At Bournemouth House:
Gili *walks up to the door
of Bournemouth House, starts to knock; stops, listens at the door, frowns as he hears voices sounding like they're arguing.
He considers leaving, then changes his mind, knocks on the door, waits for an answer*
Abberline *with a sigh* Don't start it again, Kat. The wallpaper stays as it is. I could have trusted your taste, but if you suggest an emerald green wall, I must say that you need
supervising. You could take Miranda shopping with you to avoid such errors in judgment. *hears the knock, rises
up and goes to the door , opens it* Gili?
What brings you here? *steps aside as he enters the house, leads him to
the living room* Kat, it's Gili.
Kat: Gili, 'appy te see ye luv. *Glances at Abby haughtily* Apologies, luv I were forgettin' te ask yer approval on 'ow te address me own brother. I'll take my leave so as not te be botherin' ye with me disrespectful and abnormal
manners. *Glaring at Abby, turns to go upstairs at the top of them she turns
and shouts.* THERE BE NOT A BLOODY THIN' BEIN' WRONG WITH EMERALD GREEN WALLS!! *Enters bedroom, slams door.*
Abberline *muttering to himself*
Bloody hell, you can't have emerald green walls ... *turns to Gili* So, if you came to see your sister, you'll have to go knocking on her door. *shrugs* We were discussing home improvement.
Gili: Yes, so I heard … I love my sister, but … I know how she can be. *smiles slightly* You may be considered for sainthood before
it’s all over. *pauses* I
was hoping to spend some time with her, naturally, and I’ll try to go up and see her in a minute … but I’ve
come to talk to you, as well. Have you seen Raven? He was at our house for a couple of days, then just when I was hoping to bring him back here, he disappeared. I don’t know where he went. I’m
worried about him, Fred, he wasn’t well. He was dangerously ill when he
showed up at the house. I believe someone cast a spell on him, but I can’t
imagine who it would’ve been. *looks at Abberline* What has he been doing during the last week or so, where has he been?
Was he perhaps at From Hell Court?
Abberline *smiles* I'll manage with her ... Raven? No, he was perfectly all right when I saw him last time. That
was when Kat's sister - now wait, yours too! - Metrea was here. They greeted each other and then I brought her back
to Chez Roux and … *his voice trails off, he's avoiding Gili's eyes* … I was on a business of my own ... A spell? What do you mean with that?
Gili *staring at him* Metrea! You let her in this house? You let her meet Raven … *sinks into a chair*
Oh, that explains it. *brings hand up to his eyes, then looks at Abberline* How did this happen? Surely Kat warned
you about her … she’s very dangerous, and very vindictive. She would
do anything to ruin Kat’s life, or to hurt anyone she cares about. *stands
up* I have to go look for him, we’ve got to find him. I thought I helped him, but now that I know it was Metrea … I probably didn’t do him that much
good. I’m sure I didn’t break the spell. If he comes back here, don’t let him leave. And do NOT
let Metrea around him again. I’m sure you know by now that she’s
a shapeshifter, so you’ll have to be extremely careful with anyone who comes to your door. If anyone at all comes calling, you better have Kat see them. Kat
and I can recognize Metrea when we see her, but I don’t think anyone else could.
Well, perhaps another dreamer could … Raven probably could have, before she cast the spell. *looks at Abberline carefully* You probably could, if you
tried hard enough. You have enough of the dreamer about you … and a little
bit of gypsy heart and soul, I see. Yes, you probably could recognize her. *runs hand through his hair* That blasted
woman … if she manages to … *his voice trails off, then he looks at Abberline apologetically* I am truly sorry about this, Fred. Metrea is the black sheep
of the family. I can at least assure you that there are no others … not
that I know of, anyway. *sighs* I’ll
go look for Raven right now. Remember, keep him here if he comes home.
Abberline *listens with great
concern and look even more guilty than before* Yes, I brought her here. I - I just thought that Kat was being jealous, and she was very nice to me so I did
not suspect anything .... I am so sorry, Gili, I should have listened to
Kat. Please try to find Raven, I'll go upstairs to Kat.
Gili *looks at him sympathetically* Don’t be too hard on yourself. Metrea
is very good at fooling people … and unfortunately, because Kat can be so jealous, it’s not always easy to know
when her actions toward other women are justified. But I suggest you try to give
her the benefit of the doubt from now on. After all, she’s your wife. *smiles slightly, then grows serious again*
Please don’t tell any of this to Kat just yet. Give me a chance
to find Raven first. In Kat’s condition, this could be too hard on her. Wait till I return, and if I haven’t found him by then, we’ll tell Kat
together. Try not to worry too much. At
least now there is one bright spot. Now that I know what we’re dealing
with, it’ll be a little easier to help Raven. I know Metrea’s spells. They’re difficult to break, but I’ve done it before … you can only
imagine how displeased she was. Anyway, at least there’s hope. *glances out window anxiously* Remember what I said about
answering the door … even for me. *he takes an object from his pocket,
places it in Abberline’s hand* Here … if anyone comes to the door
and claims to be me, but you’re unsure, ask them what I gave you when I was here earlier. But even with that test, be sure and have Kat check the person out.
*starts to leave, then stops, turns back to look at Abberline* Oh, I almost
forgot … your sister, Lady … Cynthia? … she wants to have an audience with you. She wishes to discuss something about an inheritance that she says is rightfully hers. She says all she wants is a chance to talk to you about it … and she mentioned that she owns Bournemouth
House, I’m not sure why she would mention that. But she swears that all
she wants is her fair share, and that she will cause no trouble as long as you agree to meet with her to discuss it. *opens door* Now, I really better hurry. I’ll be back as fast as I can. *leaves
the house, running toward town*
Gili *looks at him sympathetically* Don’t be too hard on yourself. Metrea
is very good at fooling people … and unfortunately, because Kat can be so jealous, it’s not always easy to know
when her actions toward other women are justified. But I suggest you try to give
her the benefit of the doubt from now on. After all, she’s your wife. *smiles slightly, then grows serious again*
Please don’t tell any of this to Kat just yet. Give me a chance
to find Raven first. In her condition, this could be too hard on her. Wait till I return, and if I haven’t found him, we’ll tell her together. Try not to worry too much. At least now there is one bright
spot. Now that I know what we’re dealing with, it’ll be a little
easier to help Raven. I know Metrea’s spells. They’re difficult to break, but I’ve done it before … you can only imagine how displeased
she was. Anyway, at least there’s hope.
*glances out window anxiously* Remember what I said about answering the
door, even for me. *he takes an object from his pocket, places it in Abberline’s
hand* Here … if anyone comes to the door and claims to be me, but you’re
unsure, ask them what I gave you when I was here earlier. But even with that
test, be sure and have Kat check the person out. *starts to leave, then stops,
turns back to look at Abberline* Oh, I almost forgot … your sister, Lady
… Cynthia? … she wants to have an audience with you. She wishes to
discuss something about an inheritance that she says is rightfully hers. She
says all she wants is a chance to talk to you about it … and she mentioned that she owns Bournemouth House, I’m
not sure why she would mention that. But she swears that all she wants is her
fair share, and that she will cause no trouble as long as you agree to meet with her to discuss it. *opens door* Now, I really better hurry. I’ll be back as fast as I can. *leaves the house, quickly
disappears from sight, in true Indian stealth mode, heading toward town*
At
From Hell Court:
Manouche *makes
her way cautiously through the Court, deeper into the area than usual, past the usual places, past Malachi’s apartment,
peering into first one tavern, then another. She then hears a voice call her
name. She steps inside the tavern, makes her way inside, squints as she tries
to see through the smoky haze that hangs in the room, then she sees a familiar face at a table near the back of the room* Perhan? Blimey, it’s old home week,
innit? First Courbet, then you …
Perhan *sitting
at table, shuffling Tarot cards, grins at her* What do you mean, old home week? I’ve been here for quite some time. Didn’t
you know I helped your friend? Gave him clues to get you out of that contraption.
Manouche *sits
down across from him* Ahh, that were you, then?
Bloody ‘ell, mate … cheers. I … I knew Malachi ‘ad
gathered clues, an’ he an’ th’ Inspector were able t’ get me out between th’ pair of ‘em.
Perhan: You’re not always armed with more than one weapon. Expecting trouble?
Manouche *pauses,
shrugs* Not sure. I … I’m
tryin’ t’ find out somethin’, but … I don’t quite know where t’ begin. I’m not even sure how I wound up ‘ere.
Perhan: Can you draw it for me?
Manouche *blinks* Draw what?
Perhan *still
shuffling the cards* The ring. The
ring you’re thinking of. You’re guessing it may be at least partially
accountable for a friend’s actions … or something like that. Right? *looks up at her, eyebrows raised*
Manouche *surprised* Aye … that’s about th’ size of it.
What th’ hell, s’worth a try. *pulls out notebook and pen,
thinks for a moment, then tries to draw the ring she gave back to Raven. After
a few minutes, she tears out the page from the notebook, hands it to Perhan* I
think this is pretty close t’ what it looked like.
Perhan *takes
the paper, smile fades, eyes widen* Oh, by the saints … *looks at her sharply* Forget this. Forget you saw it.
Manouche: I can’t. What does it mean?
Perhan *doesn’t
respond, instead spreads the Tarot cards out on the table, face down* Take a
card. *She frowns at him, looks the cards over for a moment, picks one, hands
it to him. He looks at it, his face goes pale, turns it up for her to see* King of Swords … reverse position, as I feared … *he scoops up the cards,
stares at her intently* Go home. Forget
all this, it’s too powerful, don’t mess with it.
Manouche *shakes
head* Can’t do that, mate. I
‘ave to try. A young boy’s life’s at stake.
Perhan *hands
her the card* Then I leave this with you.
Concentrate on it, you’ll see what I mean. *glares at her, exasperated,
mutters* Dreamer. *stands up, leaves
her alone at the table, walks briskly out of the tavern*
Manouche *watches
him go, then looks at the card for a minute; she takes it in both hands, concentrates, brings it to her heart. Her heart starts racing, she feels herself growing faint, a roaring in her ears, then she falls backward
as if pushed, knocking the chair to the floor. No one around her notices, so
she quickly pulls herself up to her feet and brushes herself off. She scowls
at the card* I should’ve known. *puts
it in her pocket, leaves the tavern, chases after Perhan, catches up to him* Oi! Perhan ... ye know who can help me … take me there now.
Perhan *evasively,
pushes her aside* I don’t know what you’re talking about …
Manouche *angrily
grabs him by the front of his jacket, shakes him, brings his face close to hers, speaks quietly* Take me there now.
Perhan *stares
at her, then frowns* All right. It’s
your funeral. *she lets him go, he straightens his jacket indignantly, motions
for her to follow him deeper into the Court, where the crowd thins out significantly, and the people around them consist primarily
of junkies slumped in dark corners, or men and women haggling over price … he brings her to a small, dark stone building
between two larger buildings, glances around as if to make sure they’re not being watched; then leads her down a few
steps to a small wooden door, taps on it a few times. A window in the door slides
open, just large enough to make out a pair of eyes looking them over. Perhan
speaks to the eyes as he motions to Manouche, standing behind him* She
won’t take no for an answer. *the window slides shut, a lock disengages,
and the door creaks partially open. Perhan looks at Manouche, waves a hand toward
the door* Go on in. I’m not
going with you, you’re on your own.
Manouche *nods* Cheers, mate, I’m obliged. *steps
past him, goes through the door; it closes behind her, locks*
Perhan *snorts* “Obliged.” *shakes his head,
scurries away*
At Bournemouth House:
Abberline *hesitates, with
his mind on Raven, then he understands Gili's last words, and he follows him out* Gili,
wait, I am not going to discuss anything with that witch … *But Gili is
already gone; he returns inside, starts to look after Miranda, and first now it occurs to him that the house is so quiet.
Miranda is not in the kitchen, singing happily, clattering with the pans. There are dishes still on the table, and the food she prepared is still in the oven,
dry and brown, on low heat. He turns it off. She
would never leave it like that. Puzzled, he looks for her through the house,
in every room, but she is nowhere to be found. And he gets a flash of her scared face, and someone holding her, and
though he doesn't discern the features, he knows it is not Crane ... Worried, he knocks on the door of the bedroom, not trying
to open it* Kat, Miranda has disappeared. I
think I'd better take a look and see if I can find her. Maybe she just left in
a hurry to buy groceries, *but he doesn't buy that himself* but I feel worried.
Don't open the door to anyone while I am gone. *he
decides not to say anything about Raven, listens for a while, but as he hears no answer, he reasons that she is either sulking
about the horrid emerald green, or asleep. He leaves the house and locks the
door after him*
At From Hell Court:
Manouche *enters
the dark room, almost has to duck her head for the low ceiling, the little building is very damp and claustrophobic. She follows the robed, shadowy figure who let her in and then locked the door behind
her; she's led to a small anteroom, where she sees a very old woman, with long white hair and a daunting, fierce expression. She’s seated at a large, oak table, shuffling cards*
Robed figure
*addressing the old woman* She insists, Boadicea.
Boadicea *frowning,
looking down at a deck of cards, speaks in a voice that sounds like a hiss* So
it would seem. *doesn’t look up, speaks to Manouche* Sit down, dreamer.
Manouche *slowly
takes the chair in front of the table, watches her for a moment* S-so, yer keen
on th’ Tarot, as well, ay? … *voice trails off as she realizes the cards aren’t the usual Tarot cards, but
an ordinary deck*
Boadicea *still
not looking at her* I am “keen” on the Tarot, as you put it …
but this time, it’s just a simple game of solitaire. All work and no play
… *she finishes her game, brings the cards together in a stack, sets them down. She stands up, walks around
the table, sits on the edge of it facing Manouche, swiftly grabs a handful of her hair and pulls her head back painfully,
Manouche bites her lip to keep from crying out* Lesson one, shut the hell up
unless you’re spoken to. I don’t go in for idle chat, and anything
you think you possess in the way of charm is lost on me. Savvy? *Manouche nods slightly, and Boadicea releases her* Lesson
two … there will be no arguments, there will be no quitting once we get started.
This won’t take long, but it won’t be pleasant, I can tell you that right now. There’s a reason this building is partially underground and has thick, stone walls. Once we start, don’t waste your energy trying to keep from screaming, savvy? Scream if you need to, nobody will hear you. So be sure you
want to do this before we start. *she looks her over, nods* You’ll be all right, you’ll come through it, if you’re worried about that. I can usually tell right off the bat whether someone’s cut out for it, and I’ve turned plenty
away, I promise you. Fools, think I can be bought. They’re just looking for a thrill, they have no idea what they’re doing. *pauses* Lesson three … anything you see, hear or experience
here stays here. Now, I’ll need $100, right now, or there’s the door. *she holds a hand out, blinks as Manouche pulls out the money and gives it to
her without hesitation. She looks at Manouche suspiciously, then stuffs the bills
into her blouse* Very well … now give me what you have to show me. I believe you have a card, and a drawing. *holds
out her hand impatiently; Manouche tries not to show too much surprise as she pulls out the Tarot card and the sketch of Raven’s
ring. Boadicea snaps her fingers* Give
me the card the way it was shown to you. Was it reversed? *Manouche nods, hands it to her in the reversed position. She
examines it for a few minutes, then looks at the drawing, then back to the card, finally nods*
Ahh … I see. Yes, this we can do.
*she gazes at Manouche for a long time; Manouche is uncomfortable under her cold eyes, but she maintains her posture
and eye contact with her. After a few minutes, Boadicea stands up, walks around
behind the table, steps up to a cabinet* In some ways, this will be a little
easier for you than for others. It might go a little faster. The process usually can be anywhere from three or four, sometimes six hours. With you, I think two hours may do it. *she opens a cabinet,
takes out a vial containing a thick, putty-colored liquid, and a syringe. She
comes back to the table, sits down across from Manouche* Do you know why this
is going to be a little easier for you?
Manouche *starts
to shake her head, then stops as it comes to her* Is … is it because I
w-were in th’ box? *her voice is barely above a whisper*
Boadicea *nods* That, and your powers. You’re an
unusual one, I must admit. But don’t let it go to your head, that’s
the minute you start making a fool of yourself.
Manouche: N-no worries there, mate, I ain’t always all that chuffed about me powers …
*she cuts her words off quickly as Boadicea glares at her* A-apologies, luv …
Boadicea *sniffs,
then looks down as she measures out some of the liquid into the syringe* This
will help you remember. You have the answer inside you, believe it or not. You received it while you were in the box. Don't
be surprised that you don't remember. It would’ve been phenomenal if you’d been smart enough to recognize
it at the time. You had … many distractions … *she squints at the
syringe, nods, caps the vial, stands, puts the vial back in the cabinet* This
will bring it out of you. *leans slightly toward her, holds up the syringe* You can trust this. But if you're still
unsure and you need something else to help put you at ease, I can tell you that I know Alifi. She and I have our different
ways of doing things, but she’s one of the few good ones. She’ll
vouch for me when you see her next. I always deliver. *looks at Manouche pointedly* The fact that she thinks highly
of you goes a long way in your favor. *She starts away from the table, carrying
the syringe, steps toward a door behind her that leads to another room. She looks
over her shoulder at Manouche* Come, girl, what’re you waiting for?
Let's get started, if you're sure you want to do it.
Manouche *eyes
wide, speechless at everything she’s heard, stands up, feels someone behind her, turns to see it’s the robed figure
who let her in earlier; at least, she thinks it’s the same person. It’s
impossible to tell, the robe covers the person from head to toe. She tries to
see a face within the shadows of the hood, but she sees nothing but darkness. The
figure places a firm hand on her shoulder, guides her into the next room, which is even more dimly lit than the other two. The robed figure pushes her down into a chair; she swallows, watches yellowed hands
poking through the long folds of the robe as they roll up her sleeve, while Boadicea slowly closes and locks the door*
At Bournemouth House / At From Hell Court:
Abberline: *on his search
after Miranda enters Grape's Grocery and spots Gilbert* Have you seen Miranda?
Gilbert
*stops labeling some canned product and looks up, wipes his hair from his face and grins* Hello,
Inspector. No, she has not been shopping today. But
she was here yesterday and wanted some ice-cream delivered today, for your wife. What
shall I do with the delivery if she isn't there? Is your wife at home?
Abberline
*looks sternly at Gilbert, snaps at him* No. She
is not at home. And she does not like ice-cream. *turns
and leaves the store banging the door after him*
Gilbert *goes to the door and shouts after him* But I could make the delivery myself, she might like our new flavor.
And anyway, Miranda paid for it ...
Abberline *doesn't listen to the fool, continues to the Office, going straight
to Crane's room* Have you been seeing Miranda today?
Crane *looks up from
his writings and regards him with indignation* And what kind of question is that?
I beg your pardon, but she is a consenting adult and you are not her father.
She has the right to be where she wants and be with who she wants. But to answer your question, no, I have not seen her today. Yet.
Abberline: You're a bloody pompous fool! I
am trying to find her.
Crane *his expression changing to worried, paling* What?
Has she disappeared?
Abberline *shrugs* So
it would seem. *leaves the Office, walks in deep thoughts through From Hell Court,
and as he is lighting a cigarette, he is suddenly pulled by his arm into an alleyway and thrust against the brick wall, with
two men holding him by the arms*
At Chez Roux:
Raven *enters
Chez Roux, looking slightly bored, glances around the dining room, then takes a quick peek into the bar. When he’s satisfied he sees no one he knows, he starts up the stairs to the guest rooms, to visit
Metrea.*
Malachi *having
just come out of the men’s room, glances over, sees Raven going up the stairs*
Now what the hell is he doin’ here? *he considers following him,
but something tells him not to; he returns to his booth, orders another drink, decides to watch the stairs, maybe catch him
on his way out*
Raven *reaches
the top of the stairs, approaches Metrea’s room, knocks on the door; the ring on his finger catches his eye, and
he smiles at it admiringly. He speaks softly through the door* Aunt … Aunt, it’s me, Raven … *he stands
waiting for her to answer, hoping she’s in*
At From Hell Court:
Manouche *emerges
from the small building nearly two hours later, very unsteady, makes her way shakily down the street. She wonders what the drug was that they gave her. She has
her answer to what she was wanting to know, but oh, the misery … her throat is raw from screaming, and she knows
the sensations caused by the drug will be impossible to describe to someone later. Boadicea
had been surprisingly kind to her when it was all over, speaking softly to her, bringing her some water, helping her get past
the horrible nausea as she came down from the effect, assuring her that it would pass soon, she had come through it with flying
colors. Manouche thinks she may have even said Alifi would be proud, but she
could have imagined that. Then after Manouche had recovered a little, Boadicea
abruptly returned to form and told Manouche she would have to leave immediately; she doles this drug out in great secrecy,
and she doesn’t need anyone flopping around her premises as a living advertisement of what goes on within. The strange hooded creature had grabbed her with the yellow hands and tossed her out the door, and she
barely caught herself, keeping her balance. Now she makes her way through the
Court, pressing her hands against walls when she can, her eyesight still a little dodgy.
But the terrible effects are slowly starting to fade, and she thinks triumphantly to herself, she now has the answer
… she at least knows some action to take that may help Raven. She
hopes it works … *
*She rounds
a corner, then stops as she passes an alleyway; she ducks down and peeks cautiously around the wall, wondering if she was
hallucinating; but she wasn’t. There they are, two men holding Abberline
against a wall. She’s filled with fury, and she carefully pulls herself
up, draws her pistol, steps into the alleyway, cocks the gun, concentrates, manages to keep her hand steady, her voice clear* Right, let ‘im go, y’ bastards.
*A third person emerges from
the darkness of the alleyway, clad in a long trench coat, broad brimmed hat and Armani sunglasses with inset diamonds, holding
a small delicate gun, she shoves it against Manouche's back* Your behavior is
very upsetting, threatening my friends like that. All I want is to have a nice
little friendly chat with my dear brother, but this seemed the only way to get his attention. How
very inconvenient that I made the error in asking for your help. You haven't
told him anything, have you? Some friends my brother has ... Look at you, drunk
in the middle of the day. *eyes her contemptuously* You are just the gypsy trash Commander Portsmith said you were. Just
the kind that my brother has always had a weak spot for, though I don't wonder about it anymore. And you, dear Frederick, you do belong here with all the rest of the scum and rabble, not in that fancy
and costly house you have. You are one of them.
Abberline *tries to break
free but he gets a sharp elbow in his side and winces with pain* Tell them to
get off me first.
Lady Cynthia: Very well. *turns to Manouche* You can put your gun away, dear. We are just having a little family reunion.
Manouche *hands
raised slightly at the gun at her back, she puts her pistol away, mumbles* I
ain’t drunk … y’ shouldn’t assume, luv. If – if
ye knew what I been doin’, ye’d … *leans over as a sudden wave of nausea washes over her; she leans against
the wall, grits her teeth, glances up slightly, bristles as she sees one of the men poke at Abberline* Leave ‘im alone … *she feels the nausea passing slightly, turns to look at Lady Cynthia* I sent word to ‘im through Gili … h-his brother in law … *looks
at Abberline questioningly, sees from his expression that he’s remembering what Gili had said to him; she turns to Lady
Cynthia again, glares* Don't say that about 'im, he ain't rabble, he ain't scum. *she looks down for a moment,
recovers slightly, looks back up at Lady Cynthia* I t-told ye it were odd, didn't I? Askin’ me to help with
such a strange errand. B-but y’ see, I did get word to ‘im. So … I reckon I can be on me way, an’ leave ye t-to yer talk. Unless yer brother would prefer I stay, 'specially if them goons o' yers are gonna continue to ... oohhhh
... *she groans, continues to lean against the wall, fears she may faint, she’s sweating profusely, hands shaking; she
turns to look at Abberline imploringly* I – I ain’t drunk, mate,
straight up …
Abberline: She's not drunk! Can't you see that she is ill? *he gets punched again with the sharp elbow and grits his teeth*
Manouche, don't care about her words. What have you been doing?
And you … *turns to Lady Cynthia* … stop insulting her, can't you see she needs help!
Lady Cynthia: Oh really? *looks at them both* Well we can't let her go on her own, can we?
You and I, we are going to that tavern *points with her gun at the nearby shabby tavern, familiar to Abberline* and
you can take her with you if you wish so. Isn't that the kind of place where
you love to spend your time, Frederick. *pokes Manouche with her gun, Abberline
tries to free himself seeing it, and Lady Cynthia smiles and turns to talk to Manouche*
It is all the same to me if you are drunk or not. Maybe you want to sit
down for a while with us. It is so much nicer to sit by a drink, isn't it, than
stand here in this alleyway. That's what you like to do, Frederick, isn't it, drink and drugs? Just like the dirty scum in this awful place. I'll promise I buy you some drinks of that abominable stuff they call brandy, of the
cheap sort that you are used to. *to Manouche*
I'll tell them to set him free if you join us.
Manouche *breathing
shallowly, is aware of the wave of nausea finally passing, and sighs with relief as she’s able to take a good, deep
breath. Glances at Abberline* I’m
sound, luv, no worries … *she slowly straightens up, glares at Lady Cynthia as she jabs her with the gun* Lay off, blast ye. I still don’t see what this has t’
do with me. *looks at men still holding Abberline* But … if it’ll make ye call them off, I’ll come with ye.
Lady Cynthia: You still don't understand it. *points at Abberline with her
gun* He simply won't listen to me. That
is where I need you. You will make him talk to me. Isn't it so, Frederick? That is what friends are for, helping each other. *to the men* You can release him now. *points to the door* But let's move in and have a nice little
chat. *Inside the tavern, she looks at the chair, wipes it with a handkerchief
and throws the hanky over her shoulder and sits down, gesturing the others to follow her suit, she orders four
brandys and smiles pleasantly to Manouche* How nice that you could join
us.
Abberline *frowns at her
and the guys beside him are instantly on alert staring at him intently, ready to grab hold of him if needed*
This is stupid. Manouche has nothing to do with this. Let her go. I don't think our family matters interest her.
Lady Cynthia: Oh but they do, she confessed as much. *to Manouche* Really, my dear, you do seem to know some dirty family secrets that I wasn't aware
of until now. You seem to know very much indeed. But I could see at once, darling, that you belong to that
extremely annoying group of people who love to meddle, and that is why you are useful to me.
You just can't let him be, isn't it so?
Manouche: I don’t know what yer on about. I’ve
never meant t’ meddle, I’ve only tried t’ help if I thought I could, an' more often than not I've responded
to requests for assist, if not from yer brother, then Sergeant Godley, or Kat. *looks at Abberline sympathetically,
frowns at the two men who still hover around him threateningly* I've obligin'ly kept me distance when I've been told
t' sod off. *turns to Lady Cynthia* Per'aps ye'll notice that, when I try an' resist meddlin' in affairs
that ain't me business ... case in point, this cozy little discussion regardin' family inheritance ... somehow, someone
seems t' drag me into it. So don't go blamin' me. An' another thing ... if yer wantin’ me t’
play moderator between th’ pair o’ ye, I suggest ye curb yer insults, savvy?
*she pauses, reaches for the glass of brandy before her with a shaky hand, suddenly very glad to have it; she downs
it in one gulp, brings the glass down to the table, eyes streaming as the cheap brandy burns her throat, but it braces her
a little, too. She turns to Lady Cynthia*
Go on with yer business with yer brother, if that’s what ye ‘ave us ‘ere for. *she reaches in her pocket for cigarettes, lights one, notes that Lady Cynthia has removed her trench coat;
she now glances at her, studies her figure, can’t resist a jibe* Ye’d
best watch them croissants from now on, luv … that suit ye ‘ave on is quite fetchin’, to be sure, but it’s
a bit snug, innit? *she catches Abberline’s eye, gives him a quick grin,
then resumes a poker face*
Lady Cynthia *wraps her coat
around her* Let us keep it civil then. Like
we were in some respectable place and not this rural paradise of misfits. *She
lifts a small box from the pocket of the trench coat and opens it.* Here
are some important legal documents. Take a look and tell me what it means. *shoves the papers to Abberline*
Abberline *starts when he
sees the documents: two birth certificates for the same date, the other with his name, Frederick George, and the name of his parents,
and the second one is a French one, he doesn't understand much French, but he knows what it says. The same date, but the name spelled differently, it's Frederic, no father's name, and the mother's
name as Marie-Claire Vernet. He looks up in astonishment at Manouche, then his eyes go wide as he remembers his odd
visions about the small boy with the big dark solemn eyes ... * My gods …
Lady Cynthia *snatches the
papers from him* So that is what you are. A fatherless son of a French
servant girl. And now, let us talk about the inheritance. *notes Abberline's glance at Manouche* What are you looking
at her for? Now this explains a lot why you like to hang in places like this
and have friends like ... *checks herself in time* … like you have. I don't
think you are entitled to any kind of inheritance from my parents. *turns to
Manouche* Do you agree? You are
my witness. You saw these two birth certificates.
Manouche *listens
carefully, quiet for a moment, then frowns at Lady Cynthia, shaking her head at her in wonder*
By th’ powers, ye are heartless. *she stands up, moves over to Abberline,
surprises one of the two men by impatiently grabbing him by the collar, taking him off-guard; pulls him out of the way
so she can sit next to Abberline. She sits down, speaks to him softly* Aye,
it’s true, mate. I’ve known about all this since I were in th’
box. I didn’t know all th’ particulars, but … remember that
day ye come t’ see me at home, after ye’d saved me from th’ box? I
don’t recall now whether I mentioned th’ name Vernet to ye or not. *brings
hand up to her eyes* Blimey, per’aps I dreamed it, or saw Raven speak of
it to ye. *shakes head as if to clear it*
But … remember th’ keepsake I gave ye? That lock o’
hair, that’s yours an’ yer mum’s. I can’t tell ye how
I come to ‘ave it on me person, but I got it when I were in th’ box. An’
… Fred … *takes his hand* … when I … *glances at Lady
Cynthia, scowls at her smug expression, turns again to Abberline* … when I rescued ye … remember, with me hand
at yer heart? … ye were chasin’ after yer mum … she were lurin’ ye.
She weren’t an evil spirit, mind. She … she were jus’
heartbroken … yer dad broke ‘er heart. *she stops talking, watches
him carefully as he’s absorbing everything; she brings a comforting arm around his shoulders, then looks up at Lady
Cynthia, clears her throat* I ain’t yer witness, luv, I’m A witness. I see th’ certificates, an’ I see that he’s yer half brother.
He's still yer brother in th' eyes of th' law, because yer dad gave 'im th' name Abberline.
It’s me considered opinion that he deserves somethin’ out o' the inheritance, seein’ as how Abberline
senior is his father. *holds a hand up to stop Lady Cynthia as she starts to
protest* An' don’t bother pointin' out that there’s no father listed
on th’ French certificate. You an’ I both know that yer dad wouldn’t
‘ave brought ‘im to live with ye if he didn’t feel some responsibility.
An’ he wouldn’t feel any responsibility unless he were his child.
From all accounts I’ve heard of yer dad, it’s highly unlikely that he would’ve adopted th’
son of his former servant girl an’ some unknown man out o’ th’ goodness of his heart. So let’s not insult our intelligence by pretendin’ not to know what ‘appened ‘ere,
savvy? I suppose if ye find it necessary, there’s DNA testin’ that
can prove his heritage beyond all doubt. Bottom line, though, I reckon ye ‘ave
to go by any existin’ will, an’ its conditions. *she turns to Abberline,
speaks gently again* Fred, ye don’t ‘ave to stay ‘ere for another
minute, an’ ye don’t ‘ave to answer to ‘er. Ye can hire
a lawyer, sort it out proper. *she sees that he’s still thinking about
everything, somewhat in shock, and he doesn’t respond. She hugs him, brings
her arm down, away from his shoulders, keeps his hand in hers. She looks at Lady
Cynthia* Right, ye asked me what I think, an’ I’ve told ye. I suggest ye both talk to a legal firm, an’ examine any existin’ last
will an' testament very closely. Do ye need anythin’ else from me?
Lady Cynthia *smirks at them*
That is all very interesting and sweet, darling. But as long as I have this ...
Abberline *squeezes suddenly
Manouche's hand and smiles warmly at her, interrupts his sister* Thank you, Manouche. *he lights a cigarette* Let's talk about
inheritance then. What inheritance might that be?
The one after father that you divided amongst yourselves. Have you forgotten
that I didn't want to take a penny from him? Or are you talking about something
mother left? In that case, I would be extremely interested in it too. I believe she left something else too, than a mere chest for me.
I suppose she had a lot of money, she couldn't take it with her. Not that
I really care. I have not seen any inheritance.
If you haven't either, how about dear Celia?
Lady Cynthia *agitated*
What? No money? Are you telling
me that you got nothing after mother? *thinks for a while, tapping her shoe on
the wooden floor. Then her expression changes*
That snake, that witch, that ... that ... bitch! Celia! She took care of the legal proceedings and she told me that for some odd reason, mother decided to give
the greatest part of you, because, after all, you were the son. Are you lying
to me?
Abberline *glances again at Manouche* You decide for yourself. I bought Bournemouth House with the money I got from Aunt. But you got a great inheritance, Cynthia … you inherited the traits and character of father.
Lady
Cynthia: And I am proud of that. Now
the Aunt's inheritance, there is another unsettled thing. *thinks for a while,
crossing her gloved hands in front of her* How could I have forgotten that. Yes, indeed ... *suddenly she flashes a bright smile* Dear
brother, I may have overreacted a bit. But I am being generous. Give me the antique jewel set and I won't bother you anymore with legal matters or inheritance. I want the Frances ring. And you get this fake certificate
to prove that you are an Abberline and not some Frenchie.
Abberline *astonished* She
did not promise you anything. And the ring was Victoria's engagement ring.
Lady Cynthia: She's not anymore engaged to
you, is she, unless you were a fool and buried the ring with her. She was not
worth it, the bleak silly little girl. But that would have been so like you.
You are a useless weak romantic, trying to play tough. Look at you, sitting there with a gypsy pirate, holding hands. Pathetic.
*she smirks at Manouche again* You
are so very funny, sweetie, just like the nanny Godley before you.
Abberline *inhales deeply smoke, bites his lip*
Manouche *can’t
help but laugh* A fine pack o’ thieves!
That Celia sounds like she’s slicker’n all of us combined. *still
laughing as she lights a cigarette, then she looks at Lady Cynthia* I’m
obliged t’ ye fer any comparison to Sergeant Godley. I take that as high
praise, indeed, he’s a good man an’ a great friend. So you don’t
own Bournemouth House after all? *turns to Abberline* She told me she owned it. *pauses, thinking, then speaks to
Lady Cynthia again* It’s soundin’ more an’ more like yer complaint
lies with Celia, not with yer brother ‘ere. I don’t know about this
jewelry yer discussin’, I don’t know what it’s worth, what it looks like, or who it were handed down from. *in fact she does remember the ring, she remembers it well, having returned it to
Abberline from Daphne's apartment long ago, with the papers from the hospital; but she keeps this to herself* Therefore, Lady Cynthia, with all due respect … *she
says “respect” in a subtle sarcastic tone, smothers a grin as she hears Abberline chuckle a little under his breath*
… I reckon I don’t see that ye ‘ave claim to anythin’ ‘ere.
I fail t’ see what yer threat could be to yer brother. He owns Bournemouth
House, an’ from what I’m hearin’, he owns th’ jewelry set in question.
He ain’t seen any brass from yer mum’s estate. It sounds t’
me like ye should be threatenin’ Celia instead. Why should he hand over
th’ jewelry to keep ye quiet? What do ye intend to do if he don’t
acquiesce? Sounds t’ me like ye don’t know what yer doin’,
that yer pickin’ on Fred ‘ere ‘cause ye don’t know no different … faute de mieux, n'est-ce pas? *glances at Abberline, grins* Bein’
a Frenchie ain’t so bad, mate. *her smile fades as she feels a little lightheaded
again; she looks past him, waves shakily at the barkeep for another round*
Abberline: Sure, sister, you can get the ring if it is so important to you.
It is - tainted, and I don't want it anymore. On one condition. Never mention Victoria again, especially in Kat's presence. *looks
at her for long* I think that was all.
You can continue talking money with these thugs of yours. I am sure they
demand their pay for assisting you. *turns to the man sitting beside him* She has lots of money, actually. Just
take a look at the boutique she opened. *rises up, staggers and hits him hard
with his elbow straight on his cheek, grins* Sorry, mate, it must be the brandy.
Lady
Cynthia: I don't approve of your behaviour. You
get the birth certificate if I get the ring.
Abberline *finally losing his control, yells at her* Are you a bloody idiot? I already said you get the trinket,
and you can keep that paper too, I rather choose to be French scum. *snatches
the French certificate* Come on, Manouche, you need to get out of here, I don't think this brandy will be good for you.
*looks concerned at her and helps her up, then turns to Lady Cynthia.*
Give my love to Celia when you meet her. ‘Bye, sister. *wraps his arm around Manouche's shoulders and steadies her* Or
how do we Frenchies say it?
Manouche *smiles, amused
at Abberline’s cool attitude toward his sister, and his poke at the thug* We
would say somethin’ very stately an’ dignified, I reckon … *looks at Lady Cynthia* Au revoir,
vous l'argent s'empare de la mégère. *to Abberline, as she leans against him* I think yer right about th’
cheap brandy, mate … cheers, I’ll be sound in a minute. Let’s
get ye home, Kat may be needin’ ye.
Abberline: You can't go home in a condition like that, I'll take you home and you tell me what the hell you were messing
with. *leads her towards Bournemouth House*
At Bournemouth House:
Abberline *to Manouche* I can offer you better brandy if that is what you need. *opens the door, takes her to the living room, pours her a brandy and with an excuse to her goes to the
kitchen, where everything is exactly as when he left. No Miranda. No Raven. He walks up the stairs and knocks on the closed
bedroom door* Kat, are you still there?
Manouche is here ...
Kat *Opening
door* O'course I'm bein' 'ere! I
were just waitin' yer permission te breathe, eh? *Brushes past 'im and heads
down stairs. Looks at Manouche* Bloody
'ell mate, ye look like death. What's been at ye? *Glares at Abby* Or 'as Abby been engagin' in 'is new hobby,
pickin' on pirates??
Abberline: How very funny, Kat. You shouldn't run in the stairs like
that. You could fall. *pours himself
a brandy*
Manouche *to
Kat* Blimey, luv, Fred ‘ere didn’t do anythin’ … matter
o’ fact, he helped me out. *looks at them both, grins slightly* Now, don’t tell me th’ pair o’ ye are at odds again?
Ah well, I reckon it’s yer lot, innit? Results in some fine makin’-up
sessions, at least. *takes brandy, drinks, nods at Abberline gratefully* Ch-cheers, mate. I … I can’t
tell ye exactly what I been doin’, actually … I were sworn t’ secrecy, as it were. Suffice t’ say it’s somethin’ I had to take, to help me … *glances at Kat worriedly* … ah, jus’ to help me take care o’ somethin’, is all. I’ll be able t’ tell ye more later on, but … not jus’ yet. *takes another drink of the brandy, changes subject, looking at Kat* How ye feelin’, luv? How’s th’ baby doin’? By th’ powers, ye’ve gotten bigger still!
I don’t think she’s goin’ to wait much longer.
Kat: I be feelin' like I done swallowed the whole watermelon, mate. 'ow
ye think this be feelin'? *Indicating her stomach. Glares at Abby* Asides fro' that Abby's bein' mean te me. 'e won't let me do no pirate decoratin' on the babe's room and won't e'en let me make
it the color I be wantin'. Tell 'im there be naught wrong with emerald green,
luv. It's bein' a grand color, eh??
Abberline: I would never be mean to you, my dear, but you have to admit that you can't paint walls emerald green. I don't have anything against the color, but an entire wall ... *rolls eyes* Manouche, I am sure you agree with me. *to
Kat* But you can have an emerald green cushion for that white armchair, darling. A small one.
Manouche *looks
from Kat to Abberline, then back to Kat, grins* I’d best not get in th’
middle, savvy? But I’m sure ye can work it out. How ‘bout a compromise? Per’aps ye can both look
at decoratin’ books, visit a few showrooms, find somethin’ ye both can agree on.
Once Chiana’s of age, she can decide how she’d like ‘er own room.
There mus’ be somethin’ between rose wallpaper an’ pirate motif that ye can both live with. *she slowly stands up, comes over to where Kat’s sitting, sits next to her,
places her hands gently on Kat’s stomach, lightly examining; smiles* Ah,
she’s comin’ along, all right. Gol, she feels so sweet. I don’t know how a baby still growin’ inside can feel sweet, but she does, bless ‘er. Let’s see if we can get ‘er to settle down, she’s right jumpy, ain’t
she? *leans closer to Kat’s stomach, speaks in a soft voice* Now listen up, lil’ lass, ye ‘ave t’ settle so yer mum can get some rest. Savvy? There’ll be time enough fer all that later. C’mon on, luv. *rubs Kat’s
stomach very gently with her fingertips, and sure enough, Chiana stops moving around so much; Manouche laughs softly* Bloody ‘ell, if I didn’t know better, I’d say she were purrin’. *smiles at Kat* Yer doin’ everythin’
right, mate, I can tell. Won’t be long now.
Kat: I'm not goin' te waste me time. Anythin' I pick 'e's bound
te 'ate. *Grumbling* Bloody green
cushion in a freakin' pink room. Now that be high style indeed.
Abberline *counts to ten
in his mind, slowly* I am ready for a compromise, but I have to say I like that
pale pink rose on the wall. And you are right about the cushion. There, you can see for yourself that it is a horrible colour and doesn't suit anywhere. *puts his hand on Kat's stomach, looks up to Manouche* How
long?
Manouche *shrugs* I think it’s safe t’ say she’ll be ‘ere before th’ end
of October. I’m guessin’ later in th’ month, though. *pauses* Y’know, there’s another way ‘round
th’ decoratin’ issue at hand. I’ve seen that green color work
quite well when it’s used on a wall with artwork. Ye could try paintin’
th’ wall with that color, then add some prints, framed pictures with some fine frames, an’ such. Th’ green is most strikin’ when combined with th’ art, straight up, it’s a fine
look, t' be sure.
*The three
of them look around as they hear the front door open and close. They hear footsteps
approach the living room, see Raven appear at the doorway. His expression is
exasperated, and when he sees Manouche, his face goes darker*
Raven *looks
at Abberline, then Kat, nods toward Manouche* What’s she doin’ here? *waves a hand* Never mind. I’m goin’ upstairs. *he turns abruptly, runs up
the stairs, taking two at a time; reaches his room, slams the door*
Manouche *face
pale, swallows* I – I’d best be goin’ … I do ‘ave
things t’ tend to, as it were. *stands up, sets brandy glass down* Cheers, mate, thanks fer th’ drinkies, I do feel much better. No worries, I’ll be fine. *leans down, gives Kat a hug*
Take care o' yerself, luv, don't overdo. *straightens up, looks at Abberline*
By th’ way, mate, ye may ‘ave more trouble with Lady Cynthia if she ever finds out what I said to ‘er
earlier. When I said goodbye, I said Au revoir, vous l'argent s'empare de la mégère ... which means “goodbye, ye money grabbin’ shrew.” So be prepared, ay? *nudges him, smiles slightly* Sometimes it’s th’ price we pay fer bein’ French scum, savvy? *she leaves the living room, glances up the stairs anxiously, then heads for the front door, leaves the
house*
Abberline *smiles at Manouche's
comment on the French phrase, knowing that Cynthia is too curious to let it be, then he grows very serious and looks after
Manouche, then turns to Kat* Is that ghastly color a pirate thing?
Not that I care, there won't be any green wall in my house ... But that's
not what I am worried about. Did you notice Raven's odd behaviour toward
Manouche? What was that about?
Kat: Aye, I seen 'ow 'e acted. 'ave to be puttin' a stop to that,
'e be actin' too much like 'is father, I'm thinkin'. *Testily* That color green 'as naught to do with piratin'. Do that putrid
pink be a frenchy thing. *Suddenly goes silent looking uncertainly at Abby* Wait a bloody minute, what was she talkin' about Frenchy for? You be not French.
Abberline: You mean
like me? Now you are just being mean because of that stupid green wall. This is the last word on it. The pink
stays, and as you should be aware of, it is the color for small girls. I'll have
a word or two with Raven, he's never been like that to her. Something must
have happened between them. I don't like this. *lights a cigarette*
My sister told me that I am half French. My mother was French. *smiles*
Kat *Raising
an eyebrow* But only the half, eh? *Frowns* And there's bein' no law against green for girls and I like it, so there.
Returning to Rartigillichal / Toward Deppville Outskirts:
Manouche *once
away from Bournemouth House, breathes a sigh of relief. She wanted to escape
as quickly as possible, not wanting Kat or Abberline to have too much opportunity to notice Raven’s strange behavior
toward her. She doesn’t know if they are aware that Raven is under a spell,
and she was afraid of the effect that knowledge might have on Kat, in her condition. She also wanted to get away before
Abberline started asking more questions about the shape she’s in … Boadicea had sworn her to secrecy about the
drug, she’s not supposed to discuss it with anyone. She didn’t want
Abberline to know just what it had done to her. Had he known, he might have lost his temper and gone straight to Boadicea’s
place of business and arrested her on the spot … Manouche wouldn’t have had time to explain to him that it was
the only way, that she had to do it. The drug had actually transported her back
to the confines of the soul box … or had it been her imagination? She wasn’t
sure, but she was certain that the terror was real, as she found herself back there again, surrounded by the murkiness, the
wailing souls around her, and she had started to scream, and Boadicea’s voice had penetrated everything, sharply reminding
her of her quest, that she’d better not waste this opportunity. She had
then continued, trying her best to suppress her horror, but the overwhelming sense of despair was too much at times, and she
suffered waves of misery as she searched, tried to concentrate … then, just when she was beginning to think she couldn't
go on another second, there it was, right before her eyes … and it all came to her in a flash. Boadicea had been right, she had had it all along, ever since she had been inside the box; but she never
would’ve understood without the effects of the drug. Once the revelation
struck her consciousness, there was a loud noise, like the crashing of a wave, and the next thing she knew, she was back in
the small room in the strange building, and Boadicea was pressing a damp cloth against her forehead, and offering her water
… *
*She slowly
makes her way back to her house, lets herself in, goes to her alchemy lab off the kitchen, closes door; she emerges about
ten minutes later, locks the door, walks through the house, to the front door. She
stops, takes out her pistol, checks it again to make sure it’s loaded, not that she thinks it will do much good where
she’s going, but if all goes as she hopes, she won’t need to use it anyway.
She puts the pistol back in her coat, opens the front door, leaves her house, walks back toward town. She’s feeling much better now, having made herself a little antidote while in her lab … she’s
not sure if it alleviated the effects of the drug, or the drug is just naturally wearing off, but she’s feeling much
stronger. And not a moment too soon, she tells herself, as she reaches the outskirts
of town, goes to the main road, and begins her journey toward Marchand’s hideout … *
At Bournemouth House:
Metrea *after shifting into
Miranda's form, stands with Carver outside Bournemouth House, nervously staring at it*
Metrea/Miranda: Marchand's sorcery better work, else Kat'll be seeing right through me and everything will fall apart.
Carver: I've ne'er known him te fail. *Snidely* But if ye want we can go back and ye can be tellin' 'im ye don't trust him.
Metrea/Miranda *Coldly* You just stay out of the way, where it's safe.
I'll do what I have to. *Turns, walks to the front door and enters.*
Abberline *to Kat, testily* Is there something wrong with being French?
You can like green as much as you like, but I won't allow my walls painted green.
I already told you that. What is it with you, Kat? *moves close to her* I know that I asked you to go on with
the decoration and the furniture of the room, but I don't want you to get stressed.
She will sense it. *strokes her belly*
Come upstairs with me instead. *leans in on her to kiss her neck, but
hears the door, sees Miranda coming* Miranda!
I have been looking for you. Don't disappear like that, you made us worried.
Miranda/Metrea *Pauses, looks
first at Abberline, then steadily at Kat* I'm very sorry. I went for a walk and lost track of the time. I promise it
won't happen again. Was there something in particular you wanted with me?
Kat *Looks up at her, frowns
slightly* Yes, several cans of green paint would do nicely. *Glances at Abby, meets his eyes, sighs* All right, all right
… not green, I want the room yellow, a nice golden sunshiny yellow. *Adds
quickly* With green and yellow seashell borders.
*Smirks* Frenchy.
Abberline: Good to have you back, Miranda. *smiles at her, frowns at
Kat, sighs heavily* All right, it can be yellow, but you can't have ghastly green
borders, those colours don't go together at all. Yellow walls, green borders,
white armchair, wooden crib, the poor baby will feel like being in a circus. Why
not red curtains and blue floor? And there is nothing wrong with the French.
I am proud of my heritage. They
say that French men are good lovers ... *stops in the middle of the sentence
as it brings his visit to Gilbert's shop to his mind* Tell me, Miranda, have
you ordered ice cream deliveries from Grape's for Kat? *looks at Kat suspiciously*
You like ice cream, Kat?
Miranda/Metrea *feeling more
confidence, senses a conflict, though unsure of its nature* No I don't believe
I placed such an order. I'm almost certain there's plenty in the freezer.
Kat: You're wrong then, there be none in that freezer. *flinches,
turns to Abby* I were only wantin' ice cream and there was none. That's all I
swear it and it were only the once. You be right there be naught wrong with them
Frenchys. I'm just bein' glad yer only half and it's bein' the good half. What need 'ave I of anythin' else but ice cream from any delivery boy, with ye 'ere,
luv. *Smiles, moves closer, touches his face.*
Abberline: And did you like the delivery boy? *smiles at her, leans in
to kiss her on the cheek, whispers in her ear* We can start with the way the French kiss … *turns to Miranda* Will you see to it that there is ice cream
in the freezer? *leads Kat up the stairs to the bedroom* I'll have a talk with Raven afterwards.
Miranda/Metrea:
Of course, I'll take care of it at once. *Watches them disappear.* I'll take care of everything. *Waits a
moment then ascends the stairs herself and enters Raven's room* Raven, love it's
me. *Shimmers to her true form, smiles at him* Miranda
has taken a vacation and I am taking her place for a time. But you must not tell
anyone, it's a secret, only you and I know. Do you understand?
Raven *lights up when he
sees her* Oh, Aunt! Where were you? I went looking all over for you. *grins* A secret? I won’t tell anybody,
I promise. Not even Mother and Father.
Won’t it be funny when they find out it was you all the time. *looks
at her curiously* Where did Miranda go?
Metrea: Miranda was in need of a rest and has gone off to the country. I assure you she is well taken care of. Your parents will
be most surprised, it will be very amusing when the time comes. *Shifts back
to Miranda's shape, smiles evilly* Until then, remember, tell no one. Now I have to check on some ice cream before we're found out. *Chuckles,
leaves room descending the stairs towards the kitchen.*
Abberline *upstairs, after
closing the bedroom door* I am worried. *picks
a cigarette and lights it, frowns* There is something odd going on. I need to see Manouche and you need a rest anyway. *turns
to go out*
Kat *Scowls and throws a
pillow at him* A REST!!! I see.
Pardon me luv, but yer French be showin'. Off
with ye then, I'll stay 'ere and see that blasted ice cream gets delivered properly, savvy???
Abberline *ducks the pillow*
I don't appreciate your sarcasm, Kat. And
we have to be careful from now on, I don't want anything happening to my baby daughter. *looks
at her critically* You really do seem like you swallowed a watermelon. And don't worry about any deliveries, Miranda will take care of that.
I told you already that I really have to see Manouche, it is not like I left for a week, I'll be soon back.
Kat *Fuming*
Bloody 'ell! Watermelon …
Ye men be 'avin' it made, and yer all e'er complainin' 'bout 'avin' te buy the cow, eh??? Well
I bought a flamin' stud and 'e seems te be turned into a geldin', 'e 'as ... A French 'un at that. Go then, 'urry on, luv. Mayhap Manouche can spare ye a lump
of sugar, eh??
Abberline *gritting
his teeth* Will you stop that. I
am about as French as you are a lady. Insulting me won't get you far. You should think about the baby. As for Manouche, I'd be grateful
for that lump of sugar from her … *leaves the room and slams the door,
muttering to himself, hurt by her words and her not understanding the most obvious things* Gelding
... *sees Miranda in the kitchen and goes to her* Miranda, I am going out on
an errand. Did you notice anything special about Raven? He seemed a little strange to me. Oh, and Kat's a bit upset
about something, will you look after her while I am gone?
Miranda/Metrea:
Raven? No he seemed perfectly normal
to me. Perhaps he was over tired when you saw him. *Smiles* Go and see to your errand and don't worry about Kat.
I'll take very good care of her, I promise you that.
Abberline *takes
his jacket and smiles at Miranda* Good. Maybe
you are right about Raven and I am overreacting. *He leaves the house and starts
to walk the long way to Manouche's house.*
At Chateau Blanchefort:
Portsmith *reading the issue
of Pomp and Circumstance with Manouche's interview, grinding her teeth and convincing herself that Manouche's house is just
an old mill house in a forest, and none of her decoration can match her beige French Empire or Russian Imperial Style ...
Maybe she paid the reporters well just to annoy her? She throws away the mag
on the floor and kicks it under the beautiful sofa and starts to think about a Gothic hall with medieval wooden paintings
to go with the unicorn tapestries she acquired earlier from Amsterdam, when she hears the familiar and dreaded clip clap of
high heels on her marble floors; she winces and quickly picks up some paper and pretends she's busy reading it* Ah, you are back. How did it go?
Lady Cynthia *steps into the room and sits down gracefully on the
sofa* Not according to plans, darling. Those
men of yours were scared of a gypsy pirate.
Portsmith: Manouche again?
Yes of course, she is always where she is least wanted. But did you get the ring?
Lady Cynthia *smiles with her perfectly rouged and lined pink lips* I will get it. He promised to give it
to me and I promised I will give his birth certificate back, but he seemed more interested in the French one. French, can you imagine, how could dear Father lose his judging ability so badly? *rolls eyes* Frederick is not worth our name, especially after
he married that awful pirate … He does not know the value the ring has,
and it seems that my dear brother has completely forgotten dear Victoria. After
all, it was her engagement ring. How very stupid of him. Maybe Auntie did not warn him, or more likely, he didn't listen. He
never does.
Portsmith: Yes, I know. Fred
never listens to good advice.
Lady Cynthia: Thank you for getting the
papers from Bournemouth House so discreetly. Can they be returned the same way?
Portsmith
*indignantly* Of course. They will
notice nothing.
Lady Cynthia *looking around her* I may have to pay a
visit to my dear sister Celia. Or maybe I should invite her here? I want to see her face to face ... She is a freelance decorator and sometimes she gets good ideas, so she
could help you. You know, when I look at this room, it is nice, but isn't it
a bit ordinary? Everyone does French Empire nowadays. I would suggest the early '60s, lots of pink, red plastic chairs, you know what I mean?
Portsmith:
Er ... I think I do. *her eyes glaze
over as she thinks of bright red plastic chairs … *
At Marchand’s hideout:
Manouche *cautiously
approaches the gloomy castle, swallows hard, fear knotting her stomach. The strange
drug she took is affecting her in waves, one minute she feels a surge of strength, much like a rush of adrenaline …
the next minute, she’s weak and trembling. But either way, her senses are
sharpened like never before, she’s keenly aware of everything around her, and she knows what she must do. She only hopes it will work. She makes her way around the
structure, finds an open window, a little too high from the ground for her to reach.
She looks around, finds a large rock, removes a long sash from around her waist, ties the rock to one end, swings it
like a catapult, throws it, and it makes it into the window. She pulls on the
other end, feels the rock sliding across the floor, then it catches on something, as she hoped it would; she yanks on it,
hard, then, satisfied that it’ll hold, she uses it to scale the wall, pulling herself up to the window and climbing
in, trying to be as quiet as possible. She stands up, looks around, finds herself
in a small, dim room, very few furnishings, just a chair, a table, and a large oak armoire up against one wall. She steps over to it, opens it carefully, sees a long robe hanging inside, one that looks very much like
what she’s seen Marchand wear. She takes out a small knife, cuts a piece
from it, tucks it into a deep pocket, carefully closes the door of the armoire. She
starts back toward the window, then pauses as she hears something; she turns, tiptoes to the closed door, listens, her ear
against it. She reaches for the handle, opens the door, and finds herself face
to face with Nate, who’s listening on the other side. They both yell in
surprise as they see each other and then quickly produce their weapons, she draws her sword, he pulls out a large hunting
knife. They spar a little, first one then the other advancing then retreating*
Manouche: Damn yer eyes, ‘asn’t someone killed ye yet? *swings at him*
Nate *dodges
her sword, moves in with the blade flashing* It would appear not, trash. So where’s your usual parade of heroes?
Where’s the poet, where’s the chocolatier?
Manouche *smirks
as she ducks away from the knife, breathing heavily* I gave ‘em th’
night off. *she kicks the knife from his hand, it flies across the room; he curses,
runs after it, grabs it just before she can catch up to him. She skids to a stop
as he lashes out at her with it; she cries out as he nicks her arm, breaking the skin*
Nate *takes
advantage, pockets the knife, grabs her, she loses her sword; they struggle, he pushes her toward the window* Out, damn trash, out the way you came – after I carve something pretty into you, for you to remember
me by …
Manouche *wincing
from the pain in her arm, manages to trip him up, knocks him to the floor; his knife flies out of his pocket, he scrambles
to grab it, and howls as she stomps on his hand as hard as she can, then kicks him in the ribs. She drops to the floor, grabs her sword, spins around to where he’s lying on the floor, groaning
in pain, and she places her boot on his throat, points her sword at his chest. Stares
down at him, eyes narrowed, panting, catching her breath* Now ... give me
two good reasons why I shouldn’t cut ye in two right ‘ere an’ now.
Marchand *in
the doorway, a gun pointed at her from the folds of his robe* I’ll give
you one good reason, right here, gypsy.
Manouche *stares
at Marchand, looks at the gun* Y-ye sure about that, mate? *nods toward Nate* I’m thinkin’ I might be doin’
ye a favor as well. He ain’t proved ‘imself t’ be very useful
to ye as of late, has he?
Marchand *actually
laughs* I can’t argue that. But
please … let me handle my unsatisfactory employee in my own way. In short,
I must insist. *cocks the gun*
Manouche *gasping
for breath after the exertion of the fight, sighs, lowers her sword. Nate jumps
to his feet, grabs her by the arm*
Marchand: Easy, Nate, let’s not bruise our guest.
She and I have a lot to talk about. We can start with the consequences
of breaking and entering, and then we’ll go from there. *motions them out
of the room*
Manouche *brings
a hand over her bleeding arm as Nate shoves her ahead toward the door. They pause,
she looks up at Marchand, glares at him* Aye, we do ‘ave things t’
discuss, mate. Let's not be wastin’ any time … let’s ‘ave at it.
Marchand *coldly* Oh, you’ll have your chance to speak, no worries. I suggest you put a lot of thought into what you have to say. I
don’t like to be too self-assured in predicting the future, but … I rather imagine you won’t have much opportunity
– or for that matter, inclination – for conversation after I’ve allowed you to have your say. Come, my dear, let’s move to more intimate surroundings. *he
keeps the gun steady as Nate pushes her through the door, into the hallway; Marchand looks around the small room, scowls,
pulls the door shut, then follows them into another part of the fortress*
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