Depp Shadows

Part Five

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Me?  I'm dishonest.  And a dishonest man you can always trust to be dishonest.  Honestly.  It's the honest ones you want to watch out for, because you can never predict when they're going to do something incredibly ... stupid.
 
Being where Donnie declares his love for O'Malley ... Lisa drowns her sorrows ... Kat confronts Nate and gives voice to a new concern ... members of Deppville's Finest contemplate sending Portsmith to anger management training ... Portsmith gains unfortunate knowledge of Kidd's poetry and Zodiac sign ... Madame is kidnapped ... and Manouche, with new ideas from her education in Fiji (and a pragmatic acceptance of the Pirate's Code), helps rescue Madame with smoke, fog, no mirrors.
 
 

On The Brave:

 

*Donnie and O'Malley sitting close together, enjoying a quiet evening.*

 

Donnie:  I think I'm gonna tell Portsmith about us.

 

O'Malley *pulls away from him and glares at him*  'Ave ye lost yer bloody mind?

 

Donnie *takes her hand and caresses it gently*  Look, I love you and I don't want to hide it anymore.  I've spent....

 

O'Malley *cuts him off*  You love me?

 

Donnie *smiles*  Yes, I do

 

O'Malley *surprised*  Blimey!  I reckonened ye cared fer me, but love ... *smiles, tears in her eyes*  that's a 'ole new territory fer me!

 

Donnie:  Then it's about time!  *He kisses her.*  And like I was saying, I've spent too much of my life keeping secrets … and I don't like the power Manouche has over me, she's a pirate!

 

O'Malley *frowning*  And?

 

Donnie:  Sorry ... the power this pirate has over me I like.  *smiles and kisses her again*

 

O'Malley *smiles*  nice save there, luv.  Right, then, if ye want to tell Portsmith, I won't stop ye.

 

Donnie:  Good.  *He kisses her goodbye and heads for the police station.  Reaches the station and knocks on Portsmith's door.*

 

At Portsmith's office:

 

Donnie *enters office*  Commander Portsmith ... I think you should know that I am seeing Grace O'Malley.  I know you don't like this, but God help me, I love my pirate!  *He nervously awaits Portsmith's response.*

 

Portsmith *stares coldly at him for a long time.*  Mr Brasco!  What is this I hear!  You were recommended as a cold-blooded undercover agent, and now a simple pirate wench has turned you into a lovesick puppy.  *Brasco's face turns red but he remains silent.*  If I had Kat's shovel right here in my hands I'd feel very tempted to hit you with it.

 

Donnie:  It's gone.

 

Portsmith:  What's gone?

 

Donnie:  The shovel is gone.

 

Portsmith *takes key and inspects the closet.  The shovel is gone.  She tosses the key to the desk and, furious, turns back to Donnie.*  And I suppose you gave it to O'Malley because she wanted it?  Or did you give it to her as an engagement gift?  How stupid can you get?"

 

Donnie:  No, I gave it to Manouche, as it were.

 

Portsmith:  MANOUCHE!  I'll skin her for this!  Get out this instant – you are released of your duty!  You have tarnished the name of Deppville Security! You miserable traitor!  Out!  *She picks up the heavy fake Necronomicon and flings it at Donnie, but it hits the door; Donnie is already gone.*  Aye, a pirate fledgling … returned to the Brave in shame and degradation.

 

At Chez Roux:

 

*Constable Crane and Inspector Abberline sit at Chez Roux with troubled faces.*

 

Crane:  She really did that?  Right through the window?  Not that the Necronomicon wasn't an evil book, but it is ancient and priceless.

 

Abberline:  At least she did not shatter Corso's head with it as she threatened.

 

Crane:  Did you hear how she yelled at poor Donnie?

 

Abberline:  Everybody in the office heard that.  She was also very rude to Kat.

 

Crane:  And she's constantly trying to intimidate Manouche.  She was furious about Melissa's faked license.  And now she's trying to provoke Kidd with this poetry stuff.

 

Abberline:  Sergeant Godley liked Kidd's poems ...

 

Crane:  But at least he has the sense not to say it aloud.

 

Abberline:  What shall we do with her?  We can't try to placate her with a bigger feather 'cause it would be bigger than the Vice-Mayor's.  She said to me that Hanson and Colonel Depp are the only competent policemen.  She even threatened to use a shovel on me if I don't close those bathroom shutters ...

 

Crane *pales.*  Anger management counselling?  A course in good manners?

 

Abberline:  You really believe she could be convinced to go on a course?  *He buys a bottle of absinthe from Marijke and heads for the nearest opium den.*

 

Kat *trying hard not to be noticed, listens closely to this exchange, somewhat bewildered.  Speaks under her breath:*  What is this?  They’re suppose to be the enemy, cept Ichy.  So very confusing.  But then why had Abberline denied me permission te visit Nate?  No sense te this, none at all.  What should I do?

 

At Crane’s office:

 

Crane *picks up note on his desk to him from Abberline:*  I suggest that you have a talk with Kat, try to get her to tell more about Nate and especially why she wanted to see him.  I could not give her the permit because of Commander's orders.  I tried to have a talk with her but she seems to shun me for some reason.

 

At the Deppville lockup:

 

The office is completely empty as Ichy and Kat stand at the door of the lockup.

 

Ichy:  I should go in with you, he's much too dangerous.

 

Kat:   No, I go alone. Don't worry, I'll not get close enough to him to be in any danger.  *She enters.  As she walks toward Nate's cell, he looks up and sees her, smiles*

 

Nate:  As I live and breathe, Kat.  The one and only mistake that I ever made.

Kat:  What mistake would that be?

Nate:  The fact that I allowed you to live and did not follow through and kill you as I did all those other sinners.

Kat *glancing over her shoulder, moves a few steps closer, staying just out of reach; lowers her voice*  Why didn't you?

Nate:*sneering*  Because you were a curiosity.  Just when I thought you had broken, something happened.  You rallied and you were fighting with a strength I had no idea you even possessed, withstanding all that luscious agony and exquisite pain I was dealing out.  How could I release a soul without first tasting the pleasure of its breaking.  *scowls*  Only now have I begun to understand.

Kat *trembling, recalls only bits of what he's talking about, but those bits are memories she'd prefer to do without.*


Nate *laughing*  I had it all wrong though didn't I?  You did break ....  utterly and completely.  That's when Kidd was born, is it not?  She emerged and withstood all that you could not.


Kat:  I don't have to listen to this.  *turning as if to leave*


Nate:  You don't want to do that, luv.  I found your hidden treasure.  *snickers*  And it was not silver nor gold. 

Kat *hesitates, turns back*  That's impossible, you don't know what you're talking about.

Nate:  Don't I?  The Indian woman you left your treasure with was quite delightful.  A true vision in blood, the sounds of her screams were a symphony to be heard and savored.  Though I was sorely disappointed she knew not where you were.  Only a name and a place where she could leave word for you.  Which she gave me with her dying breath.

Kat:  MURDERING BASTARD!!!  *Her mind filled with rage to the exclusion of all else, she steps toward him.  Suddenly Nate's hands snake out and grab her by the throat, dragging her up hard against the bars.  She feels Nate's hands tightening around her throat.  Struggling for breath, fighting to get free*

Nate:  Remember this, luv.  If you don't go to that boss of mine, your treasure is lost.  *Laughs as he slams her roughly into the bars.  She slides to the floor, completely unconscious.*  Bitch.

 

At Abberline’s office:

 

Kat *having recovered and left the lockup, now stands outside the closed door of Abberline's office, wondering if this is a mistake.  Even if Abberline believes her, what if he fails.  Nate's word echo in her mind:  Your treasure is lost.  What if he lied?  What if … *  No I won't think that.  I can't risk this.  *Turns to go*

 

*..and bumps right into Commander Portsmith.*

 

Portsmith:  Hello, Kat, I am pleased that you are here to clear the matters up, but I really did not expect you to show up so fast after I sent you the note!  You see, there is a problem with your shovel license.  I heard that you have that nasty double-deluxe sharpie 9000, but this license does not include shovels like that.  You can apply for a special license if you can come up with a good reason for needing this shovel.  Just get in a settle it with Abberline, I am busy!  *She opens Abberline's office door, shoves Kat in and slams the door shut*

 

Abberline:  You again!  What can I do for you?

 

Kat *stands gaping at Abberline, searching for something, anything to say and finding it's getting harder to breathe, much less think clearly*  I – I've got to talk to Nate again.  You have to let me.  Please!  If you will, I swear I'll never touch another shovel.

 

*Abberline puts slowly down the paper he has been reading and eyes Kat suspiciously, thinks for a long while*  If I give the permit, will you give me more information?

 

Kat *hesitates, considers*  That would depend on the information you seek.  Ask what you will and I'll answer what I can. Honestly you can't expect more than that.  *pauses, then adds*  Listen Abberline, I've changed my mind.  *thinking, surely Portsmith’s out of the hall by now*  I'll just run along now.  Sorry to have bothered you.  *turns to the door*

 

*which is opened by Commander Portsmith, who has been listening through the keyhole.*  Hey, Fred, let her go, you can't protect anyone who doesn't want your protection!  *turns to Kat*  Maybe you would like to have a nice little chat with Nate in his cell, would you?

 

Kat *eyes widening in fear, heart pounding*  You would not do that .....  *pales, uncertain as to just what Portsmith might do*  Would you?  *trembling at the thought*  He'd kill me for sure.  No, I I've done no wrong.  You can't be doin' that.  I just agreed to answer Abberline's questions as I were able.  What more can you ask?  *backing away from Portsmith, looking for a way out.*

 

Portsmith *shrugs*  Okay, as you wish.  Fred, please, conduct her to the cells, make sure she keeps far away from the bars and let her have her chat with her old chum.  I have some matters to settle with Constable Crane …

 

Kat:  Wait, Portsmith these matters ye speak of concernin' Ichy, be not about me incident with Nate, do they?  It were not 'is fault.  It was my doin'.

 

Portsmith:  He has been disobeying my orders, Kat, and he will answer for it.  Indeed he will!  Now get yourself to the meet your guy before I change my mind.

 

Kat:  No!  It were not his fault I say.  Do what ye will to me but leave Ichy be.  Please Portsmith, I'll tell ye whatever ye want te know.  Ichy be not te blame.  *realizing nothing she says will sway Portsmith, she reluctantly turns away, looking back at Portsmith.*  You would be wise to remember that it's not just me you'll have to deal with about Ichy.  It'll be Kidd as well.  Be warned.  *follows Fred out the door*

 

*Kat follows Abberline down the hall, she decides they're far enough away.  Glances back to be certain they're alone. Reaches out and grasps Abberline's arm.*  Wait. *He stops, turns and looks at her curiously.*  Listen, I lied.  I have no desire to see Nate, now or ever again. Just hear me out.  I have good reason to believe that a child's life is in danger from that monster that Nate answers to. I can't tell you how I know but you have to believe me.  You've seen what Nate's capable of doing.  Just imagine what that thing out there might do to a child.  You have to convince Portsmith to do something.  *looks over Abberline’s shoulder down the hallway frowns*  Who's that down there, it looks like Nate?  *Abberline turns quickly prepared to take action, trying to see what she's talking about.  Kat takes the opportunity to turn and take to her heels.  By the time he realizes there's nothing to see, Kat is out of sight.*

 

*Abberline doesn't try to follow her.  Her words disturb him deeply.  He has seen both Kat and Manouche in his visions, but nothing of a child.  He usually avoids any talk of children because it always makes him remember the past, which he has so hard tried to forget.  Should he go to Portsmith?  Or head for the opium den?  Or should he go to the cells and shake the answers out of Nate?  Strangle him? 

 

On The Libertine Trailer (back from Fiji):

 

Blake *watches Manouche prepare to go ashore*  I don't like the idea of you goin' alone, I think I should go with you.

 

Manouche:  I'd love t' have ye come along, luv, but I'm lookin' fer Kat.  She jus' barely trusts me at this particular juncture, fer all that I assisted when she escaped almost certain seduction, an' even returned 'er shovel to her.  'Course, this lack o' trust, it ain't her fault.  *frowns*  She's got th' Great Sorrow about her, she has.  I don't know what happened fer her t' wind up th' way she is, but whatever it was has left 'er feelin' very suspicious toward everyone an' anyone in general.  She don't know you very well at all.  If th' pair o' us approach 'er, she may be skittish.  I need 'er to be trustin' an' knowin' she can talk freely, if need be.  Savvy?  *puts on coat*

 

Blake *sighs*  But we just got back, what makes you think she's in trouble?  *grins as Manouche gives him a look*  Sorry, honey, I forgot how you sense these things.  An' I forgot about your dream ... you've been worried about her for days, haven't you?

 

Manouche *nods*  Aye.  Her, an' ..... I don't know, somethin's amiss.  Even more than th' bloody trouble we're aware of.  I have a feelin' ...

 

Blake:  You're not making me feel any better about letting you go out there alone.

 

Manouche *smiles*  Apologies, luv.  I promise ye, I'll take care.  I'll be prepared fer any eventuality, as it were.  *Goes to chest of drawers, removes one of the two pistols from top drawer.*  I won't be gone long.  Jus' gonna see if I can find Kat, maybe drop in at Chez Roux fer a drink, see who's about an' if we missed anythin'.  *Gazes at him lovingly*  Y'know there's no where I'd rather be than right 'ere with ye.  I'll be quick about it, I swear.  *Snaps fingers*  Oh, I fergot somethin' I have t' do.  Be right back.  *Kisses him, leaves cabin, goes down to lowest level of ship, to her small lab.  Opens door, closes it, locks it behind her.  Reaches into coat, pulls out envelope from Alifi.  Opens it, reads what's written on the slip of paper, eyes wide.*  Blimey.  *Reads it again, several times over, commits it to memory.  Looks around, finds ashtray on countertop, slides it over in front of her.  Takes match from another pocket, strikes it on edge of counter to light it, holds flame to piece of paper, sets it in ashtray, watches it burn.  Cries out and jumps back abruptly as paper explodes with a loud crack, into ashes and tiny fragments, leaving behind a strong smell of tuberose.  Catches her breath, looks at ashtray cautiously, makes sure fire is out.  Takes up key with shaky hands, leaves lab, locks it behind her.  Returns to upper deck to say goodbye to Blake, heads out to Chez Roux.*

 

At Chez Roux:

 

Manouche *enters Chez Roux*  Blimey, no one 'ere.  *walks over to bar, pours rum in large glass, slides into booth next to a window*  An' no sign o' Kat, either, where could she be?  She's brilliant at makin' herself scarce when she wants to.  *drinks rum, gazes out window*  Per'aps they're all watchin' bloody Super Bowl ...

 

*Willy and Madame walk in laughing and cheering*

 

Madame:  I KNEW they were gonna win!!!!  STEELERS!!!

 

Willy *shrugs*  I was going for the Seahawks .....

 

Madame *sticks tongue out at Willy, turns and see Manouche, drops cane*  MANOUCHE!!!  OH MY GOD!!!  *runs over and hugs Manouche tight*

 

Manouche *beaming with joy*  MADAME, my dear!  An' Willy, brother!  *returns Madame's hug with equal fervor, grins*  Ahh, don't let Lisa hear that y' been rootin' fer them ... well, I hesitate t' say th' name, she may be listenin'.  *winks, ushers them both into the booth*  Don't move, either o' ye, I'm makin' Kir Royales fer us, Willy, an' a club soda fer Madame.  *hugs her again, runs off to get drinks.*

 

Willy: *grins*  It's excellent to see you back Manouche, we missed you dearly.

 

Madame: *nods* I'm just fine Manouche, rested and all … how are you?  How was your trip?  did you discover what you were looking for?

 

Manouche *returns with drinks*  Y'both look grand.  I discovered a lot, in some ways even more than I reckoned on.  I -- well, I feel like I can face whatever comes much better than before.  *leans in closer to them*  Be careful, though ... I can't explain it, luvs, but somethin's naggin' at me ... don't mean t' be th' bloody harborer o' doom, so to speak, but ... well, jus' take care.  *holds up glass*  Here's t' us ... an' to Deppville.  *drinks*

 

Madame *feels a little uneasy about Manouche's feeling, but smiles anyway, raises glass, cheers and drinks*

 

Willy *cheers and drinks, smiles at Manouche*  Oh, how did those explosive candies work for you>

 

Manouche:  Ah!  Well, funny y'should mention 'em.  They saved me life.  'Course, it were in one o' them visions, but it were so bloody real.  Like th' one where I saw me brother ... an' ... well, all of it.  Alifi swore that me life weren't in danger from them illusions, but she weren't hundred percent on it, savvy? She said it was 'cause me senses were tuned in more than she'd seen in anyone before.  *sighs*  So the candies either interrupted a bloody good scare ... or they truly did save me skin.  *drinks*

 

Willy *sighs a bit concerned, places hand over Manouche's*  It was all a vision Manouche, you know it.  *doubts it, but shows no sign*

 

Madame *nods, smiling at Manouche, same thoughts, drinks, tries to think of something else to say, decides to be a smart-alec*  SO how bout them steelers?  *Willy arches brow at Madame*  

 

Manouche *laughs, spits out some Kir Royale*  Bloody 'ell, Madame, y'do have a death wish with Lisa, don't ye!  *wipes eyes, glances at Willy, smiles gratefully, squeezes his hand*  

 

Willy:  I do not like football....its so .... unsanitary.  *scrunches face*  

 

Madame:  O no...football isn’t Willy's thing....Willy's favorite sport is ....  

 

Willy *drinks, puts down glass, smiles* ...Hockey.  I love it.  LOVE it.  And I can get my son to love it too, I really do have a feeling he'll love it as much as I do.  

 

Madame: *smiles, shakes head*  Every hockey game....he drops all his work for once and watches the WHOLE thing from beginning to VERY end.  

 

Lisa *stumbling drunk, walking past Chez Roux, hears the dreaded 'STEELERS' comment coming from inside*  What the Hell?  Since when is there a fan of theirs in this blasted town?  *decides to walk in, and see which patron had the nerve to mention that word!  Turns back, and enters Chez Roux*  Alright, which one of you blasted fools said that?  Who amongst you is the bloody Steelers fan?  *a quick survey of the room shows that Manouche, Willy, Madame, and the Colonel are all present.  Through blurry eyes, she looks at each of them.  Starts thinking out loud*  Well, the voice was a woman's, so it wasn't Willy.  Manouche is a pirate; hardly fancies the sport.  The good Colonel is from Ohio; surely it wouldn't be her!  *the process of elimination leads her to Madame; she walks up to her, falters a bit in her drunken stupor, points an accusing finger*  It was you!!  You said that dreadful 'S' word!  *shakes head in disbelief*  You told me you were an Eagles fan!  How could you root for....for... the STEELERS!?  *shakes head again, gives Madame a dirty look.  Walks over to the bar, grabs a bottle of rum.  Begins to grumble out loud*  Root for that rotten team ... the nerve!  How could anyone in their right mind....  *heads for the door, disgusted with the whole situation.  Turns and looks at all of them one last time, stumbing a bit*  Ahhh!  I'm going home!  *exits Chez Roux, stumbling her way down the street toward home.*

 

*Kat patiently waits outside the Chez Roux, having seen Manouche through the window.  Not wanting to be seen, she waits for Manouche's departure.*

 

Manouche *eyes wide*  Cor blimey!  Never seen Lisa like that.  It's one thing t' yell at Madame.  But ... she grabbed th' cheap rum!  Never seen our Vice-Mayor go fer less than th' best when she imbibes.  Clearly, she's takin' this turn of events very hard ...  

 

Portsmith *arrives at Chez Roux, takes a small, well-read booklet from pocket*  Now this is amusing, a pirate writing of a Caribbean moonrise on a golden hazy evening, feeling the scent of roses (I suspect that would be the scented conditioner and not real roses but you never know with these pirates) while hoisting the pink sails ...  Need I go on?  I would never have believed that a pirate being a ...... oops, I nearly said it ... a soon to be revealed Zodiac sign was capable of.  

 

Kidd: You be bluffin', and where'd ye get that booklet?  MANOUCHE!!!!  

 

Manouche *spits out spray of rum*  IT WEREN'T ME, KIDD, I SWEAR ON PAIN O' DEATH, MATE!!  *choking on rum, eyes streaming*  Portsmith prob'ly followed ye t' that poetry slam y' were hostin' some time ago, pilfered th' bloody book when y'weren't lookin' ...   

 

Kidd:  It be said to keep your friends close but your enemies closer. But for the life of me now  I be wonderin' which ye be!!!  

 

Manuoche:  Blimey, Kidd, y'know I'm a mate.  *sniffs*  Ye'll notice I haven't offered a clue about yer Zodiac sign t' bloody Portsmith, an' I never breathed a word about th' bloody book.  *goes pale*  Oh ... th' poetry slam hostin' were a bit of a secret, weren't it?  *swallows, brings hands up, holds wrists together.*  I know, I know, clap 'er in irons, right?  

 

Portsmith:  Take your chance. You want me to say the sign and read a nice description of it?  Or more poetry?   

 

Kidd *fingers crossed, sweating, muttering*  Please be bluffin' .... please be bluffin'.  The sign.  *cringes*  No, no ..... I changed me mind, no sign.  Read the bleedin' poetry.  

 

Manouche *whispers to Kidd*  Y'may be in luck, mate.  Lisa's gettin' drunk with Portsmith.  May provide a complete distraction, as it were.  *smiles charmingly*  

 

Portsmith *has overheard Colonel’s musings on piracy*  Oh no, even the honest and trustworthy Colonel turning into a pirate!  What is this world coming to? Can you trust anyone anymore?  Oh horror!  Please pass the bottle, I can't take this sober. Such a promising career thrown away!  *grabs a Deppville hanky*  

 

Colonel:  No, no, no!  Commander!  I could never, really, actually, truly consider that.  I'll stick with my guns.  My police guns, savvy?  I--I've had a rough day, the case, this letter, which means nothing according to Manouche. I mean it does, but...*sighs*  It's not important.  *gets up to leave Chez Roux*   

 

Manouche:  Blast, Portsmith, keep yer bloody mouth shut, th' Colonel's upset enough as it is.  *calls after Colonel*  Colonel, wait!  *But Colonel is already out the door*  Bloody 'ell.  *looks around room*  When Portsmith an' th' Vice Mayor are in their cups, an' Kidd's ready t' keelhaul me, it's best I make meself scarce.  *Slides out of booth, shaking head in disgust, walks outside ... and sees Kat*  Blimey, KAT!  I been lookin' fer ye, mate, where y'been?  

 

Kat:  Manouche, quick I need a place to hide.  Don't know what Abberline will be doin' with what I told 'im and I be answerin' difficult questions, mate.  I need time te think things out.  

 

Manouche:  Aye, mate, as ye wish.  *looks around*  C'mon with me, back t' me ship.  It's as safe a place as any.  *grins*  Portsmith is feelin' no pain right now, th' lightweight!  Yer timin' couldn't be better.  

 

Kat:  Aye yer ship it is.  But Portsmith’s condition is a worry te me.  I'm afeard Abberline believed naught I said.  Should a known better.  

 

Manouche:  No worries, we'll get it all sorted.  *They reach ship, board quietly so they don't disturb Blake.  She takes Kat to extra room on deck above main cabin*  'Ere we are, make yerself at home.  *Opens cabinet, grabs bottle of rum, pours two glasses, hands one to Kat.*  'Ave a bracer, luv.  *Sits down, motions Kat into chair across.*  I been worried about ye fer days.  I—I were in Fiji, an' I had visions, dreams, too.  I had one about you.  Hard t' recall, now ... in part of it, y'couldn't talk, though ye were tryin'.  *shrugs*  Dreams.  Anyway, it's a relief t' see ye here, safe an' sound.  What's been happenin' while I were gone?  What'd y' tell Abberline?  

 

Kat *stares at Manouche hopelessly*  I told him there were a child’s life was in the hands of that thing that Nate calls his boss.  That if 'e didn’t do something, that child would die 'orribly.  *sighs*  From what I saw tonight, I'm thinkin' Abberline 'as done nothin'.  I guess it be up te me.  But I be much afraid that no matter what I do, the child will be lost.  I'll ‘ave failed him again.  

 

Manouche *eyes widen, leans forward*  D-did y'say a child?  Whose child?  *Thinks back on experiences in Fiji, turns pale.*  Are y' sure?  Nate ... that thing ... a child ... Oh, by th' powers, don't tell me that were true.  *Reaches out, puts hand on Kat's arm*  That thing, that man, whatever th' hell he is ... Blimey, I think he wants ALL THREE of us.  You, me, an' this child ... I- I think he wants our blood.  I know not why, other than what I heard about me own.  *shudders*  Kat, mate, we got t'convince Abberline t' listen, he might be able t' help.  *Glances around room, stands up, walks around locking windows, closing shutters, locking door.*  Right, think, think ... *pacing*  Here's what we'll do.  We'll talk t' Abberline tomorrow, right?  Per'aps we could take Mr. Blake with us, add a bit o' credibility to our story.  I'm wary o' Abberline, but he does good work, an' he don't scoff at the notion o' visions an' such.  If he don't listen t' us an' we have t' go it alone ... well, so be it.  *smiles reassuringly*  Fer tonight, y'can rest easy here.  This room's very secure an' solid.  It were me refuge when things got dodgy durin' certain piracy escapades an' I needed a safe house, as it were.  Do we have an accord?  *holds out hand*  

 

Kat:  *shakes head*  If 'e gets both of us, he'll 'ave all 'e wants.  There would be nothin' left te bargain with.  Don't ye see?  I gotta try this alone.  There's no other way.  As long as 'e needs one of us, 'e'll keep the boy alive te use as bait.  

 

Manouche:  Ahh, but Kat, luv, I ... I fought 'im.  It were exactly like yer describin', me experience.  He used a baby as bait, t' draw me in.  He were in th' guise o' Nate, no doubt t' rattle me all th' more.  If me vision had any truth to it, he's as cold-blooded as they come.  He'll say an' do anythin' t' throw ye off.  He can even put visions in yer head ... it's horrible beyond words.  *Comes over to where Kat's sitting, kneels in front of her, places hands on her shoulders*  I see yer logic in the pair of us not takin' him on together.  Yer right, if he captures us both at the same time, we're done for.  But it's too much t' face on yer onesies, mate.  *pauses, frowns, then looks at her closely*  Kat ... how d'ye know th' child is a boy?  How d'ye come t' know so much about him?  

 

Kat:  I just know, that's all.  Does it matter how?  If he dies, it be my fault.  *holding back tears*  

 

Manouche *takes Kat in her arms*  No, it don't matter.  S-steady, mate, we won't let him die, I promise ye.  Blimey, don't even know how we'll find 'im.  *trembles, then gets an idea*  What about Refugee?  Could he help?  

 

Kat:  Maybe ... He does 'ave 'is gifts.  Yes I believe 'e could. 

 

Manouche *sighs*  Thank th' stars.  Right, let's get some rest.  *hugs her tightly, rises, walks to table, drains rum glass.*  Be sure an' lock th' door behind me.  Double-bolt it.  Rest easy, mate, no worries fer now.  We'll save th' child.  *Leaves, goes down to cabin, locks door.* 

 

On The Libertine Trailer:

 

*Manouche and Blake sleeping.  Manouche slowly wakes up at noise coming from room outside the bedroom.  Yawns, stretches, then stops mid-stretch, eyes wide as she becomes aware of the noise; wave of fear washes over her, and she falls out of bed, hits the floor.*  Blast!  *Jumps to feet quickly, moves toward door* 

 

Blake *sleepily*  What's goin' on?  

 

Manouche:  Shhh ... there's someone in th' next room.  *Listens at door.  Blake jumps up, stands next to her by door, frowns at odd scrambling sounds.  Manouche reaches to corner next to door, grabs sword, slowly opens door just a crack.  Peeks out, sets sword down, sighs with relief.*  Refugee!  *Throws door open, Refugee dashes in, tail wagging, nearly knocking her down*  Blimey, good t' see ye!  What's that y' got there?  *Takes something from his mouth, smiles*  Ahh, well done, mate.  *looks at Blake*  I believe th' pair o' ye have met ... 

 

Blake *grins*  Yeah, the night we destroyed that locket, I remember.  What'd he bring you?  

 

Manouche *holds up small bone*  It's me draba ... like a magic charm.  Alifi helped me make it, an' I gave it to Refugee, t' help ensure a safe home fer 'im, as it were.  *Looks up at Blake, while scratching Refugee behind the ears*  I hate th' idea of Kat goin' after our adversary on 'er own.  She's determined, though.  Try an' stop 'er once her mind's made up.  But she did say she'd take Refugee ... an' I'll give her this to take, too.  If she'll believe in it, it may help her.  Alifi told me whoever's carryin' it has to believe in it, or it won't work.  *laughs as Refugee moves closer and licks her face*  

 

Blake:  One of these days, we should get a dog.  *Leans down, pats Refugee's head, kisses Manouche*  I'm makin' coffee before we do another thing.  *steps around them, through door.  

 

Manouche *smiles, watches him go*  Cheers, luv.  *Looks back at Refugee *  By th' powers, lil' one, I hope ye can help Kat.  It's glad I am y'showed up.  Perfect timin', as usual.  *hugs Refugee's neck.*

 

At From Hell Court:

 

Manouche *strolling through From Hell Court, peeking in doorways here and there, feeling out of sorts.  Hears a familiar voice, turns*

 

Malachi:  Fiji is lovely this time of year, isn’t it?  Although I suppose you were a little too busy to appreciate it.

 

Manouche *grins wryly*  I shouldn’t be surprised y’knew me whereabouts.  Not that it’s yer business, but I gave meself a little down time while I were there.  I confess, I’d fergotten its beauty … can’t argue with ye on that’un.

 

Malachi: What brings you here tonight?

 

Manouche *looks at him a moment, shrugs*  I—I really don’t know.  *glances around uneasily*  I’m desperate t’ find out somethin’ about this force we’re dealin’ with.  *looks at him again.*  Cigarette me, would’ ye, mate?  *Malachi takes cigarette from shirt pocket, hands it to her, produces match. Strikes it, holds flame for her; she looks at him suspiciously, leans in and lights the cigarette.*  Blimey, offerin’ a light?  What’s with you then?

 

Malachi:  What makes you think you’ll find any answers here?

 

Manouche:  Graspin’ at straws, as it were.  Didn’t even know I were ‘ere, till I looked up an’ saw th’ sign.  I were jus’ walkin’ fer hours, tryin’ t’ think …

 

Malachi:  Kinda dangerous, by yourself at night.

 

Manouche *frowns*  Why ye bein’ so bloody nice?!  I think I trust ye more when ye hate me –

 

Malachi  *grabs her by coat lapels, brings her face close to his*  Let’s get straight that I never hated you, though you gave me plenty of cause, the way you used to foul up my heists at every turn.  God, I was the laughing stock of the South Seas, thanks to you.  But I know you’re tryin’ to save your skin, and a few others around here, so I’m offerin’ to help.  Matter of fact, I’m INSISTING.  *Ignores her protests, grasps her arm, pulls her down street a few doors, into small walk-up.  Brings her up stairs to tiny apartment on top floor, unlocks door, enters, pulling her in.  Closes door, locks, turns on light, takes coat off.*  Go on, make yourself at home, we have work to do.  *Manouche stares at him wide-eyed, spins around, tries in vain to open door.  Malachi holds up key.*  Locked it, weren’t you paying attention?  Come on, have a drink, relax.  *Walks over to small table, pours two glasses of whiskey, holds one out to her.*

 

Manouche: *slowly takes glass, drinks appreciatively.  Eyes him carefully*  Wh-what’s this all about?  Why do ye want to help th’ likes o’ me?

 

Malachi:  Because you’re gifted, I’ve always known you were gifted, it’s what I’ve been tryin’ to tell you for years.  And I’ll be damned if I’ll see that power taken from you now that you’re finally getting it through your thick skull what you have.  Savvy?

 

Manouche  *nods, staring at him*  Aye, savvy.  B-blimey, Malachi, y’ overwhelm me. *Takes another drink, he picks up bottle, refills their glasses.*  So … what’s yer idea, then?

 

Malachi:  Sit down.  *She sits at table, he goes to small refrigerator in kitchen, takes out package wrapped in brown paper, brings it over to table, sits next to her.*  This’ll give ya a little boost … *opens package to reveal glass container filled with dark liquid*

 

Manouche:  NO, Malachi, I ain’t doin’ any more drugs, end of story, son.

 

Malachi:  This isn’t like the last time.  This is one time only, it’s fast-acting, an’ it’s natural.  No pharmaceuticals.  It’s a blend, it’s largely opium.  *produces glass pipe*  All you have to do is smoke a little bit of it in this.  *Pours some concoction into pipe, holds it out to her with a lighter, eyebrows raised.*  D’you want to save your friends, or not?

 

Manouche  *Shaking her head no until this last; looks at him sharply.  Sighs, takes pipe, lights it, inhales carefully*

 

Malachi  *Reaches out*  There, that’s plenty, put it down, put it down.  *Stands up, holds out hand*  Y’better lie down.  Lemme help you.

 

Manouche  *Pushes his hand away*  Don’t be daft!  I reckon I can --- whooaa!  *Stands up, nearly falls over, Malachi catches her, puts arm around her, walks her to small sofa, helps her stretch out.*  Blast, th’ room’s spinnin’ …

 

Malachi:  It’ll be okay in a minute, ride it out.  C’mon, Manouche, we’ve had our differences, but I’ve never lied to you about the effects of things like this.  *Goes around dimming lights, pulls chair up to side of sofa.*  Better?

 

Manouche *whispers*  Aye … I think so.

 

Malachi: Okay, now concentrate.  You can do this, don’t be afraid.

 

Manouche *reluctantly concentrates on everything she knows to date—the first body at Kidd’s house, the locket … Nate.  Hears his voice, sees his face from years ago, then more recently; starts to tremble violently*  Oohhhh …

 

Malachi:  Keep goin’, don’t be afraid.  Y’gotta go past what you’ve seen …

 

Manouche  *Brings hands up to eyes*  B-bloody ‘ell, what’s that?  By th’ powers … NO!

 

Malachi:  Stay with it, tell me what you see.

 

Manouche  *sobs*  I … I can’t …

 

Malachi  *grabs her wrists*  Yes you can, tell me.

 

Manouche:  Oh, blast, it’s … I can’t tell what it is … it ain’t man, though there’s a resemblance … Refugee were growlin’ at it … he’s huge, dark … An’ I see Nate … I fear ‘im, but I’m more afraid o’ th’ other …  *bolts up on sofa, eyes wide with horror*  He wants us, he wants ALL O’ us, needs us … Kat, me, th’ child … *voice rises*  Oh god, "heart an’ soul" ….. But … but why am I thinkin’ o’ Madame …  *starts to sink back on sofa*

 

Malachi  *grabs her by shoulders, holds her fast*  A NAME, Manouche, can you get a name?

 

Manouche:  He—he ain’t talkin’ … I’m jus’ hearin’ blasted Nate … he keeps sayin’ what—what he’s got planned fer me, an’ fer Kat … BLOODY ‘ELL, NATE, Y’BASTARD …  *She suddenly goes limp, falls back on sofa, sheen of sweat on her face, eyes closed*

 

Malachi  *leans forward*  Manouche?

 

Manouche  *opens eyes*  Lanair Marchand.  He’s … he’s a Necromancer.  *Looks intently at Malachi, grins*  I do believe that’s th’ first time I’ve seen ye look genuinely scared, mate.  An’ now, if ye’ll excuse me …  *sits up slowly, pushing him out of the way, swings feet around to floor*  I’d best be warnin’ Kat.  There ain’t a moment t’ lose.  *stands, sways unsteadily, lurches toward the door*

 

Malachi:  Are you crazy, you can barely walk.  Give it some time, it’ll wear off.  You ain’t goin’ anywhere for awhile. *smirks*  Now, why don’t you—  *is cut off by sound of click – Manouche has drawn her pistol, aimed it at him and cocked it, face dark and determined*

 

Manouche:  Get th’ bloody key an’ open this damn door, or by th’ powers, I’ll shoot it t’ splinters, an’ you along with it.

 

Malachi  *stares, then laughs*  That’d be some mighty fancy shootin’, Tex!  *shakes head, stands up, approaches her, looks at her with admiration.  Digs key out of pocket, reaches across, unlocks door.*  Let’s call this one a draw.  Better keep to back streets.  Any of Deppville’s police force see you like this, they’ll arrest you on the spot.  Well, except for Abberline, he’ll prob’ly just ask you your source!  Don’t give me away, okay?  *leans down and kisses her, then frowns*  Go on, get outta here.

 

Manouche:  Ch-cheers, mate.  *smiles slightly, lowers pistol, puts arm around his shoulder, stretches up and kisses him back.  Turns, navigates stairs carefully, returns to Libertine Trailer as quickly as possible to tell Kat.*

 

At the docks:

 

Kat *with Refugee at her side looks back at The Libertine Trailer, sighs, thinks of all that Manouche has said, her hand goes to the leather pouch at her belt that holds the bone that Manouche gave her, hopes that whatever power it holds will be enough, looks down at Refugee.*  Refugee, ye know where I have te go.  *Refugee growling*  I know I'm not real fond of the idea myself.  But it's the only way.  Stop bein' so stubborn and just lead me to 'im!  *Refugee with another growl runs off into the night; Kat follows.  Time passes, Kat realizes that they're much too close to town. She rushes to catch up to the dog, who by now is in town .*  I don't understand he can't be in town, it's not possible.  *She hears a sound, looks up and sees a man leaving Chez Roux, then she recognizes him.  Abberline.  Ducking into an alley, glares at Refugee, who is still in plain sight of Abberline.*  Ye think he's goin' te 'elp, do ye?  Well he's not.  All ye've done is wasted precious time.  *Refugee barks loudly.  Kat slinks back into the alley, wishing she had her shovel.*

 

*Abberline begins to walk away in deep thoughts as he hears the barking and turns to look at Refugee.*

 

Kat *keeping in the shadows, whispers*  Shut up Refugee, at best he'll only delay us.  At worst … be still, I say.

 

 

An Interlude

 

Even in the midst of high drama, our characters make time to celebrate Valentine's Day! ...

 

At the Wonkas’ factory:

 

Manouche *approaches factory, stands at door for a moment.  Opens box in her hand, looks inside, smiles.  Closes box, reaches out, rings bell.*  Willy, Madame, y'home, luvs?

 

Willy *rustling around, opens door while fixing hair, smiles*  Hello Manouche how are you?  Madame *comes to door tying robe around waist, grins, puts arm around Willy's waist*  Hello dear!

Manouche *surprised*  Blimey!  Sorry, mates, I reckon I came at an inopportune moment, as it were.  But ... well, if y'have a few minutes, I'd like t' show ye what I got fer Mr. Blake.  *smiles* Shall I come in?  I, ah, could come back later ...


Madame *laughs* no no no..come in come in.

 

Willy:  No worries ... you didnt interrupt anything ... what'd you get Blake?

Manouche *takes breath*  Right, here it is.  *Pulls out box, hands it to Willy*  It’s a watch fob, ‘specially made.  Ye both seen that pocket watch he has, he says it were handed down in his family.  Now his family’s all passed on, he’s th’ only one left.  I know th’ watch means a lot to him.  So I reckoned he’d like t’ have a fob fer it.  I had a jeweler make a chain an’ link from gold, an’ a heart from amber, an’ I had me old compass attached to th’ other end.  Now th’ tricky part, the rest of th’ chain, as it were … it’s made from braided hair, half his, half mine.  *grins*  I snipped jus’ enough from ‘im while he were sleepin’, he never woke up.  See, pickpocket skills an’ a light touch have advantages!  He’ll never miss it, he’s got glorious thick hair, he ‘as.  *beams*  Anyway, th’ rest o’ the trinket is solid gold.  Th’ compass is nothin’ special, more a sentimental addition than anythin’.  It does point north, I’ll give it that.  I got it when I first entered th’ pirate trade.  I had th’ jeweler engrave it fer this piece – Deux coeurs, une âme, notre monde … Two hearts, one soul, our world.  *smiles shyly*  Th’ bloody thing cost a bit, with th’ gold an’ th’ amber stone.  But I wanted t’ do somethin’ special, an’ he’s always needed a fob fer that watch.  *Looks at Willy and Madame anxiously*  D’ye think he’ll fancy it?  Be honest, mates.

Willy *looks fondly at it grinning, moves hands over it*  Manouche....its amazing.

 

Madame *touches the top of it*  oh Manouche ..... oh my ....

Manouche *smiles, sighs with relief*  Blimey, I'm so glad t' hear that!  I were afraid ... well, it might be a bit too dodgy.  Y'never know.  Y' made me feel much better about it, th' pair o' ye.  *gives them each big hug and kiss on cheek*  An' now, I hate t' run, luvs, but I want t' get this back to th' ship while Mr. Blake's out an' about, savvy?  I don't want him seein' it till the day.  Cheers, mates ...  *looks at their disheveled appearance, grins*  As ye were!  *dashes out door*


Willy:*smiles* no worries dear, its just perfect

 

Madame:*nods* we'll see you soon! *starts to walk back into factory, takes willy's hand and drags him inside*

 

A little later:

 

Blake *approaches factory, stands at door for a moment.  Takes out small box, looks inside, grins, reaches out, rings doorbell.*

Willy *answers door a bit aggravated, grunts, then turns to a fast grin when he sees Blake*  Hello Blake, what’s up?

 

Madame *comes to door running fingers through hair exasperated, gives a small smile*  Hello Blake how are ya?  *tightens robe*

Blake *tips hat slightly*  Willy, Madame, good t' see you both.  I ... I know this is a busy time for you …  *looks at their robes, reconsiders*  Ahh, well, anyway, I won’t keep you long!  I wanted to see what you think of my Valentine gift for Manouche.  If you can spare a minute …  *smiles*


Willy *smiles*  absolutely.

 

Madame *remembers Manouche's stop just a few minutes ago, beams*  any time in the world Blake ... what’d you get?

Blake:  Okay … I thought of lots of things I could get for her, but nothin’ seemed just right.  Then I thought about that ring she wears, the antique silver one.  She just about never takes it off, even though she lost the stone out of it.  I finally asked her about it, why she wants to wear this ring with the stone missin’.  She said she was in a bad situation years ago, her enemy had the upper hand and might’ve done her serious harm but for that stone.  She says it was a natural alexandrite, very rare an’ valuable.  She told her enemy about it an’ begged him to take it an’ spare her life.  His answer to that was, he figured he’d take it AND her life.  So she went into the fast talk.  *grins*  She told him th’ ring had a curse, that whoever took it an’ killed the person they took it off of was doomed to roam the earth through eternity as a displaced soul, wretched, hopeless with misery an’ remorse.  *Shakes head*  I don’t know where she gets this stuff!  She’s damn good at it.  Sure enough, he believed her.  He was so scared of th’ curse, he decided to take the stone only, so he managed to pop it out an’ leave th’ ring.  I asked how she knew he would fall for the story.  She said she’d seen him avoid walkin’ under a rope ladder on th’ ship an’ guessed he was superstitious, so she took a chance.  *laughs*  She’s mentioned replacin’ the stone in the ring someday, ‘cause she says it’s a lucky ring, that guy might’ve killed her if not for it.  Besides all that, she just plain loves it … it’s fine silver, an’ the design is unusual, French Celt.  So I decided to find a replacement stone for her.  I couldn’t possibly afford alexandrite, and even if I could, I wanted to get somethin’ different from what she’d had before.  So I got her birthstone, I bought an opal.  *Hands the small jewelry box to Madame*  Australian black opal, it’s a good one.  I know it would’ve been best if I could’ve had it mounted in th’ ring, but I couldn’t have gotten it from her without her gettin’ suspicious.  So I figured I’d give the opal to her an’ we’ll fix th’ ring later in the week.  I considered takin’ her to th’ gem dealers an’ pickin’ the opal, then droppin’ off the ring an’ havin’ it all done then an’ there … but I wanted my girl to have a surprise to open on Valentine’s Day.  *Shrugs, looks at them both*  Do you think she’ll like it?  Madame, I especially want your opinion.  Would you like a gift like this?  It’s … well, it’s been a long time since I bought a gift for a sweetheart.  *smiles*

Willy *beams remembering the necklace he bought Madame*  I must say Blake it's quite an eye catcher.

 

Madame *eyes light up*  Awww how precious!!!  Oh gosh Blake its PERFECT.  *hugs Blake*

Blake *laughs, hugs Madame back, kisses the top of her head*  I'm obliged!  I don't mind tellin' y' both, I been nervous as hell over this decision.  Kinda stupid, I know, actin' like a schoolboy.  *looks at opal again, smiles*  I better get this back under lock an' key, don't want anything to happen to it.  Thanks t' you both.  *holds out hand to Willy, then thinks better of it and grabs him in a big hug.  Releases him, beams at them both, and dashes out door, back to ship*


About a half hour later:

 

Manouche *approaches Wonka factory, shuffling several Valentines in her hands, frowning.  Reaches for doorbell ... then recalls Willy and Madame's appearance when she saw them earlier.  Smiles gently, brings hand back down.*  I reckon I can make th' decision about th' bloody card fer Mr. Blake on me onesies.  *Looks up at factory, murmurs*  Cheers, luvs.  *Kisses palm, presses it softly against their door, turns and heads back to ship.*

 

Later, on The Libertine Trailer:

 

Blake *arrives home, steps into cabin, stops, stares in amazement at the dozens of candles illuminating the little room, a beautiful dinner laid out on the table*  Wh-what’s all this …

 

Manouche *comes in, smiling*  Love, d’ye mind if we have an early Valentine’s Day dinner now, tonight?  I- I know I should’ve given notice o’ some sort.  But ye weren’t about … an’ … well, I don’t know, I jus’ have a feelin’ …  *shrugs*  Let's jus' say this feels right.  Reckon I jus’ don’t wanna wait.  *smiles*

 

Blake *smiles broadly, takes her in his arms*  Honey, you read my mind.  I didn’t want to wait, either.  Y’got me feelin’ like a kid at Christmas.  Hang it, it’s only a date on the calendar, right?  Let's do something else that night, an’ tonight’ll be our personal Valentine’s Day.

 

Manouche *nods, smiling*  Perfect.  An’ yer timin’ is impeccable, as always.  ‘Ave a seat, dinner is served.  *A little later, after dinner, Manouche pours more wine for them both, looks at him lovingly.*

 

Blake:  You outdid yourself, that was superb.  But I still want to take you out on Valentine’s Day proper.  I’m sure Marijke could squeeze us in at Chez Roux.

 

Manouche:  This short a notice fer Valentine’s Day dinner?  S’doubtful, love.  It don’t matter, I enjoy th’ chance t’ cook somethin’ special once in awhile.  Never got t’ do it much when I were alone.  I had a grand time cookin’ fer Willy an’ Madame over th’ holidays.  *Looks at empty dishes, smiles*  I reckon I still ‘ave a flair, as it were, from th’ looks o’ things.  I don’t reckon we’ll have much in th’ way o’ leftovers.  ‘Course, we do still ‘ave dessert.

 

Blake *grins, stands up, comes over to her*  I think that can wait a little bit.  C’mon over here.  *Takes her hand, brings her over to small sofa, they sit close together*  I’m glad you wanted to move up the day.  I’ve been dyin’ to give this to you …  *Takes jewelry box from pocket*

 

Manouche *eyes wide*  Oh, love … I ‘ave somethin’ fer you, as well.  *Jumps up, goes to hutch, opens drawer, takes out box, returns to sofa.  Holds box out to him*  Go on, you first.

 

Blake:  No, no, YOU go first.

 

Manouche:  No, you. I insist …

 

Blake:  Okay, this could go on for awhile!  How ‘bout we open ‘em at the same time?

 

Manouche *nods, smiles.  They open the boxes, gasp, take out the gifts, look at each other with similar expressions of surprise and confusion.  She looks at him, concerned*  D-don’t ye like it, love?  It’s a fob f’ yer watch.  I’ll grant, it’s a bit squirrelly, with th’ compass, an’ th’ braid … blimey, y’ think it’s silly, don’t ye?

 

Blake *quickly*  No, no!  Honey, I love it.  It’s just that …  *looks at her*  … well, I didn’t have enough money to buy your gift, so … I sold my watch.

 

Manouche *mouth drops open*  Oh, bloody ‘ell … what were ye thinkin'?  It’s been in yer family all this time …

 

Blake:  I didn’t mind at all.  My family’s gone.  You’re my family now.  *Takes her in his arms, kisses her*  I wanted to do somethin’ a little different, so I got you your birthstone.  *Nods toward box in her hand*  It’s an Australian black opal.  It’s … it’s not alexandrite, but I figured it’d look nice in that ring of yours.  We can take it to the jeweler tomorrow an’ have it mounted …  *Voice trails off at her expression*  What’s wrong?  Don’t you like it?

 

Manouche:  It’s th’ most beautiful thing I ever saw.  I love it, much more’n I ever cared fer that bloody alexandrite.  Problem is … I sold th’ ring, fer the extra quid to pay fer your gift.  *Smiles at him*  Y’ realize what we ‘ave here …

 

Blake *shakes head*  Gift o’ the Magi.  Yeah, I know th’ story.  *Examines fob, reads engraving on compass, smiles gently*  "Two hearts, one soul, our world" … your old compass.  An’ you made a chain of your hair …

 

Manouche:  Our hair.  *laughs as he quickly brings hand up to his hair, surprised*  No worries, I didn’t take much!  Yer a sound sleeper, y’are, anyone ever tell ye that?  *pauses*  So what now?  I can’t take th’ fob back, it’s too personal-like …

 

Blake *tightens hold on fob*  This stays with me, I wouldn’t trade it for anything.  It’s the best gift I ever received in my life.  I’ll get another watch sometime.  Look, I can still wear it.  *Places it in pocket with outer piece hanging outside*  There, no one would guess there’s no watch attached.  Now the opal, we could take that back.

 

Manouche:  Not a chance, Mr. William Blake.  *Looks at opal, smiling dreamily*  I could ‘ave it made into a pendant.

 

Blake:  I have another idea.  *Stands, goes into bedroom, returns, sits down next to her, shows her a silver ring*  My mother gave this to my dad when they got engaged.  I know it’s a men’s ring, but it’s not as heavy as some men’s rings, an’ it’s a pretty design.  I’d always intended to have it sized an’ wear it, but I never got around to it.  We could have it sized for you, an’ replace the topaz in it with your opal.  *Places it in her palm, takes her hand in both of his*  Don’t do it if y’don’t like the looks of it.  But if you honestly do like it … well, I’d much rather see it on you, with your birthstone, than sittin’ in storage, or wearin’ it myself.

 

Manouche *smiles, tears in her eyes*  I’ll cherish this’un even more than th’ old ring, love.  We have an accord.  *throws arms around him, kisses him.  They take up their glasses and toast, drink, gaze deep into each others’ eyes.*  I ‘ave a song fer ye, too.

 

Blake:  There y’ go, the best things in life are free.  So, a song, dessert … *grins* … an’ dessert.  Still a lot to cover, it’s gettin’ late …

 

Manouche *laughs*  Y’don’t ‘ave a watch, how do y’know?  Time’s a state o’ mind, love.  T’ my way o’ thinkin’ it’s early.  Shank o’ the evenin’.

 

Blake:  Good point!  *takes her glass, steps over to table, fills their glasses with last of the wine, returns to sofa, hands her her glass*  To the shank o’ the evenin’, then, my funny Valentine.

 

Manouche *murmurs*  Deux coeurs, une âme, notre monde.

 

 

Later that night, at the Wonkas’ factory:

 

*Late night, someone knocks impatiently at the Wonka's factory door. Madame walks into main hall, to door*  Hold on, hold on, I'm coming.  *Opens door, sees a man in black, his face obscured by high coat collar.  She steps back a little, a bit of fear jumps up.  Clears throat*  Can I help you?

 

Man: *holds pistol in Madame's face*  You can help me ... and yourself ... by doing what I tell you.

 

Madame *puts hands up in front of her, small voice*  Okay...

 

Man:*cocks gun, motions her outside*  You scream, and you take one shot to the face, Mrs. Wonka.

 

Madame: *swallows hard, steps outside, sees a black car out front, tears up*

 

Man: *grabs the back of her neck, pistol at her back, pushes her toward car, opens one of the rear doors and shoves her in.  Back of car is sealed off from front seat, like old police cars; doors lock from outside.  Man locks her in, opens driver’s side door, gets behind wheel, starts ignition.  Madame looks at factory as they pull away, begins to cry*

 

*About ten minutes later in the factory, Willy looks up from his work in his office*  Hmmm, I haven’t heard from love for a while.  Wonder what she’s up to.  *Enters her office, sees she’s not there, grows concerned.  Goes to chocolate room, walks up to an oompa loompa*  Have you seen Madame?

 

Oompa *points to the front of the factory*

 

Willy *looks where the oompa is pointing*  She went to the front door?  Why?  Someone was knocking?  *Oompa nods.*  I didn’t hear anything.  Wonder why they didn’t ring?  *Oompa shrugs.  Willy sighs, heads to front door, walks into main hall sees no sign of Madame, except for … walks faster, turns into a run to door, sees Madame's hat lying on floor, picks up, looks at it*  Oh, god.  *Notices an envelope on the floor. Picks it up, opens it, reads, hands trembling violently:

 

My dearest Green Hornet,

 

You should really take more care with your precious possessions.  You have no idea how quickly they can vanish.  By now you must be aware that your lady wife is not to be found.  Though she be no sinner, her screams prove quite entertaining.  While I have no desire to actually kill a non-sinner, I'm afraid Marchand would not say the same, were I to deliver her to him.  She'd make an excellent replacement as far as the heart and soul.  With her, and the witch blood of the savage brat, all he would need would be the Gypsy.  If you want your Lady back safe and sound, you'll deal with me.  I want the gypsy tramp, as well as that whore Kat.  You'll deliver me both, or else your lovely wife meets my master.  If you agree to my terms, lead both north out of town.  I'll be watching to be sure no one follows.  Do not cross me, I won't hesitate to kill her.

 

Warmest regards,

Nate

 

*Before Willy can react, doorbell rings.  Opens door, sees Manouche, trembling, tears in her eyes.*  Willy, mate?  I came as soon as I could.  Mr. Blake’s asleep, I had one o’ them dreams again, an' I woke up thinkin' of Madame.  Please tell me it’s rubbish.  *Looks at his face, starts to weep*  By th’ powers, dear brother, tell me what happened.

 

Willy *tears in eyes, drops to floor, the note falls, covers face with hands*  Sh ... she's ... *takes hands down, eyes seem to turn red with anger, stands up*  He took my wife ..... *looks at Manouche*  I'll kill him.

 

Manouche *looks up at him, eyes filled with fear.  Glances over, sees paper on floor, grabs it, reads note, face pale*  N-Nate??  B-but how can that be?  He’s … he’s locked up.  Blimey, Portsmith’d never let ‘im escape.  I mean – I … *remembers vision*  Ohhh, god in heaven … Nate … MARCHAND.  *looks at Willy, grabs his arm*  Ye’ve GOT t’ listen to me.  I told ye when I were in Fiji, I ‘ad a vision o’ Nate?  That is, it weren’t Nate, it were … well, I’ll get t’ that.  He told me Nate could escape if he wanted, but didn’t dare, ‘cause this Marchand would be waitin’ fer him.  Marchand, he’s a Necromancer.  From all I know, an’ from the sound o’ this – *holds up note* – he needs three things fer immortality, heart, soul … blood.  He's wantin’ my blood, Kat’s heart … an’ th’ soul comes from a baby, or child.  W-Willy, I don’t know what t’ say … I’d surrender meself in a heartbeat t’ get Madame back, y’know I would.  B-but he wants Kat, too … I can’t speak fer Kat, I don’t even know where she is.  *pauses, tears in her eyes*  I’ll do anything y’ say, me brother, I swear on pain o' death, we'll get Madame back safe an' sound.  I -- I'll go back t' them drugs if need be.  I'll offer meself up t' Nate, maybe he'd accept that an' let 'er go.  *Releases Willy’s hand, leans forward, head bowed, hands to her face*  Usin’ you an’ Madame t’ get to me … I’ll never forgive meself … y’must be wishin’ ye never laid eyes on me. *sobs, her shoulders shaking*

 

Willy *calms for a minute, lifts her head up*  Manouche, never on my life would I look at you as that.  It's not your fault he took her.  You know it’s not.  And I’ll be damned if you ever go back on that medicine OR surrender yourself.  You WILL be safe.  Do you understand me?  Nothing is going to happen to anyone else with Nate.  This is it.  Once I find Madame, I'll find him too.  I'm fed up.  Portsmith has done nothing to stop him.  He's gone over the limit now.  No one messes with my wife ...  *hands clench in anger, looks at Manouche, who’s looking back down at the ground; lifts her head back up, smiles*  ... or my little sister.  *stands up, face red with anger*  We have to find her.  He won’t harm her in ANY way.  *starts walking out of the factory, hand over gun in coat pocket*

 

Manouche *wipes tears away, jumps up, follows him*  Willy, wait!  *Catches up to him, throws arms around him*  Bless ye, me brother.  If yer sure that’s how y’ feel, then … well, I have a coupla ideas, I learned valuable lessons in Fiji about listenin’ t’ me instincts.  It’s part o’ th’ power o’ me blood, apparently … it’s part o’ what makes it desirable t’ Marchand.  *shivers*  So hear me out.  Remember, th’ one we’re really worried about is otherworldly.  Y’can put a bullet in Nate, but that won’t work on Marchand.  So my feelin’ is, let’s try t’ find Kat.  She were with Refugee, y’know how helpful he can be.  We haven’t much choice, luv, Nate said he’ll be watchin’.  If he sees us comin’ without Kat, he may hurt Madame.  We can’t take that chance.  Savvy?  Please, mate ... there must be a good reason that the voice inside is tellin' me this is what we should do.

 

Willy *glares at the thought of Madame being harmed, emotion swells up, tears in eyes, wipes them away quickly, pretends to be strong*  What are your plans?  I do care about Marchand and all … but I REALLY want to put a bullet through Nate's head so …

 

Manouche:  I hope y’get yer chance, luv, I’d like t’ see that meself.  Bloody ‘ell, I could kill ‘im fer this an’ not bat an eye.  We do need t’ care about Marchand, though.  He can always find another Nate t’ do his biddin’.  If we don’t do somethin’ about him, this could keep happenin’.  *stops talking, notices tears Willy tried to hide; stretches up, kisses his cheek.*  Steady, brother, we’ll get Madame back, I promise.  *They walk all over town, searching for Kat, checking in Chez Roux, going to the ships, calling her name, calling Refugee, going into the woods, no luck.  They return to town center and drop down on bench wearily.

 

Manouche:  I can’t believe what I’m about t’ suggest, an’ I know ye’ll think I’m daft, but … I think we should go t’ Portsmith.  I know, I know … *holds up hands as he starts to protest* … but it may serve us well.  Fer one thing, Nate’s escaped. Portsmith’ll go ballistic over that.  I feel sorry fer whoever were in charge at th’ time.  Fer another thing, she’s more likely t’ offer top services to help you an’ Madame.  You’re important citizens.  If th’ Wonkas come t’ her fer help … by th’ powers, her officers damn well better go in with guns blazin’, an’ Portsmith bloody well knows it.  Use ‘em, mate, make ‘em do their job.  *Stands up, holds out hand to Willy, speaks gently*  C’mon, luv.  *Willy looks at her despairingly, then nods, takes her hand, rises. They slowly walk to Portsmith’s office.*

 

At Portsmith’s office:

 

*It is ominously dark and quiet, but they find Portsmith at her desk.  She has filled two waste paper baskets to the rim with shredded paper.  There are only two small pieces of paper on her desk:  one is a hasty scribbled almost unintelligible note, and the other is a ticket for Tortuga.  Her feather hat lies abandoned in a corner, the feather broken and limp.  More paper is scattered around the floor, and in the fireplace you can see the badly burned remains of a leather bound book.*

 

Portsmith:  Can't you see I am occupied?  *looks up and sees Willy and Manouche, listens to their tale without a word.*  What a pair!  So, our local hero together with the local queen of pickpockets requesting help from Security to find some necromancer and his aide.  *Looks at Willy, swallows her words just in time.*  Can't do much, I am here on my own as you see.  It seems that neither Constable Crane nor Agent Brasco can be relied upon, so I fired them both for good.  Of the whereabouts of Inspector Abberline, I know nothing, he left me a confusing note with something about Kat and a child in danger.  Haven't heard of him since that.  Dean Corso is just a petty thieving book detective.  Lieutenant Victor is on a mission.  Hanson and Colonel Depp, the only efficient officers, are occupied elsewhere and Colonel is recovering from her last case.  So there is just me.  You all have done your best to keep me in the dark and you have been double-dealing behind my back.  My prison seems to be like a hotel, with prisoners and all kinds of almost innocent bystander coming and going like guests.  So what do you want me to do?  Grab my sword and fight some magician of whose whereabouts we don't know?  Go on a witch hunt with a faked grimoire?  *Looks at ticket and thinks with regret that she should have booked it earlier*  Tortuga, here I come! *

Manouche:  B-blimey, Commander ... there must be SOMETHIN' y'can do. *brings forth note*  Look, th' bastard even went so far as t' leave a note.  I- I know we've 'ad our differences ... I rather thought we could get past all that.  Commander, it's MADAME we're talkin' about.  If y' tell yer staff she's in trouble, whether y'fired 'em or not, they'd rally.  They all care fer Madame.  Donnie, Ichy, Hanson, Colonel, the lot.  Please, Commander, reconsider.

 

Outside:


*Refugee doesn't stop and Abberline looks at it with a sudden interest.*  A dog?  Or a wolf?  I know that one.  This is the one I saw with Kat and Manouche in the vision.  Are they with you?  *quickly he steps to Refugee who turns towards the dark alley.  Abberline stops and hesitates, talks to Refugee.*  She doesn't want to see me, I know ... She doesn't want to talk to me, and Commander told me to stop investigating this.  But I am past caring, there is a child involved in this and I can't let that happen.  I was once married ... and going to be a father ... Please, lead me to Kat, if she wants to hit me with her shovel once again, let her do it, and let Commander fire me, I must do something.

Kat *seeing Abberline distracted by Refugee, keeping close to the wall, sneaks forward thinking maybe she should just make a break for it.  Hearing Abberline's words, hesitates.*  If I 'ad a shovel I'd be for using it now.  Care about children do you, Inspector?  Exactly whose children would they be that it would cause ye such worry?  Your own?  Surely, someone else's possibly.  That would depend on who their parents were, wouldn't it.  Tell me Inspector!  Just how deep would your caring run if I tell you this child is a pirate's git, eh?  I see.  That's what I thought.  Now if ye'll be kindly gettin' outa my way.  I have important things to attend to!!

 

Abberline:  I understand you are deeply suspicious of me.  I am not Portsmith.  I work with Portsmith but I don't share all her views, she does not even know I am trying to investigate this.  It is not a matter of whose child it is.  Any child in danger is important.  And you know that I have no children of my own since what happened ...  *he stops*  There isn't any way I can convince you, is there?  But would you yourself endanger a child's life by being stubborn?  *looks at Refugee*  Don't you trust even him?  It was he who led me to you. 

 

*Kat stops dead in her tracks, shivers, flinching*  Endanger his life??  You know nothing of what yer saying.  It's been my mistakes that have put his life at risk.  I bear the blame.  If he dies, my life has been for naught.  *looks at Refugee*  What if he's wrong .... what if  ..... *considering the options* … I'm wrong, yet again?  *trembles, turns and studies Abberline*  Very well, Inspector.  What's in your mind?

 

Abberline:  Refugee is waiting, isn't he?  You trust him, and he seems to trust me.  I may know nothing of what you have done, I don't know who is the one you are looking for but I know we are just wasting time here standing like two old suspicious fools.  Can he lead the way?

 

Back in Portsmith’s office:

 

Colonel *overhears, walks into Commander's office*  I'll gladly go!  Who cares about rest, I'm fine.  I'll do what I can.  I'm strong and determined.  I'll give my life for Madame if necessary.  Besides, I have a plan, just hoping you'll listen and it'll work.

 

Manouche:  Bloody ‘ell, Portsmith … *looks at Colonel*  Colonel, mate, yer braver’n brave, an’ that’s an understatement.  But yer recoverin’ from a horrible experience.  That weren’t fair, y’shouldn’t have had t’ go through that, luv.  I couldn’t ‘ave it on me conscience if ye were t’ get hurt tryin’ to help us at this time, so soon after.  Y’need to let yerself heal, mate.  Live to fight another day, savvy?  We'll no doubt need ye later, so take care, rest up.  *To Willy*  C’mon, mate, I ‘ave an idea.  *She and Willy leave Portsmith’s office, step out into street*  Now, th’ thing is, we ‘ave to …… *Speech is cut off as searing pain hits her*  Oh GOD, Willy, help me … *reaches out to him before she drops to pavement.*

 

Willy *drops down with her, holds her up*  Manouche what is it?

 

Manouche: I’m—I’m s-seein’ somethin’ … oh, my dear Madame.  It’s – it’s that house, mate, that one outside o’ town.  On th’ north road, jus’ like Nate said in th’ note.  He has her there.  We – we can’t wait fer Kat, luv, we’ll have t’ take our chances.  There ain’t time t’ make a plan, we need t’ go NOW.  *Stands up shakily, pain subsides a little, she nods at an anxious Willy, who’s holding her arm.*  I’m sound, brother, let’s get to that bloody house.  *They take the road out of Deppville on foot, head for the old abandoned house.  Stand before it, looking up at it, see no signs of life.  Look at each other, deep fear in their eyes.*

 

Manouche *takes Willy’s hand, squeezes it*  I love ye, brother.  C’mon, let’s get our Madame.  *They enter house cautiously, total darkness, the squeaky door and floorboards wearing on their nerves.  Glance around, not sure where to go, then Manouche notices something*  Th-there, mate.  *Points to dim light coming from a room in back.  They creep toward it quietly, notice door is ajar.  They stand back, Manouche presses lightly on door, it slowly swings open.  They wait for response, hear and see nothing.  Then they hear a very soft, muffled voice, almost inaudible. Manouche brings hand to her head at another throb of pain, curses under her breath, leans forward, looks in room.  Sees Madame, gagged, tied to chair, eyes wide, filled with terror.  Manouche pats Willy’s arm, motions him to follow, they rush to Madame to untie her.*

 

Willy:  KIMBERLEY!!!  *runs over and begins to undo the ties, notices Madame in tears*

 

Manouche *sobs*  Oh, my dear luv.  *Not sure whether to untie her or hug her first, tries to do everything at once, hugs her tightly.  Doesn’t notice that Madame is trying desperately to warn them of someone behind them.*

 

Nate *steps from behind door, holding gun on them; they put their hands up*  It’s amazing how well this trick works.  We see it in the movies over and over, and it never loses its effectiveness.  Put a little bait out, and the vermin come scurrying.  *Laughs, then scowls at Willy and Manouche*  You’re one short, aren’t you?  I asked for Kat, too.

 

Manouche *trembling*  We-we couldn’t find her.  We tried.  Ye have me, let these two go.  C’mon, it’s bettern’ nothin’, an’ y’bloody well know it.

 

Willy: *Glaring, holding breath, hands clenched, says nothing, stays close to Madame*

 

Nate:  So you, with all your visions and magic, couldn’t find one crazy bitch with a shovel?  Pathetic.  I’m beginning to wonder if your blood is worth it after all, if you can’t do any better than that.  But that’s not my call.  That’s up to my solicitor, as it were. *Moves close to them, looks at Manouche*  I believe you know his name?  Marchand.  You had a little chat with him in Fiji, didn’t you?  I think he was pretty impressed with your tricks there.  But you’re far from Fiji now, Gypsy scum, far from anyone who can help you.  *Cocks gun*  Lose the weapons, bitch.

 

Manouche *reluctantly drops pistol and sword to floor, puts hands back up.  Nate motions Willy and Madame aside, moves to Manouche, searches her, finds no more weapons, shoves her back, keeping gun on them all.  Willy wants to grin at Nate, but doesn’t, remains glaring and silent*

 

Nate:  Nobody’s going anywhere, savvy?  Marchand wants the Gypsy scum and the whore Kat, and nobody leaves until I deliver both.  I’m sure someone in town will arrange it.  Maybe that nice young man of yours, that Blake.  I bet he won’t take this lying down.  I suppose I’ll need to send out another note.  Perhaps this time I should send proof that I mean business.  That pretty ring you're wearing with your finger still inside it should prove most effective.  Don’t you think?  *sneers*

 

Manouche *catch in her voice, shaking with fury*  By th’ bloody powers, don’t ye DARE mess with him …

 

Nate:  Shut up.  You had your chance to do things right, now all you’ve done is bring both your friends here.  Just as well.  *Waves gun toward Madame*  Her screams were becoming most tiresome.  Good to add some new voices to the mix.

 

Willy *anger overwhelms him, loses it, takes a step foward*  YOU'LL NEVER HEAR OF HER SCREAMS EVER AGAIN, YOU SON OF A BITCH!!!

 

Nate *points gun at him*  Back where you were, hero.  Or I'll shoot your Lady, then you, so you can watch.  *smiles*  Here are your adoring little strumpets, Green Hornet … the two women who depend on you, and look at you.  Not a thing you can do for either of them.  Just isn’t your day, is it?  *Glances over, sees Manouche reaching into her coat*  Get your hands back up where I can see them, Gypsy trash.

 

Manouche: Y’searched me yerself, y’bastard.  All I’m goin’ fer is me ciggies.  *Removes pack, book of matches, holds out for Nate to see, eyebrows raised.*

 

Nate:  Fine, go ahead.  You can all have one, if you like.  Enjoy … then we’ll get down to business.  It’s rather boring here … I’m happy to have two new specimens to experiment with.  *laughs*

 

Manouche *hands shaking, passes cigarettes to Willy and Madame; they decline.  Manouche takes one, puts it in her mouth, holds matches*  Nate, ol’ thing ... do ye ‘appen t’ have any trainin’ in chemistry?

 

Nate *frowns*  What’re you talking about?

 

Manouche:  Jus’ askin’.  Ever put mercury fulminate an’ picric acid together?  On their own, each is harmless as tap water. But together, once they hit somethin’ … aye, makes fer a pure dead brilliant explosion.  Don’t need much of ‘em, either.  Jus’ a smidge of each, as it were.  Bloody amazin’.

 

Madame *tears rolling down her face, Willy hugs her close*  Oh, Manouche, please be quiet …

 

Nate *sharply, turns to her*  Shut the hell up, bitch!

 

Manouche *deadly quiet voice* Don’t ever talk t’ her like that again.  *Blows through cigarette, which she had hollowed out and placed in the pack weeks ago, turning it into a small straw.  Sends a capsule flying that she’d taken from a pocket seconds before and placed in her mouth without Nate seeing – a capsule she’d prepared when inspired by Willy’s explosive candies, filling it with mercury fulminate and picric acid. Capsule hits floor, explodes, knocking Nate back, filling room with smoke and debris. Yells out to Willy through confusion*  WILLY, YER GUN, MATE!!

 

Willy *grabs gun out of coat, points it directly at Nate*

 

Madame:  WILLY DONT KILL HIM ...HE'S NOT WORTH IT

 

Willy: *glances at Madame fast, tears in eyes at her sight, sees Nate begin to get up out of the corner of his eye, turns back and fires the gun fast, shooting Nate in the upper leg.  Watches Nate fall to the ground, then runs over to the crying Madame, hugs her tight*

 

Manouche *staggering to feet*  Well done, brother, that’ll do!  Don't need t' kill 'im, jus' put 'im outta commission, is all.

 

Madame *still tied, leans head against Willy, cries*

 

Willy *crying*  Baby I love you.....god I love you...

 

Madame *stutters* I...lo...love you t...t..too

 

Willy *lifts her chin, smiles through the tears, kisses her forehead, then quickly unties her*  COME ON, MANOUCHE LET'S GO!!!

 

Manouche:  Right behind ye both, luvs.  RUN, DON’T LOOK BACK.

 

Willy *helps Madame up, picks her up, runs out of room.*  LET'S GO, MANOUCHE!*  They run from the house as fast as they can, keep running, don’t look back.  They reach the city limits, stop to catch their breath, dive into each others’ arms, kiss passionately.  Release from their embrace, tears running down their faces, laughing and crying all at once*

 

Madame:  Oh Willy, you were magnificent!  Manouche, wasn’t he …. *looks behind them*  Manouche?

 

*She and Willy look at each other, then back down road; fear growing, they both call her name*  MANOUCHE …

 

*Back at house … *

 

Manouche *dazed from explosion, hears their voices, not sure whether it’s really them or she’s just hearing them in her head.  Nods, satisfied, closes eyes, whispers*  Thank th’ stars.  Stay safe, dear family.  *Winces as Nate’s large fingers clamp tighter into her upper arm.  He spins her around, slaps her hard across the face.*

 

Nate:  Damn you.  By the time I'm through with you, you won't be able to play your MacGyver tricks.  Marchand’ll have my head if I screw this up again.  We can’t stay here, they'll come for you.  *Grabs her hair, pulls her face close to his, sneers*  We’ll have to find a new honeymoon cottage, darling.  Don’t worry, we’ll be able to contact Mr. Blake just as easily from another location.  *Ties her hands together, drags her through house, his free hand clutching at the wound in his leg from Willy’s gun.  Takes her out back to same car he used to kidnap Madame, throws her in back, locks her in.  Climbs in behind wheel, cursing at the wound.  Starts car, drives off to undisclosed destination.*

 

 

Ó   2006  All rights reserved.

 

 
Deppville,where anything can happen.
 

Ó   2006  All rights reserved.