye, ye 'ave me word.
Dora: Good. My car is just outside. I'll
pick it up later after my date. *Dora departs the house, where her date has just
arrived to pick her up; they drive away.*
Kat *Looks down at herself
doubtfully* Is this 'ow mothers dress these days? It looks indecent te me. Such a short skirt. It be showin'
me knees, and then some and this shirt seems te be a bit clingy te me. Jeez. *she finally decides to check on Raven’s progress, walks toward stairs. A sound behind her causes her to turn. A
look of fear crosses her face and she automatically reaches for a sword that's not there.*
Loralee *Smiles* Well, now, look at you. Are you dressing
for Jerod now? What a pity he'll never see you in it. *Loralee advances as Kat backs away, not realizing how near the stairs are. She loses her balance and falls tumbling to the bottom. Loralee
stands at top, looking down at her with satisfaction.*
Raven *Having heard all
the noise runs out and sees his mother on the floor and a stranger at the top of the stairs. He
kneels beside Kat.* Mother? Answer
me, please.* He glances back up to the woman upstairs. She laughs and vanishes.*
Kat *Weakly* Go Raven, fly. Get help.
*Then she’s unconscious again.*
Raven *Thinks quickly* Sergeant Godley, he'd know what to do. *Looks
worriedly at his mother then the White Raven takes wing fling swiftly to the security center and into the first open window
he sees and transforms to himself. He sees a man, not Godley, behind a desk;
he seems familiar but he's not sure why.*
Raven: Please help me. My mother’s hurt. I think she's hurt bad. You got to help me please. HURRY! *He pleads, tears in his eyes.*
Abberline *looks up in astonishment,
stares at Raven trying to understand what he said* Raven? What did you say? Kat hurt? *rises
up from his seat, dropping the cigarette he was smoking* Should I call an ambulance
... Is she at her house?
Raven *Tearfully* She's at the house. I think that woman pushed her down the
stairs. I think she needs a ambulance. But
I'm afraid that woman might still be there. We gotta hurry, please. I'm afraid.
Abberline
*looks at Raven, not believing that he really doesn't recognize him* I'll call
the ambulance. We'll best go to her house and see how she's doing. *takes his gun, opens the office door, leaves with Raven for Kat's house. On
the way, he remembers that Raven was talking about some woman* Who was there
with Kat? Did you know her?
Raven: I never saw her before but I heard her laugh and when I looked at her, she disappeared. Maybe she was a ghost.
Abberline:
I don't believe in ghosts. *They
arrive at the house and go in, Raven runs immediately to Kat, Abberline follows him more slowly, gun in hand, looking around
him carefully, and finally, not seeing anyone, goes to Kat and kneels beside her. She seems to be unconscious* Kat! Kat, what happened to you? *takes her limp hand and checks that he can feel a pulse, to Raven* We
have to wait for the ambulance, looks like she's fallen down the stairs. I don't dare to move her. I - I don't know how badly she is injured. *to Kat* Kat, can you hear me? *holds her hand, Raven and he look at
each other, he quickly averts his gaze*
Kat *Moans, eyes flutter
open, sees Abberline.speaks weakly* Abberline? You
came? Loralee saw him. Promise you'll
protect him. She'll kill him. *Moans
in pain* I'm scared. I can't feel
Kidd. It's like a part of me is dead. *Passes
out.*
Raven
*looks at Abberline after hearing Kat say his name*
Abberline:
Kat? I will protect him, I promise
to you ... *is interrupted by the ambulance finally arriving. Raven and he stand
aside and look how the crew carefully examines Kat and lift her gently on the stretchers; Raven tries to go to Kat, but Abberline
restrains him* Let them take care of her. *The
ambulance drives away to the hospital*
Abberline
*confused, not looking at Raven* I suppose we should go to the hospital and wait for the news. Don't worry, I am sure she will be all right. *Raven is still
staring at him, he feels uncomfortable, afraid that he's going to ask something awkward, not sure if Manouche or Kat told
Raven about him, doesn't find anything to say to Raven* I must find this Loralee
…
Raven *Sees Abberline’s
discomfort and wonders if his father hates him as a shapeshifter freak. Swallows
the lump in his throat and fights his pain.* I'm going to lose her just like
True Dreamer. I always lose who I love.
*Loses battle and his tears fall.*
Abberline *wondering if Raven
recognizes him, decides that he doesn't, because he hasn't said anything, confused, he watches Raven cry, not really daring
to approach him, finally he moves and puts his hand cautiously on Raven's shoulder* No,
you are not going to lose your mother. She will be all right, I am sure of that.
I - I think it is best that we'll go to the hospital. *swallows as he hears Raven say about losing the ones he loves ... it's just like himself*
Raven *Feels the pressure
of Abberline’s hand and wonders. Looks up at Abberline with sorrowful eyes.* No one ever told me and I have no memory of you. But
I want to know. Did you leave my mother because of me? Were you ashamed of what I was?
Abberline
*taken aback, stands quiet for a while, lights a cigarette, looking at Raven* So you know who I am, do you. I – I was not sure you did. *shakes his head, decides
to tell him the truth as it is* No, no, I did not leave her because of you, she
and I, we spent only a short time together ... I was sent over on an assignment, and I was feeling miserable because …
of ... because of personal matters ... *sighs* because ... *starts over* I left her because it was a brief fling for me,
and I am sure she felt the same way. It was never intended to be anything more
than that. I had no idea that she was having my child, and your … mother,
she did not tell me anything when I left. I left her because ... I was married, I was still married then, and we were expecting
a child. I did not know about you, Raven, not till you came here and saved my
life. Don't you remember even that? How
you were afraid that I'd hate you because of what you are? No. I don't know what I would have done if I had known about you back then. I
don't know. And your mother has not been on very friendly terms with me ... She
did not want to tell me about you. But don't think for a moment that I would
be ashamed of you. I would never be that, but I was sure that you were ashamed
of me when you fled from me. *looks anxiously at Raven*
Raven *His voice quivering*
Why would I be ashamed of you? I
had True Dreamer for a while and then Manouche. I love them a lot. But it isn't the same. All the other kids had mothers and
fathers that loved and wanted them but not me. All I ever dreamed of was to have
what those other kids had. *Looks away, hangs his head* But I guess I never will.
Abberline
*remembers how he called Raven an unwanted child, then thinks of his own parents* But
True Dreamer loved you. I am sure you were better off than many of those kids that you envied ... not all parents love their
children, believe me, I know from my own experience. And I know it is late, but
perhaps not too late for you - you have now us both, a mother and a father. But
not together. That can never be. I
don't know why True Dreamer was the one who brought you up. You have to ask your mother.
Raven: But I never see you. Mother’s afraid of you. I don't know why. It's just something I know. But then I could lose mother now.
Abberline:
She doesn't think I am a good father. *sadly*
And I think she is right. She
never liked me much, but I believe she is afraid that I am going to hurt you ... I said some very stupid things to her. I have done some stupid things. So I didn't
dare to ask her if I could see you. I thought it would have been better for you
not to remember me at all. *crushes the cigarette* How about going now to the hospital to see her?
Raven: No, that’s not it. I don't understand it but she does
like you. At least Kat does. She
just doesn't want to. I'm ready, I guess.
Abberline:
Does she? *lights a new cigarette*
Who knows, she may already be waiting for you. *They
leave Kat's house and go to the hospital*
At Deppville Hospital:
Abberline
*to the receptionist who really does bear a very uncanny resemblance to Portsmith's secretary* Can you tell me where Kat is? She was recently brought in after
an accident.
Receptionist:
Will you please wait here. I will
check the situation, and a nurse will be guiding you to her if the doctor allows her to take visitors.
Abberline
*sits down, motions Raven to sit beside him* I hate this hospital … *looks at him* How are you feeling now?
*A matronly
nurse with a clipboard enters the waiting room, approaches them* You are here
for Kat. Good, I need a signature here from the next of kin. Once we have that,
the doctor will be right out to talk to you. What relation are you?
Abberline
*confused* What's that needed for? How
is she? I - I'm ... *looks at Raven,
who is anxious to see her mother, gives up on trying to convince the nurse that Raven is the only next of kin, knowing that
his signature would never get them in to Kat* Is this really necessary? Can't you just let us in? *coughs, embarrassed,
looks once again at Raven, with a warning in his gaze, knowing this is the only way to get in to her* I'm - her husband. *Raven beside him starts, but he puts his
hand on Raven's arm, hoping that Raven keeps quiet* Don't worry, it will be all
right.
Doctor
*enters room* Nurse Reed that's no longer needed the patient has just regained
consciousness and signed a release form. *to Abberline* You're the husband? *Looks at Raven, then back at Abberline*
I need to talk to you privately.
Abberline:
Er ... yes. Raven, will you wait
here? I won't be long. *follows
doctor*
Doctor:
Nurse, stay here with the boy. *Leads
Abberline to a nearby office.* While your wife did regain consciousness long
enough to sign, regrettably, she was completely incoherent. She suffered a great
deal of bruising and abrasions, as well as a fractured wrist. What concerns us
most was a severe blow to the head. We're running tests now to determine the
extent of the damage and whether surgery is needed.
Abberline:
Oh ... That sounds bad. She will
have to stay at the hospital for a time anyway, I presume. So she's unconscious
still? How long is it going to take to do the examination? He ... we are very worried about her. We'll have to wait then
until we will see her? *hopefully* So
my signature is not required?
Doctor:
No, her signature, such as it is will serve. We'll
be doing tests over the next few days and keeping an eye on her. I do need to
know a few things, though. She seems to think she’s in Fiji. Has she been there recently? She
was also upset over the death of someone named Kidd. Then she has the mistaken
idea that she’s pregnant. Finally, do you know anyone by the name of Abby? As I said, she was completely incoherent.
Abberline:
Fiji? No, I really am not sure what that all is about ... She's been to Fiji, but that was a long time ago. Maybe she's having some kind of flashback.
Or simply nightmares. Er ... why
did you ask about anyone called Abby? What ... what's she saying about him?
Doctor:
She became so hysterical we had to restrain her.
As we were trying to do that, she started screaming that name, then she lost consciousness again. Sorry, just trying to get some insight into the case. You of
course are free to visit as you like, but I wouldn't recommend the boy seeing her right away. Good
day to you.
Abberline
*returns to Raven, who has been waiting for his return anxiously, Raven jumps up, but he gently pushes him back* The doctor says that it would not be good for you to see her now, she's having some kind of … of amnesia
at the moment. But, as I promised you, you will not lose her. *looks at the nurse* The doctor said that I can go in now.
*the nurse nods, and he goes into Kat's room, very worried about what he will
see, walks to her bed and looks at her* Kat? I'm
here.
Kat *Half
opens her eyes, speaks softly* Abby, they're lying to me aren't they? I know they are. *Stares as the tears fall.* He killed my baby. What he did killed my baby. *Closes eyes and is silent.*
Abberline
*gently, stroking her hand* Kat, I don't know what you are talking about. Just lie back and rest, you've had a bad accident. *remembers
that she believes she's in Fiji ten years ago* The baby is just
fine, Kat. You'll see him later when you've recovered. *brushes hair from her face* You need to rest now. I'll be here.
*Nurse
enters* You and your son really should go home and get some rest.
Kat *opens
her eyes, looks ay Abby* Your son? You
have a son? *Turns her head* Of
course, your wife. *In a trembling voice* Please
go.
Abberline:
I will be back, Kat. *goes after
the nurse to fetch Raven* Well, Raven, she is going to recover, but you can't
see her yet. I'll explain it to you later.
Raven *who jumped hopefully
up, sits back down* Father, is she ... I can't see her mind.
Abberline:
That's probably because she got a hit in the head and is incoherent now. She only needs rest and time to recover. *puts
arm around Raven's shoulder* I will take you to Bournemouth House, it is a safe
place for you. *smiles* You have
been there before, but I suppose you have forgotten it.
Raven: I am sorry,
Father, I – I don't remember ...
Nurse *stops Abberline* One moment
sir, could you give your name, I don't think I heard it.
Abberline: It's
Fred Abberline.
Nurse *scribbles on the name tag 'Mrs. Kat Abberline'* Thank
you, that's all for now. *leaves and gives the files to the receptionist.* Update the name of the patient, please.
Portsmith
*deciding it's time for the experiment to start again, comes to the hospital and walks to the reception* Give me the Abberline files.
Receptionist: Of course,
Commander! Immediately! *leaves
the desk and returns soon with a thin file, hands it to Portsmith*
Portsmith *reads the name label, and grows red in
the face* What the hell is this!
Receptionist *hops up horrified, afraid
that he brought the wrong records* The Abberline records, Commander, as you requested.
Portsmith:
Fred Abberline, you moron. *reads
once more the name label* Mrs. Kat Abberline ... Who is she?
Receptionist:
Mrs. Abberline was brought into the hospital after getting injured falling down
the stairs at her home, Commander.
Portsmith *opens the files and start to read* I
can't believe this, it is Kat. When did she turn into a Mrs. Abberline?
Receptionist:
If you require more information, the husband is still here with their son.
Portsmith
*ignoring him* Interesting, very interesting. Amnesia
... does not remember … believes she is in Fiji and pregnant. *smiles to herself* Very funny, very funny
indeed. Thank you. *looks closer
at the name tag* Thank you, Andrew, you have been most helpful. I'll see to it that you will be rewarded. *takes the files
and leaves the reception.*
Andrew *in a very small voice* Commander, you
are not allowed to take the files anywhere ... *voice trails off when Portsmith
turns around and looks at him.*
Portsmith: Did you have anything else?
Andrew:
Er ... Floor two, room 15.
Portsmith
*seeing Abberline with Raven, withdraws in a room and watches them go past* And
now, Inspector Abberline, let's do some investigating about your 'wife.' *enters
the room, to the nurse* Thank you nurse. Now,
leave me alone with the patient for a moment. We will have to interrogate the
victim immediately. *as the nurse starts to protest, she frowns* Just get out, will you, if you want to come back to a job tomorrow.
*Takes a chair and turns to Kat* I am Commander Portsmith, and I am investigating
this case. I need to know the details of what happened. What do you remember? *pretends she reads from her notes* Now, you claim that someone took away your child. According
to the hospital records, you had a healthy son born, and reported missing a day later. Do
you have any idea who could have taken the baby and why? Have you ever heard
the names Nate or Manouche?
Kat *Stares
at Portsmith* I don't understand. You
make no sense. My child was never born.
*Shudders* Nate saw to that. He tried to kill me. It was horrible, three
days of torture, the blood, the pain, I wanted to die. But there was a
strange woman, Kidd was her name. She came from nowhere and somehow saved me. I believe Nate killed her, along with my child.
It's hard to remember. It all seems to run together and blur.
Portsmith:
Thank you. That is why I have to
interrogate you, for setting the details straight. *whatever you want to believe,
dear Kat ...* We would be most anxious to get hold of Nate. He has many crimes like this on his conscience, but it is hard to get him without any evidence. So you suspect him of torturing you and killing your unborn child and a woman called Kidd. We have no report of that. *hides smile behind papers*
Why didn't you or your husband report the assault on you? You were very fortunate
to escape with your life. Can you tell me why Nate attacked you? Was he alone?
Kat *Lost
in thought* There was someone else there. I
never got a clear look at who it was. *Suddenly erupts in wild hysterical laughter* My husband! Husband indeed. The bastard! Nate is my husband! *Dissolves into tears.*
Portsmith:
Your husband? *rises eyebrows in
true surprise, then rolls eyes at her tears, tries to keep herself from telling her to stop bawling* We believe that Nate has an accomplice. We suspect that she
is a Gypsy called Manouche, now living here. We have no knowledge of the whereabouts
of Nate, and it seems that capturing this Manouche is the only way to get Nate. If
you want to see Nate punished for his horrible crimes, you could help us capturing this Manouche. Thank you. I will be back tomorrow if you remember any more
details. *gives her card to Kat* You
can contact me here.
Kat *Holding Portsmith’s
card but not seeing it. Mutters* A
gypsy. A filthy gypsy helped steal my child’s life. *Hatred floods her mind* Manouche, I'll see you dead.
Portsmith: There really can't be any crime worse than taking an innocent child's life, and they both deserve death
for that. But why would Nate kill his own child? *looks
at Kat sharply* I will give you more details on that Manouche when you get home
from the hospital. Be assured, your child will not remain unavenged. *tries hard to get at least some empathy in her voice* Try
to get well soon. *leaves Kat's room and goes to reception, gives back the folder,
forgetting entirely the experiment* Andrew, get off for a while, I need to make
a personal call.
Andrew *hops up nervously* Sure, Commander!
Portsmith
*phones Corso* We better remove Nate from the lockup at the Security. Transfer him to the dungeon at the castle, and remember that he has vanished and no one knows where he is.
I'll fill in the details later. *grins* You
are not going to believe this, but we have an excellent chance to get rid of some annoying persons.
Kat *watches Portsmith’s
departure and whispers the answer to her question.* He didn't kill his own child.
He killed Roberto's.
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