Depp Shadows

Part 72
Home
Part One
Part Two
Part Three
Part Four
Part Five
Part Six
Part Seven
Part Eight
Part Nine
Part Ten
Part 11
Part 12
Part 13
Part 14
Part 15
Part 16
Part 17
Part 18
Part 19
Part 20
Part 21
Part 22
Part 23
Part 24
Part 25
Part 26
Part 27
Part 28
Part 29
Part 30
Part 31
Part 32
Part 33
Part 34
Part 35
Part 36
Part 37
Part 38
Part 39
Part 40
Part 41
Part 42
Part 43
Part 44
Part 45
Part 46
Part 47
Part 48
Part 49
Part 50
Part 51
Part 52
Part 53
Part 54
Part 55
Part 56
Part 57
Part 58
Part 59
Part 60
Part 61
Part 62
Part 63
Part 64
Part 65
Part 66
Part 67
Part 68
Part 69
Part 70
Part 71
Part 72
Part 73
Part 74
Part 75
Part 76
Part 77
Part 78
Part 79
Part 80
Part 81
Part 82
Part 83
Part 84
Part 85
Part 86

We have a need to travel upriver ... a resolute and unyielding need.
 

Being where Godalming goes from the warmth of Manouche’s company to the chill of Bournemouth House … in one of those ironic twists for which Depp Shadows has become famous, Abberline escapes almost certain seduction from Kidd … Marchand is surprisingly unsurprised by Carver’s news that Metrea is in town … after consorting with a gypsy, Abberline finds a new demon to chase at From Hell Court, resulting in amazing visions … Manouche is reunited with one of the Romany who took her in after she escaped from The Order … Nate returns to sinister active duty for Marchand, doing what he does best … Madame returns home from the hospital, obviously feeling MUCH better, nudge-nudge, wink-wink … Lady Cynthia posts a pack o’ lies to an acquaintance back home, then pays a visit to Manouche … O’Malley receives a summons from Father Connolly, which worries Donnie to no small degree … and Manouche, after hearing Lady Cynthia’s proposition, decides to strike while the iron is hot, as it were, and heads for Bournemouth House to pass the information along to Abberline.

 

 

At Bournemouth House:

 

Godalming *having left Kidd at The Apparition, rings the bell and waits anxiously for a response, and the door is opened by a blonde young woman looking at him questioningly*  My name is Godalming, Arthur Godalming. I was wondering if the Inspector would be at home.

Miranda *stepping aside*  Yes, he is, please do come in!  *and she leads him to a big dining room with two persons sitting by the table, conversing*

Godalming:  Inspector, I hope you remember me, we met at Malachi's house.  *he turns to the woman*  And I think that I had the pleasure of seeing you at Celeste, Miss ...

 

Abberline *frowning, looking up at him, without any enthusiasm*  Yes, I do remember you.  *looks at Metrea, annoyed at Godalming's appearance*

Godalming *glances with interest at Metrea*  May I join you a while?  I hope I was not interrupting anything important between you.

 

Metrea *Studying Godalming intently, smiles slightly*  That would be entirely up to Mr. Abberline.  It is his home, after all.  *Looks toward Abby*

 

Abberline *smiles at Metrea*  I wish that we could have talked in peace, Metrea.  *shrugs to Godalming*  Take a seat.  What business might you have with me?  I already told you that I have nothing to tell about the soul box.

Godalming *not caring about the hostile tone*  Thank you, but I am not here for the soul box.  I wanted to meet you, Miss .. Metrea, that is your name, isn't it?  *sits down*  I was hoping that I would have met your wife here, I am researching pirates, and everybody talks about her.  Miss Manouche took me kindly to her ship, but she wasn't there.  I met Captain Kidd instead.  A most interesting person, I have to say.

Abberline *groaning*  Oh no, not Kidd again.  What did she say, that she's coming to drive a sword through me for some obscure reason again?  *to Metrea*  I must go to the Apparition.  It is bad news when Kidd is around.  Do you want to come with me?

Godalming *frowns*  Now, wait a minute, Inspector.  She warned us - against Miss Metrea.  I wonder what that was about?  *turns to her, looking at her intently*

 

Metrea *Returning his look steadily, in a less than pleasant voice asks*  Do I in any way look like a monster to you, Mr. Godalming?  Perhaps you're expecting me to sprout two more heads and start breathing fire.  I really hate to disappoint you but it's not going to happen.  *Turns back toward Abberline and in a softer tone*  I apologize for my rudeness to a guest in your house but I find my nerves have been stretched a bit thin.  Perhaps I should return to Chez Roux.  I'm very tired.  *Giving Godalming a cold look over her shoulder.*

 

Abberline:  I don't appreciate anyone marching into my house and insulting my guests, Mr. Godalming.  If someone is leaving, it is you.

Godalming *slightly amused*  Now where did that monster come from?  I don't recall using that word.  *looking steady at Metrea*  But that is what Kidd has to say.  I am just a humble messenger.

Abberline:  I don't give a damn about Kidd and what she has to say.

Godalming:  And just how much do you care about your own wife then?  It seemed to me that you treated her unfairly at Celeste.  Oh, and I almost forgot that she said something about a wedding too, that Kat will accept everything, if you … *glances at Metrea* … get rid of her sister.

Abberline:  I see.  I can't understand this hate of hers, Metrea.  Mr. Godalming, I think it is time for you to leave.  *to Metrea*  If you feel tired, you don't have to return to Chez Roux.  You can rest here.  I apologize, but it seems that I really got to exchange some words with Kidd.

 

Metrea *Glares at Godalming*  I can't bear him staring at me like that.  If I were really Medusa, he'd be stoned by now.

*Off stage*  Stoned??  Thought that was usually Abby, eh???

 

Abberline *turns to Godalming*  Sir, I'll better ask you to leave now and stop meddling in my affairs.  *rises up slowly*

 

Godalming *also rising up*  I will.  This is your house and you may do here as you wish.  And you are right, it seems like an affair to me.  But before I leave, I have to say that I pity your wife.  *turns and leaves, bangs the door.

 

Abberline:  How very rude of him.  But he is gone now. I suggest that you stay here, I am off to the ports to sort this out.  Please be my guest, Metrea.  It seems that it is not only Kat who is out of balance.  *glaring after Godalming*  I am very sorry, how can I make it up to you?

 

offstage: that was before, mate, he's given it up... at least for now...

 

Metrea *Turns to Abby*  What a horrid man.  *Looks into Abby's eyes*  I just can't understand how Kat got so lucky.  You must find a way to make Kat come home.  She's near to having a baby.  Here is where she should be.  *Studies Abby closely*  If you think she's truly unbalanced and you are her husband and I am her nearest blood relative … perhaps you should take charge and make decisions for her.  For her own good of course.

 

*Off stage, uncontrollable laughter* That ought te go o'er real well...She be tryin' te get 'im kilt!

 

Abberline *sighs*  Yes, you are right,as her husband it is I who should do all the decisions.  It is not the first time that I have had to bring her home.  I can't risk something happening to my baby.  Thank you, Metrea, I really appreciate your help.  Make yourself at home while I am gone, if you need anything just ask Miranda.  But I'll better hurry before that chap does more harm, he seemed to be on friendly terms with Kidd.  *smiles at Metrea, then he takes his jacket and puts his gun in the pocket and leaves straight for the port, boards the Apparition without stopping, and finds Kidd standing on the deck*  Kidd?  What the hell is this?  I have come to take Kat home.  

 

On The Apparition:

 

Kidd:  It be 'bout bloody time!   I might have te go through a lot for Kat but I don't be doin' labor!  *Looks at Abby, then around behind him.*  She's bein' gone then?

 

Abberline *smirks*  Wouldn't that be something to look forward to, Kidd. I've heard it can take hours ...  *impatiently*  I take it that you mean Metrea.  Of course she is still at my house.  She is my guest and I want to find out the truth about the sisters.  Kat is unreliable and I have no reason to trust you.  I don't understand why Kat was so upset.  It must be the hormones that make her so unbalanced.  You are only doing harm to her.  As usual.  And I am tired of these little games of yours.  I want my wife home immediately.

 

Kidd *Reaches out grabs him by the lapels and drags him close.*  Now be 'earin' this  mate!!!  Nothin' I'd like better than for her te be goin' 'ome with ye.  Have ye any idea all what I give up so as Kat could 'ave ye??  Do ye???  Where be Ichy, eh?  'es with that simperin' blond ain't 'e?  I give 'im up and ye can't e'en be gettin' shed of yet another bleedin' blond, eh???  *Pauses to take a breath*  Kat's bein' afraid of that sister of 'ers and she'll no come forward if she be not gone.  *Looks him up and down, pulls him yet closer.*  Now luv, iffen I got te be 'ere, I took no vows of chastity and I be thinkin' ye'll 'ave te do!!  *Drags him below deck.*

 

Abberline *utterly shocked, trying to resist*  But … Kidd, are you gone completely crazy!  And you are wrong about Metrea and me ...

 

Kidd *Into her cabin she shoves him on to the bed, rips his coat open, tears his shirt off.*  It don't matter and iffen Kat don't come out and lay claim te what's 'er's, that's yer worry.  Relax, luv.  I won’t 'urt ye much.  *Grabs his hair, kisses him hard and passionately.*

 

Abberline: *tears himself free with flashing eyes and grabs her and pulls her down on the bed, beneath him*  If someone's going to get hurt it isn't me, if you want it rough you are going to get it ... *rips her shirt open, and pins her down by her arms, kisses her with a mix of passion and anger on the mouth, and on her neck, going downwards.  He stops, pushes her away and backs to the door, brushes the disheveled hair off his eyes*  What the hell are you about!  Would you really think I would have anything to do with you?  You are out of your mind.  *takes his pistol from his pocket*  I’'ve had enough of you messing around with my life, and believe me, if I could shoot, I would do it now.
 

Kidd *Wild-eyed*  Damn straight!  *Stands leans against the barrel of the gun*  So shoot.  It be put out or get out time, luv!  *Reaches out, pulls the gun out of his hand, drags him back by his hair.*

 

Abberline *momentarily overpowered from the shock of being attacked by Kidd and still more appalled at his own initial reaction, breaks free once more from Kidd, staggers outside the cabin and slams the door shut, returns quickly to the deck, where the pirates snicker at his torn shirt, and he briefly stops right in front of Jaime and hisses at him*  One word and you will be dead.  *before he leaves the ship, cursing and swearing like a pirate himself*

 

At Marchand’s hideout:

 

Carver *enters large room on the upper level of the huge stone fortress, sees Marchand with his back turned, gazing out the window*  Eh, Marchand, I ‘ave news …

 

Marchand *not turning around*  She’s here, then?

 

Carver *blinks*  Sh-she?

 

Marchand *patiently*  Metrea.

 

Carver *surprised*  Aye … she is.  She’s right fetchin’.  Th’ Inspector seemed quite taken with ‘er …

 

Marchand:  The women of this family do work their magic on him.  *pauses*  Where are they now?

 

Carver:  I’m not sure … we parted at Chez Roux … she told ‘im she were stayin’ there.

 

Marchand:  Knowing my son-in-law, Metrea’s probably ensconced at Bournemouth House by now.  My poor, dear daughter, she must be quite beside herself … *chuckles*  That’s rather funny … get it, Carver?  They look alike … beside herself …

 

Carver:  Aye, I get it.  *laughs a little uncertainly*

 

Marchand:  Carver, you really need to loosen up a little bit.  *pauses again*  I think I’ll just have you keep an eye on them for awhile, all right?

 

Carver:  Can ye tell me more about ‘er?  Ye make ‘er sound like she’s up t’ somethin’. 

 

Marchand *absently*  Do I?  Well, time will tell.  I am sorry to be so vague, Captain, but … I’m still firming up my own plans, understand?  No worries, you’ll be brought up to speed when the time’s right.  For now, just let me know what goes on at the Abberline household.  *he turns, and Carver gasps at his appearance – he’s lost strength significantly*

 

Carver *wide-eyed*  Blimey … y’ look terrible, mate.  Look, I don’t know what good I’ll do playin’ spy on th’ Inspector’s snooty household … why don’t I stay ‘ere an’ give ye a hand with yer schemin’?  It’s more me strength, as it were.

 

Marchand *looks at him, his eyes glazed, his face dark*  I’m sure you’re just dandy at that.  However … as you can see, I’m in a rather bad way, and obviously, I’m going to have to do something about it soon.  In short, my dear Carver, I need a victim.  *his voice turns deadly, he glares at him*  So, unless you’d like to take a chance, in your proximity to me, when I’m in such dire need … I suggest you do as I say and go play spy, as you put it.  Or The Lancet may need to advertise for a new captain.  Savvy?

 

Carver *backing away, horrified*  S-s-savvy, mate.  *turns, runs out of the room without another word*

 

Marchand *watches him go, shakes his head wearily.  After about ten minutes, he shuffles out of the room, makes his way down a long stair, to one of the lower locked rooms.  He pulls out an ancient key, turns it in the squeaky lock, opens the large wooden door, peers into the darkness, smiles a very unpleasant smile*  ‘Ello, Nate …

 

At From Hell Court:

 

Abberline *walks in deep thought through From Hell Court, and finally stops at a tavern, orders a brandy at the bar, still in his torn shirt, unable to hide it under the coat without buttons, but no one looks at him twice in a place like this, he takes a cigarette, and thinks about Kidd, feeling still furious, and angry with himself, especially as he can't deny it still was ... exciting ... what would have happened if he had stayed ... and he has to admit that Kidd ... she would have been, with her temper ...  He downs the brandy and hates himself for his thoughts, and is about to light the cigarette when someone takes it from his hand, he starts and looks at the man beside him, a young gypsy*  Bloody hell, keep your hands off.

 

The gypsy *smiles*  I was not stealing, just thought that you might want to do a swap.  *hands a dark colored self-rolled cigarette to Abberline*

 

Abberline:  I don't do that kind of stuff.

 

The gypsy:  It is not what you believe.  You are in a very emotional state now, but if you calm down, you may see some things you were not aware of.

 

Abberline:  Like what?  *looks at the gypsy suspiciously*

 

The gypsy *lights the cigarette for him*  Aren't you curious?

 

Abberline:  No.  *but he looks at the cigarette anyway and as it is already burning he lifts it on his lips, it tastes somewhat like licorice and something he doesn't know the name of*  Listen, you sod ... *and his voice trails off - the gypsy is gone, he looks around in the tavern, but he's nowhere, and then he feels his head spin, he sits down and suddenly sees Kat sitting beside him with a drink, with the same remote look she had in Fiji, and he manages to stammer to her*  I am sorry for it all, I don't know what to do, but I don't want to lose you ... I still don't know what is it you really want from me ....  *but she doesn't answer, she doesn't even seem to be aware of him and he continues sadly* … or have I already lost you for good?  What can I do?

 

*Suddenly she just fades away, just like the whole bar and the tavern, and he hears a familiar voice:

 

What Kat wants?  Do you know what she did?  Kat needs looking after.  Someone has to do it.

 

*Constable Crane, he looks around him but doesn't see anyone, and he tries to rise up but he can't move, he curses the gypsy and the cigarette and then someone else in the darkness starts to talk ... *

 

She wants more than anything a man who truly understands her, and because of this pendant she thinks she's found him.  Unfortunately, it is up to me to destroy her illusion.

 

*He knows that he has heard the voice before, but the speaker eludes his mind as well as his vision, but he knows the speaker, and before he has time to reflect more, a very familiar voice joins in, saying something about how a man in love has the strength of thousands … it is Manouche, and when he hears her, his vision clears and he finds himself at her old house, she is there together with Blake - and Dimitri, the odd psychic, who was talking about some pendant, and now that he recognizes the voice, he can clearly see the man in his odd clothes, who goes on:*

 

You have it wrong, Manouche.  I have no desire to see Ichy harmed but he can't be allowed to stand in the way.  A man in love he may be though I'm afraid it'll take more than a meaningless trinket for happily ever after ...

 

*And now he sees Kat, looking troubled and angry, and he understands that they are talking about her and Constable Crane, and then Dimitri turns to Kat*

 

 I can offer you the best chance at what you want most.

 

*Then his vision blurs again, but the voices go on*

 

Dimitri:  Our blood mingles and merges.  The water and spirit elements make it pure and eternal.

Kat:  What do ye mean eternal?

Dimitri *sighs*  Our bond is sealed.  There's no going back.

 

*And then the mists clear and he is able to see again - it's Kat and Dimitri, but they are no longer at Manouches place, he sees the ocean in the background, and understands that they are on the deck of the Apparition*

 

Dimitri:  The bond, I thought once formed it would be easy, but it seems you've built walls of steel in your mind.  It's time to tear those down.

 

*He unrolls a bundle he has in his hands, an somehow Abberline know that it is an Indian wedding robe, a white doeskin trimmed in blue beads*

Dimitri:  I knew her long ago.  She saw me in a dream with you.  She gave me this and told me when the time came to give it to you.  Do you accept it?


Kat *Staring at robe*  She told me when she made it that it would be mine.  But how can I?  I hardly even know you. I can't answer that.


Dimitri:  Not yet.  But soon.

 

*And he see Dimitri taking her in his arms and kissing her, and she does not try to fight him*

 

And if you are of his blood, then ... then it's got to mean that you – you are equally bad ... the Devil's daughter ... and Raven ... I wish I have never known you.  I wish I had never seen you.

 

*He winces as he recognizes his own harsh words to her, remembers the situation when he spoke them to her, it was when she told him that Marchand was her father and asked him to protect Raven, and he insulted her, stormed off and left her in tears*

 

So the worst threat to him is his own mother.

 

*Then it is Kat again, and he remembers how she challenged him at the hospital.*

 

Kat: Yer gonna 'ave te kill me or I'll kill ye.  Savvy?


*He swallows hard, not knowing what to make of this all, and then the vision and voices start to fade and he hears himself cry after her*  Kat, come back!  *but he doesn't see or hear her anymore, and suddenly he's on a dirty couch looking at the barkeep's face peering at him*

 

Barkeep:  Mate, take a rest.  Was that your first trip?

 

*And then he hears Constable Crane again*


Ichabod:  What Kat wants?  Do you know what she did?  Kat needs looking after.  Someone has to do it.

 

Abberline*trying to struggle up*  Where is he?  Constable Crane?

 

Barkeep *sighs and pushes him back pressing his shoulders against the couch*  Ain't no Constables here or you would already have been locked up.  That must have been something smuggled ... You get ten minutes, mate, and then I want you to bugger off.

 

Abberline *gets slowly up, feeling still dizzy, and the cigarette he was smoking is nowhere.  With slightly trembling hands he lights one of his own.  Perhaps the barkeep took it from him, it must have been something illegal and strong to have such an effect upon him.  Or the fact that he has managed to stay clean of drugs for an amazingly long time.  He finds a crumpled note in his pocket and leaves it on the couch and staggers out, and the world begins to spin, so he has to lean on the wall, and the sunshine seems so bright that he has to shut his eyes, it's like he were in total darkness for long.*

Barkeep *crumpled note in his hand*  Did you really mean to leave this, mate?

Abberline *turns to look at him shielding his eyes from the sun with his hand, not interested*  Yea, keep it … Where's the gypsy?

Barkeep *chuckles*  Constables and gypsies, what next?  Get home, mate, I can see that you don't belong here at all.  Look … *and he puts his hand on Abberline's shoulder*  I'll give you a word of wisdom: don't play with the drugs, sooner or later you're gonna lose.

Abberline:  You're right.  I don't think that I belong anywhere.

 

At Rartigillichal:

 

Manouche *returns home after ordering supplies from Grape’s to be delivered for the horses.  She heads down to the art studio building and sees that they’re still there.  She’s delighted to find that they’re no longer so skittish about her … she’s actually able to approach the male, and he allows her to pet him, take a look at his leg*  Ye make no sense t’ me, mate.  What’s with th’ sudden trust?  Ye want t’ watch that around ‘ere, someone may take advantage.  *he snorts, tosses his mane; she grins, gives him an apple, gives apples to the mare and colt.  She then takes a walk back to the area where she first found them.  She’s not sure what makes her decide to do this; she’s just curious about where they could’ve come from.  She crosses her property, heads for the gate, which is still open, passes through it; she stops in her tracks and stares at something that definitely wasn’t there before – two brightly-painted gypsy wagons, next to each other, and another horse that looks very much like the male of her little horse family.  She approaches the wagons, listening carefully, hears no sound from either one.  She turns, looking in the direction away from her property, sees a tall, dark man approaching, carrying wood for a fire.  As he gets closer, she stares, wide-eyed*  C-Courbet …

 

Courbet *walks up, shows no surprise on seeing her, sets the wood down to the side of one of the wagons, then comes up, stands before her, takes her hand*  Manouche … it’s been a long time.  You look well.  *he shows no emotion as he says this, simply looks her over solemnly*

 

Manouche *still staring*  B-blimey, mate, I ain’t seen ye since …

 

Courbet:  You were about fifteen, sixteen ...

 

Manouche *nods*  Aye, that’s about right …

 

Courbet:  You left very suddenly.  It wasn’t necessary.

 

Manouche:  They … they told yer family I were a disgrace …

 

Courbet:  I know.  But my family wouldn’t have asked you to leave, you know that.

 

Manouche *lowers her eyes*  ‘Course I know that.  I jus’ thought it fer th’ best.  Th’ elders … they said I were mahrime.  Impure …

 

Courbet *puts a hand under her chin, raises her face*  You’re still considered famìlja … extended family.  My family wouldn’t have asked you to leave.

 

Manouche *looks at him steadily*  But it would’ve been a sight more trouble fer ‘em if I’d stayed on, ay?

 

Courbet *hesitates, then nods reluctantly*  I’ve never thought it was fair … it wasn’t your fault.  You’re still Romani, your heritage didn’t change.

 

Manouche *sighs*  Yer very young, still, ain’t ye?  Ye don’t really understand, or else ye’ve jus’ decided ye don’t agree with it.  There are certain things Roma do an’ don’t do, savvy?  An’ once some things are done, there’s no turnin’ back.  I were always a misfit, though, weren’t I?  I may ‘ave been born pure Romani, but I were always independent, I always loved t’ read an’ spend time on me onesies, never quite fit in.  No worries, luv, I’ve been fine, honest.  Some times ‘ave been better than others, same as anyone, but overall, I’m sound.  *she takes his hand, squeezes it*  But that’s all water under th’ bridge, innit?  What brings ye ‘ere, an’ how did ye come t’ find me?

 

Courbet:  We’ve usually managed to keep track of you through the years.  We lost sight of you during some of your time in the South Seas … but overall, we’ve usually known of your whereabouts.  The others have been very impressed with you …

 

Manouche:  How are they, are they well?  *smiles broadly*  How’s Liliana?  She an’ I were so thick …

 

Courbet *with the tiniest hint of a smile*  She still misses you.  She wanted to become a pirate after she learned that’s what you were doing.  We tried to keep that news from her for awhile, because we knew she would want to emulate you … *sees the hurt in her eyes, quickly adds*  It – it would’ve made her life impossible … she wouldn’t have known how to make it work for her like you were able to …

 

Manouche:  No worries, mate, I savvy.  *looks at him*  But what brings ye ‘ere?  *glances over at the horse*  He’s a beauty … would ye ‘appen t’ be th’ owner of a family o’ horses much like ‘im?

 

Courbet:  I brought them with me.  They’re a gift for you.  We … none of us were happy with the way things turned out … we’ve always wanted to do something for you, but … we never knew what we could do.  Then we got word of your good fortune, and your property … everyone remembered how you loved the horses of the caravan.  *he barely smiles again*  I can remember how you got the most temperamental beast to settle right down.  Remember that stallion, remember Janus?  You were still just a child, you’d only been with us a few weeks, it was soon after we found you in the woods …  *the tiny smile fades*

 

Manouche:  Aye, I remember.  Not likely t’ ferget that, am I?  *pauses, glances back at the horse, then back to Courbet*  So, ye come t’ bring me some pets?

 

Courbet:  That, and one of these wagons.  *waves a hand at the wagons*

 

Manouche:  Really?  By th’ powers, Courbet, they’re smashin’.  One of ‘em’s yours, I take it?

 

Courbet *nods*  I need to stay here for a little while.  I can’t say how long … and I can’t tell you what I’m doing.  I realize this is outside of your property, but … I wanted you to know I would be here for awhile.

 

Manouche *beams*  Bloody ‘ell, mate, y’ make it sound like an apology.  I’m right glad t’ see ye, I’ll be ‘appy to ‘ave ye in th’ vicinity.  We can catch up, an’ … *her voice trails off at the look on his face, and she grows serious*  Oh … ye can’t consort with me, can ye?

 

Courbet:  Manouche … you don’t know how much I hate it, but … it’s the way it is.  We all hate it … you’ll understand more later.  You’ll see why it has to be this way.  At least … if all goes as I think it will, you’ll understand.  It’s why we all wanted you to have something from us.  Mihail mentioned the horses, and … we all thought you would like a wagon.  We all want you to know that … that we’re sorry things worked out the way they did … that for what it’s worth, we think the elders are wrong … that we haven’t stopped caring about you.

 

Manouche *head bowed for a few minutes, finally looks up, nods*  Ch-cheers, mate.  I do love them horses.  I were hopin’ they didn’t ‘ave a home.  An’ … *looks at the wagons* … th' wagons are beautiful.  I’d be honored to ‘ave one of ‘em.  *grins*  It’s bound t’ get on Portsmith’s wick t’ see me rollin’ into town in a genuine gypsy wagon.  She’ll prob’ly run about ringin' an alarm, tellin' everyone t’ hide their babies, 'cause gypsies ‘ave come to town t’ steal the children.

 

Courbet *manages a smile*  I’ll let you know when I’m ready to leave, and then I should be able to tell you everything.  At that time, one of the wagons will be ready for you.  It may be a few weeks, it may be longer.  In the meantime, I won’t disturb you … you won’t even know I’m here.

 

Manouche *gazes at him wistfully*  More’s th’ pity, luv.  *Courbet moves closer, takes her in his arms, hugs her, holds her for a moment; she blinks back tears, pulls back, smiles*  Right, well, I’d best be gettin’ back to me new charges.  I ‘ave food arrivin’ fer ‘em soon, an’ I reckon I need t’ start thinkin’ about housin’ fer ‘em.  *pauses*  It’s good t’ see ye, mate.  An’ I’m obliged fer th’ fine gift.  Ye must thank everyone fer me … me famìlja.  Let me know if there’s anythin’ ye need, savvy?  *she looks at him for a moment, then stretches up and kisses him quickly on the cheek, smiles shyly*  Sastimos.  *turns, heads back to her property*

 

Courbet *watches her go, his eyes dark, his face brooding, murmurs quietly to himself*  Te pabaren mange memelia.  *he watches until she’s out of sight, then turns to the task of building a fire*

 

At From Hell Court:

 

Nate *slinking cautiously through the Court, ducks into an alley as he sees Abberline.  Waits for him to pass, then slowly emerges, continues on the other way, deeper into the Court, casually examining the faces of people he passes; he smirks as he sees two women coming his way, noting their revealing, tawdry clothing and loud voices.  He smothers his contempt and smiles charmingly as they approach*  Good evening, ladies.

 

1st woman *smiles*  ‘Evenin’, luv.  See anything you like?  *they both stand before him, hold their shawls open so he can see their figures*

 

Nate:  Well, actually, I’m representing a fine gentleman, and I must say, I think both of you would please him very much.  *pulls out a roll of bills, pretends not to see the women eye the money greedily*  I can guarantee, you’ll be paid well.  I have a car just around the corner, if you would care to come with me.  My client resides in a magnificent castle just outside of town.  He’ll provide refreshments for you, as well, some wine, perhaps something a little stronger if you prefer … *grins indulgently*  I believe he also still has some fresh grapes that are outstanding.  *the two women nod excitedly, and Nate leads them to a dark sedan parked in an alleyway.*

 

2nd woman *squeals to her companion as they both slide into the back seat*  Will you look at this!  It’s a real limo.  Look, it has the window dividing the driver’s area from the passenger’s area, and everything, just like in the movies.

 

Nate *closes the door behind them, climbs into the driver’s seat, locks the back doors from an automatic button on the console, then slides the window between him and his passengers all the way up to the ceiling of the car.  He watches them in the rear-view mirror, chattering to each other, knows they’re still unaware that the doors lock from the outside and they cannot open them.  He grins, murmurs to himself*  Aye, that’s right, lass.  Just like in the movies.  *he starts the car, pulls out of the Court, heads out of town toward Marchand’s hideout*

 

At the hospital:

 

Madame *sits in her hospital bed, back in her uniform of a black dress, long red coat, and long boots.  She reads a book, not realizing it when Willy and the doctor walk in*

 

Willy *places a hand on her shoulder, she jumps a little bit, he giggles*  Sorry, love.  Ready to go?  *Madame smiles, closes her book, looks up at the doctor*

 

Doctor *nods*  You're checked out, Mrs. Wonka.  Your surgery was a success and everything is healed.  We even made sure the stitches fell out nicely.  You’re back.

 

Madame *stands up, smiles at the doctor, the doctor jumps as she hugs him*  Thank you so much.  *lets go, then turns to Willy, grinning*

 

Willy *shakes the doctor's hand*  Thanks for everything doc, you don't know how much it means to us.  *smiles, then offers his arm to Madame, who takes it.  They walk out of the hospital together.  After a drive home from Cameron, the Lincoln Navigator pulls into the factory.  As the gates close, the car swings around and comes to a stop near the steps of the factory.  Willy steps out first*

 

Madame *moves over, swings her legs out, but hesitates.  Sits in the car and looks up at the factory*  I thought I'd never be back …

 

Cameron:  We all had a bit of doubt, Mistress Wonka.  *nods, smiling at Willy, heads inside*

 

Willy *sighs*  But you're back ... *turns to her*  And boy did I miss you ....  *Madame giggles*  I missed that laugh.  *grins devilishly*  And much more.  *walks forward, lays her back in the car, they kiss passionately and things begin to get heated up, he suddenly stops and stares into her eyes*

 

Madame *a bit out of breath*  Why Mr. Wonka, why do you hesitate so?

 

Willy *grins*  We live in a mansion but get things heated up in a Lincoln?

 

Madame *shrugs*  First time for everything.  *pulls in for another kiss, Willy manages to shut the car door and hit the lock button*

 

At the Boutique:

 

Lady Cynthia *adjusts her pink straw hat, gives a last look at the mirror, content with what she sees, and she locks the boutique, takes the thick cream colored envelope and drops it at the Post Office before starting the long walk to Ms. Blake’s house.*

 

Dear Hester,

I thank you for your letter. It was so refreshing to hear the latest news from the Old Continent, or from across the 'pond', as we say here. I am most shocked about the news on Mr. Fothergill, and I can't understand what made Lady Hampton to choose a hat like that for such an important occasion. I also enjoyed your notes on the latest fashion in
Paris, actually I read them with great interest. But I have to say that in my very humble opinion, Milan sets the trend this year.

I told you last time that I found my dear brother at last in a small town called Deppville. He was thrilled to see me again after so many years, but utterly devastated to hear about the passing away of dear Mother, and he expressed his regret that he wasn't able to see her one last time. You would not recognize him. He has changed a lot and become a respectable citizen of this community, dropping all his former vices and he has mellowed very much. He works at the local Security Office, where he is leading a department. He has risen to the rank of Chief Inspector.

 

But the greatest news is that he has married again. He has settled peacefully down with a new family and bought a stylish old house. The house is called Bournemouth House, it was very sweet of him to name it after the house where we spent our happy childhood together. I was present at the grand wedding held in a local picturesque church and at the banquet held in the City Hall after that. He looked very dashing in his tuxedo and the bride was simply radiant. My new sister-in-law is the daughter of an admiral, who is also a former governor of some state, I forget which, they all sound the same to me, but anyway, he is a very important man. It was a pity that he did not make it to the wedding. I am also to be an aunt soon. And my brother has adopted an adorable orphan boy. You remember how he always felt for the poor and unfortunate. My new sister-in-law and I bonded instantly, though she loves Prada, and as you know I am more for Gucci and Dior. She owns a great wooden yacht, much more stylish than those vulgar modern boats built of steel and aluminum, but now, of course, she has left her hobby and become a homemaker. I just adore their little family, and I am expecting the newcomer impatiently.  Frederick has asked me to be a godmother. How very sweet of him. He seems very content with his life, and I am so glad for him that he decided to marry again. As you know, I never fully understood why he had to choose that grey mouse Victoria. I still resent the scandal she organized to drag our name in dirt.

This adorable little town has welcomed me very warmly, and though it is very backward and provincial, it has its own little charm. I was very surprised that you even can get a very decent meal here, and I have made acquaintance with the most outstanding citizens of the town, Commander M. Portsmith who rules this town and is of an ancient continental noble family, and the famous Chocolatier Willy Wonka, can you believe? He is a bit odd but he is a genius and very wealthy and refined. He has invited me to the Chocolate Factory, which is a rare honour, and I have been a frequent guest at Commander Portsmith's genuine French Chateau, Chateau de Blanchefort. Of course, even the high society here is not so refined as ours, but at least the Commander is trying hard. I am on my way to pay a call to the local nouveau riche, a lady called Roussel Blake, she has invited me over to her charming new house. I believe she wants advice on decoration.

 

The backside with this place is that there is a very disreputable quarter called From Hell Court, can you imagine, and there are pirates and gypsies, and even opium dens,  and all kind of low life, but Commander Portsmith and Frederick are doing their best to clean the nests of that scum for good.

I have decided to stay here for a longer while. I am enclosing a copy of the cover of Pomp and Circumstance, where you can see me on the cover with Guido Cavalcanti.  His collection got a lot of attention in
Milan this year, and he has asked me to be his business partner. I want. of course to help the talented young designer, so I am opening a fashion shop here together with him hoping to attract the cream of this town.

 

Yours,

Cynthia

 

On The Brave:

 

O’Malley and Donnie *going through the books that O’Malley borrowed from Corso’s office trying to find as much information about the ritual as possible.*

 

Donnie *picks up one of the books and begins leafing through the pages; frowns*  Grace, how’s your Latin?

 

O’Malley *looks up from the book she’s reading*  My Latin?  It be rusty at best, luv.  *Sighs*  Don’t tell me the whole bloody thing is in Latin?

 

Donnie:  Afraid so … and there’s a drawing looking somewhat like what you described from your vision, but I can’t read the text.  *Hands O’Malley the book opened to a page with the drawing of the ritual*

 

O’Malley *instantly recognizes the scene in the drawing*  Aye, this be the ritual.  *Looks at the text; muttering*  Bloody ‘ell, I should’ve nicked a Latin-English dictionary while I was at it.  *Places the book on the floor next to her*  That be the ‘might be useful an’ look at it later’ pile.  Le’s go o’er the others first, see if we can’t find something in English, savvy?

 

Donnie *nods*  Good plan.  *With a pensive expression*  We should probably also think about what to do when or if you confront Father Connolly … I mean, if his friends are shamans too, I don’t think the “throwing things at them” strategy is going to be enough.

 

O’Malley:  Ye’re right, that won’t do.  I reckon brains will beat strength, eh?  *Rises from the floor as someone knocks on the cabin door; looks back over her shoulder*  Perhaps I best be focusin’ on witchcraft fer this one.  *Opens the door and sees the mailman Mike*  ‘Ello mate, how are ye?

 

Mike *smiles*  Hello Miss O’Malley, I’m fine.  How are you?  I have a letter for you.  *Hands her an envelope*

 

O’Malley:  I’m right as rain, cheers mate.  I’d invite ye in fer a coffee or a drink, but we’re a bit occupied the moment.

 

Mike:  That’s all right, I should be going anyway.  *Begins to leave; turns*  It’s such a pleasure delivering mail here … always a friendly reception, unlike certain other places.  *Shudders at the thought of delivering mails and packages to Bournemouth House; waves goodbye and leaves.  O’Malley closes the cabin door and returns to her spot on the floor; opens the envelope*

 

Donnie:  Who’s it from?

 

O’Malley *frowns as she reads the short letter*  It’s from Father Connolly.  He’s asking me te meet ‘im at the meadow.

 

Donnie *Expression of concern*  I don’t think you should go … could be a setup.

 

O’Malley:  I don’t reckon it is.  He be needin’ me te be sound fer the ritual.  He wouldn’t ‘arm me now.

 

Donnie:  Maybe … but …

 

O’Malley *cuts him off; rises from the floor again and grabs her coat and hat*  No worries luv, I’ll be back soon enough.

 

Donnie *still concerned*  All right, but be careful!

 

O’Malley:  I promise … *kisses Donnie and leaves for the meadow*

 

At Rartigillichal:

 

Lady Cynthia *had put on exceptionally sensible shoes for the long walk, but her feet ache when she finally gets to the yard.  She looks around disapprovingly.  She had waited for something fancier than just an old mill house.  She knocks on the door with her gloved hand and waits for response*

 

Manouche:  WHOOAA!!!!!  *screeching at the top of her lungs from a distance, coming closer to the main house at high speed, desperately clinging to the mane of the stallion, riding bareback*  BLOODY ‘ELL, DON’T YE UNDERSTAN’ TH’ KING’S ENGLISH, I SAID WHOOAAA!!!!!!  *the horse finally obliges, comes to an abrupt stop close to the house, kicking up a huge cloud of dust that has Lady Cynthia choking and coughing, and waving a gloved hand before her face.  Manouche loses her grip from the sudden stop and yells as she’s thrown from the horse’s back and lands in a large hydrangea bush*  Oww!!  *the bush rustles noisily as she scrambles to pull herself up; she staggers out of the tangle of brush, glares at the horse, holds up an admonishing finger*  We ain’t done, mate.  *horse pulls its lips back in a grin, and she can’t help but grin back.  She starts brushing herself off, then turns, sees Lady Cynthia, her eyes wide*  Oh, blimey, apologies, luv!  Didn’t see ye standin’ there.  *nods toward horse*  New acquisition, as it were … he an’ I are jus’ gettin’ acquainted.  *steps forward, extends dirty hand*  I don’t recall that we’ve met proper, though I know well who ye are.  Name’s Manouche … an’ yer th’ Inspector’s sister … Cyndi, right?

 

Lady Cynthia *brushing her suit, barely touches the extended hand with two fingers*  Enchanted to meet you, Mrs. Blake.  I am Lady Cynthia Ainesworth.  It seems that your stallion is a little ... wild.  I would recommend using a whip on it.  I simply adore horses.  Dear Cecil and I organize every year fox hunts.  I understand that you are a close friend both to my brother and my charming sister-in-law.   

 

Manouche *raises eyebrow*  I see.  Well, I ‘ave no doubt th’ horses return yer feelin’s for ‘em in kind.  *frowns, brings hand up to her wild hair, runs fingers through it, pulls out a small twig with a leaf or two attached to it, tosses it to the ground*  Aye, Kat an’ th’ Inspector are me mates.  Would ye care t’ come inside?  Can I offer ye somethin’?  *opens door, holds it open for her*

 

Lady Cynthia:  Horses obey me well if that is what you mean.  *steps inside, looking curiously around her, registering the details, a little surprised at the decoration, which seems to be rather stylish, if one goes for that kind of rural taste*  Thank you my dear, I would not mind a cup of coffee.  Black, no cream, no sugar.  Prefereably espresso.  I have come to talk to you about my dear brother, as you probably guess, but I am also charmed to meet one of the most outstanding citizens of Deppville.  *even though the money comes from a lottery win ...*  You have a very ... picturesque little home here. 

 

Manouche *grins to herself, glad that she asked for coffee, which is one of her specialties, particularly espresso*  Coffee it is, luv.  Come to th’ kitchen, I’ll ‘ave it fer ye in two shakes.  *she brings her to the kitchen, has her take a seat at the large butcher block counter, gets out the espresso machine*  I’m pleased t’ make yer acquaintance, as well, an’ I’m glad ye like me home.  I can see where it may not be to everyone’s taste, but it suits me quite well.  ‘Ave I become an outstandin’ citizen?  I ‘ave a feelin’ Commander Portsmith may offer ye a different opinion on that’un.  *laughs as she gets out cups, opens a drawer and goes for the good linen napkins, assembles everything on a tray; turns to her as they wait for the coffee*  So what would ye like t’ discuss regardin’ th’ Inspector?  Last time I saw ‘im was at Celeste … well, ye know all about that, ye were there, weren’t ye?  Bloody unfortunate, weren’t it?  I hope all th’ ruffled feathers ‘ave been smoothed down.

 

Lady Cynthia *raises an eyebrow at the espresso machine and sits down crossing her ankles, takes off her gloves*  Yes, that was a very unfortunate incident, and as far as I understand not the first one of its kind.  He never behaved like that in public when he was with little sweet Victoria.  You should have seen her.  She was a real lady.  So, I have to make the conclusion that his wife has a very bad influence on him.  But he married her only for the child.  He has always been too rash and impatient to contemplate before he acts ... She really is a pirate, isn't she?  And an Indian?  *wrinkles her nose*  And she has a bas ... an illegitimate child, hasn't she?

 

Manouche *watches her for a moment, thinks to herself, ahh, so th’ gloves are off; she busies herself putting together a plate of croissants and placing it on the tray, to give herself time to calm her temper, then she sits down*  I ‘ave seen Victoria … *thinks of her time in the soul box with a shiver, then quickly corrects herself*  Ahh, that is, I’ve seen photographs of ‘er.  She were beautiful, that’s a fact.  *looks at Lady Cynthia steadily*  I think originally, yer brother wanted t’ marry Kat fer th’ child more than anythin’ else.  He wanted t’ do th’ right thing, as he saw it.  But I watched ‘em once they decided t’ make that commitment, an’ it’s become more than that.  They genuinely love each other.  *smiles slightly*  I’ll grant that he’s got his impulsive side, an’ it can be troublesome, more to himself than anyone else most times.  But he’s a good man, yer brother.  As fer Kat … aye, it’s true, she’s a pirate, like meself … an’ she’s an Indian, Cherokee, t’ be exact, if memory serves.  An’ she has a beautiful son, Raven … THEY ‘ave an illegitimate child, mate, not jus' she.  Yer brother an’ Kat.  As fer puttin’ responsibility on Kat fer his behavior as of late … that don’t seem to give yer brother much credit, does it?  To say that he’d be so easily influenced an' radically changed by a mere woman, an Indian pirate, at that.  I reckon th’ Inspector’s got more backbone than that.  *she rises, pours out espresso, picks up the tray*  C’mon, luv, let’s go to th’ sunroom, this is th’ best time o’ day to enjoy it.  *she leads her through the house to the sunroom, sets the tray down on a table in front of a small couch, they sit down*  I hope ye like th’ coffee.  Truth be told, I seldom run into anyone ‘round ‘ere who fancies espresso as much as I do, so this is a treat fer me.  Help yerself to a croissant, if ye like.  *she sips the coffee*  Now then, what else can I tell ye?

 

Lady Cynthia *takes the cup and daintily sips the beverage, nods approvingly*  My compliments on your espresso.  *looks at her sharply*  I see.  You don't know him very well, do you.  Let me be frank with you.  I give all the credit he's due, but unfortunately that doesn't amount to much.  In some ways he is so very much like dear Father, as stubborn and cold as he, and he has inherited the bad temper of Father, too.  Frederick refuses to talk to me.  I would not mind that much, because we never were very close.  I don't think that anyone can ever be very close to him.  But now, there are some matters of utmost importance I have to discuss with him.  Have you ever thought how he can keep that house of his with an Inspector's pay, especially with his vices?  He can't have worked very efficiently.  I want you to help me to get in touch with him.  Without that horrible wife of his.  This marriage is so unfortunate, I don't understand how he ever could even choose to date an Indian.  She is just a treasure hunter of the worst sort, and he still does not understand what marriage is about.  How close are you to him, I hope there's nothing … that you don't know him too well, so to say.  *looks at her with suspicion*  

 

Manouche *takes another drink of coffee, sets the cup down, thinks for awhile before responding*  Strange, that ye would be askin’ me t’ help ye get in touch with yer own brother, especially considerin’ th’ fact that ye don’t know how close he an’ I are, an’ ye say yerself that apparently I don’t know ‘im well.  Leads me to wonder why ye would approach me fer this particular task in th’ first place.  I’m sure ye recall how he snapped at me at Celeste, before he stormed out.  I don’t reckon he wants t’ see me right now, an’ I’ve learned t’ give him a wide berth when he’s in these moods.  I’d say ye’d be better off talkin’ to his longtime mate, Sergeant Godley.  They’re quite close, an’ he’s always known how t’ deal with yer brother in all his moods, savvy?  *pauses*  I ‘aven’t speculated on how th’ Inspector keeps his home, ‘cause it’s none o’ me business – *she looks at Lady Cynthia pointedly* – an’ such pryin’ queries would be a sure sign o’ bad breedin’, n'est-ce pas?  That's more a family matter.  An' while I'm fond o' th' Inspector, I ain't his family.  Last but not least ... one more disparagin’ word about Kat, an’ I’ll throw ye out, an’ I mean that in th’ most literal sense.  It’d be a pity to muss yer fine kit, darlin’ ... *nods toward her hat* ... an’ I reckon that stallion o’ mine is still out front an’ would be right keen on makin’ a snack outta that straw chapeau.  *calmly reaches over, picks up cup, sips coffee again, smiles charmingly at Lady Cynthia*  So glad ye like th’ coffee, luv.  Tell me a bit about yerself, now.  Where are ye from, exactly?  I’m guessin’ that you’re nouveau riche, like meself, judgin’ by yer impetuous chat an’ blunt questions.  It’s bloody hard, innit, changin’ our ways jus’ ‘cause we’ve come into a bit o’ money.  Per’aps we can learn together, ay?  ‘Course, there ain’t nearly as much fun to be had bein’ a lady, is there?  I reckon ye know all about that.  Ye can put a mule in a fine horse rig, but it’s a mule all th’ same, innit?  *nudges her, grins*

 

Lady Cynthia *listens to her with a polite smile on her pink lips, drinks the coffee*  I would very much like another cup, dear.  I got to admire you, not only because of your magnificent espresso, but because you are so much smarter than Commander Portsmith.  Sergeant Godley is not in town.  Very well.  *takes a croissant, rips it and starts to eat it*  I'll leave your pretty mate in peace.  My congratulations for her on being so clever and trapping the stupid sod and his money.  And since you wanted to know more about me, here are the facts.  Fine.  I am not nouveau riche.  Fact is, I am not rich at all.  Sir Cecil *says the name with contempt and sarcasm, emphasis on the title* could have been one of these nouveau riche, if he hadn't been the bloody incompetent freakin' idiot he is.  *smiles at Manouche's surprise at her choice of words*  I don't know what tales dear Freddie has spun to you, but I guess he's about as much a gentleman as you are a lady.  Nice facade, ain't it.  The Abberlines are respectable enough, especially my revered Father, though they descend from coarse peasants from Dorset.  He ain't even that.  You want to know the truth about Fred?  He's a damn bastard himself, the son of a dirty servant wench.  I did not come over here to make my peace with him nor bring him my Mother's money.  I am here to claim my own inheritance.  I read the letter Mother sent him, and learned that he's just a bastard, born out of wedlock, and he has no right to the inheritance he snatched from my dear Grandmother.  I want my part back.  I want the French jewel set with that ring.  And I want enough money to be able to get out of this hellhole and start a fashion shop.  I want Fred to give my share of the inheritance.  And I want to talk to him.  You must help me.

 

Manouche *listens, then smiles*  Is that what this is all about?  Blimey, ye 'ad me worried, I thought it were somethin' far more serious.  Lady Cynthia, ye ‘ave nothin’ to worry about.  Ye got Kat all wrong.  She don’t want Fred's money … she jus’ wants Fred.  I promise ye, luv, that’s th’ truth.  If she were a golddigger, she would've gone after his money when she were pregnant with Raven.  I think she’d be relieved to not feel she has to behave like a wealthy lady.  She's found all that pressure dauntin’ from day one.  *takes a piece of croissant*  Aye, I know all about Fred's real mum … Vernet was ‘er name, right?  Never mind how I know, I jus’ know.  *ignores Lady Cynthia’s look of surprise, peers into her cup*  Hang on, I'll get us a refill.  *she grabs both cups, goes to the kitchen, pours out the remaining espresso, returns, sits down*  ‘Ere ye are, luv.  Now, as I were sayin’ … I honestly don’t think ye ‘ave a thing to worry about.  Yer brother’s aware of his real mum, though I don’t believe he knows ‘er name.  But he knows about his … illegitimacy.  I reckon all he wants now is t’ be able to support his family.  That’s all he’s ever really wanted, y’know, a family.  Now he’s got one, an’ he simply wants to provide a good life fer ‘em all.  An’ he’s so excited about that new baby.  So when it comes to talk o’ inheritance an’ all … knowin’ Fred as I do, I can’t imagine him standin’ in th’ way o’ ye receivin’ yer fair share o’ anythin’.  If that’s all ye want t’ talk to him about, I honestly don’t see why ye would need me.  Matter o’ fact, he’d prob’ly be more agreeable if ye didn’t bring me into it.  He might find it humiliatin' if I'm involved, me bein' an outsider an' all.  Ye know how private he is.  *laughs*  It's amusin', innit ... 'ere's a man who's seen all manner o' horrors in th' course of his investigative work, an' yet he goes squeamish when it comes to talk about personal money matters, family secrets, an' th' like.  *grins, shakes her head*  No worries 'ere that I can see.  All ye ‘ave to do is go to th’ house an' see 'im, an’ lay it on th’ line, like ye jus’ did fer me right ‘ere, savvy?  Ye'll get no trouble from Kat, I promise ye.  Not th' Kat I know.  *drinks*

 

Lady Cynthia *sighs*  You still don't get it, do you.  He hates me.  If I tried to go to Bournemouth House, he simply would throw me out, because that is how he is.  For some reason he's never liked me.  Not much talking, eh, smartie?  See, that is why I need you, as a go-between.  He and his wife can stick together best they want and breed a dozen of kids if they fancy that, I don't care, but I won't have him taking the inheritance that lawfully is mine.  Actually … *and a small smile curves slightly her lips* … the whole house belongs to me.  If he doesn't need the money, I do.  *drinks the espresso and slams the cup on the table*  So, I propose a nice little deal - you get him to meet and listen to me, and I leave him and his pirate wench alone to do what they want.  He can keep the chest.  *thinks for a while*  Not to slander that 'mate' of yours, she could not have done that with that boy, because Fred was still married to Victoria, wasn't he.

 

Manouche *winces slightly as she slams the cup, then sighs*  Right, ‘ere’s what I’ll do, an’ I don’t see that I can do any more than this.  I’ll try t’ talk to th’ Inspector, an’ I’ll tell ‘im everything jus’ as you’ve said it to me ‘ere an’ now, savvy?  Cards on th’ table.  After that, it’s entirely up to him how he decides to handle it.  Understand that I won’t be goin’ with th’ intention o’ pleadin’ yer case, nor arguin’ against it.  So if he hears th’ facts from me as ye’ve told ‘em to me, an’ he still chooses not to meet with ye, there’s nothin’ I can do about that.  I’m sure I don’t ‘ave to tell ye that yer brother ain’t easily influenced by anyone, meself included.  Y’see, Lady Cynthia … I’m tired.  I’ve come away from recent experiences with th’ realization that there’s only so much I can do fer me mates.  Sooner or later, we all ‘ave to learn our limits, don’t we?  *looks away for a moment; looks back, sees the blank expression on Lady Cynthia’s face, realizes she’s not making much sense, smiles*  Ah, never mind.  Suffice to say, I’ll do what I can t’ get him to meet with ye.  If he don’t, then he’ll ‘ave to suffer th’ consequences, includin’ any harassin’ from you toward him an’ Kat.  *shakes her head, looks at the remainder of the croissant in her hand, tosses it back on the plate, looks at Lady Cynthia again, smirks*  I’m surprised at ye, luv.  Surely ye know that if a woman finds ‘erself in a family way an’ is determined to take th’ gent’s money, she won’t give a toss whether he’s married.  I’m not sayin’ that Kat would’ve won, but she could’ve tried t’ blackmail ‘im, could’ve easily demanded money from ‘im to keep th’ dirty lil’ secret from his wife.  It’s right Pollyanna of ye not t’ think of that.  Y’don’t ‘ave to be a soap opera buff to know that’un – read up on yer history.  Great leaders of civilizations ‘ave been brought to ruin by such scandals.  *drains her cup, sets it down*  I’ll go see th’ Inspector tomorrow, an’ we’ll see how it goes.  Anythin’ else?

 

Lady Cynthia:  All I need is to get in and not be thrown immediately out or be pushed into the water.  *she grabs a croissant and starts to eat it hungrily*  This is so delicious ... How on earth can you stay so slim?  *She eats the whole croissant and pushes the crumbs on the floor*  Now, I don't want you to plead for or against, leave that to me.  I know how he is, but believe me, I have my ways to handle him ... Isn't it good that this dirty little secret never reached Victoria's ears?  And he was so pretending to be in love.  *smirks*  Maybe we’ll even make it up and have a nice little family reunion with all that oh-so-moving talk of forgiving and forgetting old grudges, and that the family is everything, and so on, with a handkerchief in hand ... *She adjusts her straw hat and in a moment turns into a lady again*  My dear Mrs. Blake, it was so charming to see you and your beautiful little house in the wilderness.  Please visit my boutique when you are in town next time, the Pink Perfection has some dresses that would look just splendid on you.  *rises up and pulls her gloves on and straightens her skirt, smiles politely*  How unfortunate that I have to leave already.  Thank you for your amazing espresso.  Could you call a cab for me or my new shoes will be ruined?  Blahniks are not made for walks in the wood, but style beats comfort any time, doesn't it, darling?

 

Manouche *hides a grin as she sees that a couple of the crumbs Lady Cynthia brushed to the floor have stuck to one of her Blahniks, and she inwardly congratulates herself for having used extra butter in the croissant recipe this time*  I’m glad ye like me cookin’ an’ espresso, luv.  *laughs*  Sergeant Godley has helped me stay slim in th’ past.  Used t’ be, th’ minute I’d bring a batch o’ somethin’ out of th’ cooker, he’d magically appear an’ take th’ lion’s share off me hands.  *she rises with Lady Cynthia, walks with her through the house toward the front*  No worries about th’ walk, I’ll be happy t’ call ye a taxi.  *she goes into the sitting room, picks up the phone, calls DeNiro, hangs up; joins Lady Cynthia at the front door, opens it*  C’mon, we’ll wait outside.  *they step out into the cool late afternoon breeze*  I’ll come by yer boutique sometime, though I’m not sure th’ goods’ll be me style.  As ye can see, I’m not much fer haute couture.  I appreciate it an’ enjoy lookin’ at it, like most women, but … even with me money, I don’t know that I’d ‘ave much occasion fer such finery.  If things had turned out as I’d hoped, an’ Mr. Blake were … well, y’see, we was plannin’ on renewin’ our vows in a proper weddin’ ceremony come mid-October.  We were goin’ to do it a week after me birthday … but all that’s been put on hold, as it were.  *she looks away, a little annoyed with herself for having brought up something so personal to this woman she doesn’t completely trust, then she shrugs it off, turns back to her*  Anyway, I’ll stop by an’ see what ye ‘ave to offer, an’ I’m obliged fer th’ invite.  Certainly every woman should own one classic lil’ black dress, so per’aps ye’ll ‘ave jus’ th’ thing fer me along those lines.  *she looks up, relieved to see DeNiro pull into her drive before Lady Cynthia can ask any questions.  He parks the cab, jumps out, holds open the door for Lady Cynthia.  Manouche suffers a hug and kiss on the cheek from her, smiles waving as she gets into the cab and they drive off.  When they’re out of sight, she frowns and rubs the lipstick from her cheek, thinks for a minute, then goes back into the house.  She soon comes back out after putting the dishes back in the kitchen, wrapping up the croissants, then changing out of her dusty clothes from her horseback ride into neater clothes and a coat.  She goes down to the river, takes the tiny boat, pushes off and starts making her way toward town, thinking she’d better not wait much longer to talk to Abberline about all this; the sooner the better.  She hopes he’s home, and that he’s cooled off and won’t snap at her again … *

 

 

Enter supporting content here

 
Deppville,where anything can happen.
 

Ó   2006  All rights reserved.