Depp Shadows

Part 32
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The man who did the waking buys the man who was sleeping a drink.  The man who was sleeping drinks it while listening to a proposition from the man who did the waking. 
 
Being where deals and bargains are proposed … Corso embraces his mercenary side with a little playful speech-selling and art-swapping ... Colonel decides she would rather not work as Portsmith’s spy, and she and Corso reach an accord ... Malachi tries to get through to Raven … Manouche receives vague warnings from Ama, in a vague vision … and Abberline struggles with his conscience regarding an offer from Messrs. Black and Brown that he finds nigh impossible to refuse.
 
 

In the Gallery, Chateau Blanchefort:

Corso *in the control room, switches off the cams in the Gallery and sets the monitors to display a fake view of the Gallery, then checks that the Commander is still working with the design for a new uniform in her study.  He slips quietly into the Gallery and switches on a flash-light with a blue light, walks the aisle till he spots a small painting – an anonymous work called 'The Repentant Sinner' dated to the 15th century.  He puts on gloves and lifts the painting off the wall, puts it in his bag.  He takes a small parcel out of the bag and unwraps a replica of the painting, hangs in on the wall and admires it for a while.*  The Commander will never see the difference.  Excellent work.

 

At Colonel and Hanson’s house:

 

*After a day of lounging around with Hanson, Colonel gets the idea to visit Corso about the missing painting.*

 

Hanson:  You'll be back, right?

 

Colonel:  Of course.  *she gets close* why would I leave and never come back.  *smiles, tugs at his collar and draws him even closer, kisses him*  It's for business.

 

Hanson:  Oh, well in that case, *kisses her passionately for about five minutes* when you get back we can continue where we left off.

 

Colonel *being silly*  Oh?  And where was that?

 

Hanson *kisses her again for another five minutes, laughs*  That say anything?  *smiles*

 

Colonel:  Only that I must hurry.  *winks at him, gives him one last kiss*  I have my phone with me if you wanna call, love you.

 

Hanson:  Love you too.  *sits on the couch when she leaves, gets out his cell phone, dials a number*

 

Colonel *starts to head to the castle, her cell phone starts to ring '21 Jump Street theme song' (actually on there, I had to record it, very time consuming, but I got it on there, so every time I watch the show, my brother tells me my phone is ringing, when it isn't, heheh), answers it*  Hello?  *continues walking towards the castle*

 

Hanson:  LOVE YOU!  *hangs up*

 

Colonel *smiles, hangs up, redials Hanson, he answers*  Phone tag, eh?  LOVE YOU too.

 

Hanson *laughing on the other end*  Sorry, baby, missed you.  I'll let you go, but call when you're done, kay?

 

Colonel:  OK, love you.  *they hang up, she makes her way to the castle, bangs on the door and asks to see Corso; she is lead to his study where she stands at his door and knocks, waits, hopes he answers*

 

At Chateau Blanchefort:

 

Corso *opening the door just enough to peek carefully out, visibly nervous, sighs with relief when he sees who it is*  Hello, Colonel, what a surprise.  What brings you here?  *opens door*  Please come in.  *As she steps in, he closes the door immediately and locks it, grins to her, explaining the odd behavior*  I had a little disagreement with the Commander yesterday.  *Lights a smoke and offers her one*

 

Colonel:  I ... don't smoke.  *smiles at him, gazes at his marvelous collection*  Disagreements are quite common with the Commander, eh?  *leans on his desk, sees a book half destroyed, picks it up*  Lemme guess, Commander got mad?  Hmm, I know someone who can fix this, genius this guy is.  He can make things old new again, well, as they were before, y'know.  *looks at the floor and then at Corso, sets the book down*  Commander wants me to find one of her paintings that's gone missing.  One of the Virgin and child.  She said you'd retrieved it, and know of its origins.  *nears him*  Now, Mr. Corso, do you know of its whereabouts?

 

Corso:  I hope you don't mind me smoking then.  *Looks at the book*  No use to repair it, I have already ordered a copy made of it.  My connections know how to do that, excellent work, they can even duplicate the small errors that are so important.  *coughs*  Enough of that, I hope you keep it confidential.  *frowns*  Virgin and Child ... Which one?  There are several.  And why didn't she ask me directly?  I didn't even something was missing.  Why would I know anything of it?  *grins*

 

Colonel *gets closer, pins him to the wall*  You know exactly which one I'm talking about.  She told me that you were the one who got it.  Portsmith didn't come directly to you for personal reasons.  You tell me what you've done with it, where it is, and I won't spread word to Portsmith.

 

Corso:  All right, all right, let me free and I will tell you what I know.  I have acquired most pieces of the art collection.  I really can't remember all of them.  *moves farther from her, watching her carefully*  So what's in for you in this business?  Er … could we strike a deal?  But I have to be sure that the Commander won't hear anything.

 

Colonel *sighs, feels bad, whispers*  I'm sorry if I was rough.  What do I tell the Commander that they have been destroyed?  What do I say about them?  I'm saving your ass, Corso.  Be thankful.  What kind of deal?  What do you want?

 

Corso *grins*  No worries, I am used to that.  But watch out, you'll spend too much time with the Commander and you'll start acting like her.  What I need is to find the one who stole the pic, maybe some unknown pirate or something like that.  She'll just be mad but ... all right ... I'll tell you the truth.  I sold it.  I don't think there's anything wrong with that.  She's spending great amounts of money on art and the castle, and what do I get?  Nothing.  So, what do you want for modifying the truth?  She still trusts you so you could get away with it.  *looks at her expectantly*

 

Colonel *arm around Corso's shoulders, keeps it at a whisper*  Being very open to me, aren't yeh, Corso?  Anything else worth sharing?  *smiles, nudges him, winks*  Don't worry about me spending too much time with Portsmith.  So, you stole the paintings, sold them, now what?  *looks at him, thinks, nods in agreement with thoughts*  Yea, y'would make a good pirate.  You've got taste.  What do I want?  Don't you want anything?

 

Corso:  The Commander doesn't have to know, does she?  It's all the same if all her art is faked, she'd never notice the difference anyway cause she doesn't really care a bit of art.  Just that it looks good on the wall.  But with this one I had a problem, I did never get the copy.  *thinks for a while*  What if I order one now?  So you can 'restore' it to the Commander.  What is your price?  Do you want a rare manuscript?  A good painting?  Something else?  Or something you want from the Commander?  This way, everybody would be content.  What if you found some pirate trying to sell it?  There's got to do something you need or want.  If you don't care about books, maybe you there is some favour you need?

 

Colonel:  Y'know what, forgetaboutit.  If I need something, I'll tell you.  *opens the door to leave, walks down is about to exit the castle, but is stopped by Portsmith, shocked, smiles*  G'day Commander.

 

Portsmith:  So how is the investigation going, Colonel?  Are you on work on this important case?  Any news yet?  *looks at her sharply*  I saw that you were visiting Corso.  I would take everything what he says with a grain of salt.  But unlike some others, you can count on him being unaccountable and dishonest.  Talking about dishonesty, I see that the Inspector hasn't showed up to assist you just as I suspected.  Pity, I would have liked a word with him ... You can go and tell him that if he still thinks of himself as an inspector, he's wrong.  Oh, and to important matters, I have done the design for a new uniform, you must come and see it.  *grabs her by the arm and spins her around, not daring to slap her in the back this time*  

 

Colonel: Don't worry about my business with Corso.  The investigation is going quite well.  I have a lead, now I must travel to Spain in order to arrest the thief.  You don't need Abberline.  Let him be, he is not your duty anymore.

 

Portsmith:  Fine!  I knew I could trust you.  To Spain?  Now that was interesting.  Do you think the painting can be recovered?  *resist an urge to slap her on the back*  I hope you will be back for the unveiling ceremony of the Commander Portsmith Equestrian Statue, a rare honour that the thankful citizens have decided to bestow on me.  *leads her back to the castle*  And now the uniform.  In my opinion, white and dark blue are the best uniform colours, but this time I decided to go for black and gold.  But does it need a splash of red?  *frowns*  As for Abberline, it's for me to decide what to do with him.  But you are right, he is useless.  But I have high hopes on you.

 

Colonel:  I'm afraid I'm not so sure on the recovery of the painting.  Depends on what the person did with it.  The unveiling, I'm not entirely sure about it either.  *looks at the uniform*  It looks fine as is.  But the concern of Abberline would be put on the Captain's hands, not the Commander's.  Captain is of higher rank, sad to say, than Commander. I'm sorry, but Captain has plans for Abberline.  High hopes on me?  But why?  What are your plans for me?

 

Portsmith *irritated, becomes red in the face from anger*  I beg your pardon.  I am the highest ranking official in Deppville after the Vice-Mayor.  I decide what's to be done with everyone in this town.  This is my town, Colonel.  The Inspector belongs to me.  *looks at her indignantly*  I advice against you against speaking with him anymore.  I had great plans for you, but I am not so sure now.*  Turns abruptly and leaves, muttering to herself*  No one's to be trusted, that's clear ... I'll have immediately to take some action ... Those bloody pirates and traitors ...

 

Colonel:  I suppose you don't know your ranking, Captain is above Commander.  *runs after Portsmith*  So I can't speak to Abberline?  *stops her, stands before her*  What are you wanting to do with me?  Hmm?  Do you hate me?

 

Portsmith *stops, astonished*  Hate you?  Of course not.  I don't bother with hating people, and I don't have any reason to hate you, on the contrary, as I said I have high hopes of you.  I just wish that you would live up to my expectations.  I don't want all these pirates and pirate-lovers to corrupt you.  You should not contact any of them.  Especially Abberline.  You have absolutely no need to speak to him.  Abberline betrayed my trust, and I don't want the same to happen with you.  I need someone I can trust to work with me.  *with her best pompous manner*  Can you be trusted?

 

Colonel:  Do you mean, can I sail under the commands of the Commander?  *sighs, thinks of how her life was without being goody-goody with Portsmith.  Her life with Manouche, how she got her and Blake together.  Now, she's forced to tear her relationships apart, focuses*  I can try, but first off – what would become of me IF, and I say if, I do come in contact with the ones you say I shan't and the ones you say I dare not come in contact with?  And lastly, what would become of me, if I don't?  What do you want of me, for me to be?

 

Portsmith:  You make simple things so complicated.  Just do as I say, that's all.  *frowns, thinks over*  Actually, it would be good to maintain some kind of contact with the pirates, to gather information, to know what they are up to.  They would trust you, wouldn't they?

 

Colonel *smiles slyly*  Of course they trust me.  They know things about me, you don't.  No offense, Portsmith.  I've known them longer, so yes.  They would trust me.

 

Portsmith *looks at her gold watch*  I trust that you will bring back my painting.  And now, I have very important matters to attend to.  *waves off the Colonel*  I am waiting for your return.  Goodbye, Colonel.  *walks away, thinking of the speech for the unveiling ceremony*

 

Letter from Colonel:

 

Dear Manouche,

 

I'm not sure where to reach you, so I'll just write you a letter and hope you get it and read it on your own time.  I know you have many others to attend to.  I just run into you every so often, less than I'd like to, but again, you have other people to take care of.

 

I'm at Chez Roux, and thought of you after Portsmith dismissed me.  I'm not sure how much longer I can suck up.  Oh well.  At first she said I wasn't allowed to talk with the pirates, but she changed her mind.  She says to stay close with them.  She asks if they trust me.

 

Abberline and I were supposed to figure out where Portsmith's painting went to.  She wants me to bring it back when Corso took it, replaced it and sold it.  So I'm not sure how to get it back.  I said I had to go to Spain, that I had a lead.  Well, Portsmith says that I'm not allowed to speak or interact with Abberline at all anymore.

 

Well I'll get this to you.  Hope we can talk and that I can see you soon.

 

Much love,

Colonel

 

At Colonel and Hanson’s house:

 

*Wilko flies up to Hansons’ house, lands on front steps, leaves an envelope next to door; flies away*

 

Dear Colonel,

 

I received your letter and I’m not quite sure what to say, or what you would like to hear from me.  I know you’ve been trying to do this juggling act for awhile, but in my opinion, it’s impossible.  You can’t play both sides of the fence and expect either of them to work completely.  You can pursue your career in law enforcement and still be casual friends with us pirates.  But if you choose to work as Commander Portsmith’s spy and confidante, I know I can speak for myself, Kidd, O’Malley and the rest of the pirate contingent when I say we’ll be playing close to the vest with you, as it were.  To get along with Portsmith and the pirates alike is one thing; to work directly for Portsmith and to tell both sides they can trust you is quite another.  It can’t be done, mate.

 

Take Willy, for example.  He manages to keep on the good side of everyone … but he’s not working for the Commander, leading her to believe he’ll get information from the pirates, then telling the pirates their secrets are safe with him, that he won’t be repeating them to the Commander.  He treats Portsmith relatively respectfully (when he’s not imitating her or sticking his tongue out at her!), disagrees with her when he believes she’s wrong, and makes it clear to her that she won’t influence his friendships with the likes of us scallywags.  And somehow, he makes it work; the Commander is charmed by him, she genuinely respects him; as a result, they continually agree to disagree.  See the difference?

 

You can work for Portsmith, but you may as well tell her up front that you won’t be able to be her spy on the pirates’ activities, because word has already spread and the trust is gone.  You’re still my friend, but I won’t be sharing any secrets with you; not so much because I believe that you would go running to Portsmith with them, but more because, knowing you’re working closely with her, something could accidentally slip out.  She’s very sharp, and she has ways of getting information from people, even when they don’t intend to share it.  Also, a word of warning to you:  chances are, Portsmith is already well aware of your double-dealing, your divided loyalties, your talk of "sucking up" to her.  She's probably watching and waiting for you to trip yourself up.  So take care, mate, don’t cross her.  We may all have a laugh at her on occasion, and we may find her pontificating ridiculous – but she wields a lot of power in this town, and she is nobody’s fool.

 

I wish you luck on the investigation of the paintings (at least regarding this particular mystery, I have no information I could give you, even if I wanted to); and if you choose to continue to work closely with the Commander, I understand and see the value in that, insofar as your career.  You and I will always be mates; just don’t be asking me any questions, savvy?  If you’re truly off to Spain, safe travel to you, and I hope you and Hanson can get in a little relaxation time there; it’s very beautiful, and this is a dashed brilliant time of year to go.

 

Love from Mr. Blake and myself,

Manouche

 

At Chez Roux:

 

Abberline *At Chez Roux, having arrived in good time to meet Messrs. Black and Brown, and left the others outside waiting, orders himself a drink of absinthe and lights a smoke.  To pass the time he leafs through some mags, but loses interest when he sees Commander Portsmith on three different covers ...* 

 

Mr. Black *slides in booth, across from Abberline*  Very punctual, you are, Inspector.  I like that.  *holds hand up for waiter*  Water ... and dry toast.

 

Mr. Brown *says nothing, sits down next to Abberline, nods at him ... looks longingly at his absinthe* 

 

Mr. Black *sees Mr. Brown's expression, rolls his eyes*  Fine, go ahead, one drink.  You're useless if you're sulking.  *turns to Abberline*  I don't like to waste a lot of time, Inspector, so I'll get right to it.  We would like to know about any and all information you may have imparted to Commander Portsmith regarding the Inner Circle of The Order.  She claimed to have connections.  Now, we don't really believe her, because you know as well as anyone that she's full of hot air most of the time ...  

 

Mr. Brown:  If not all the time ... *reaches past Abberline for bowl of peanuts*

 

Mr. Black *glowers at him, continues*  ... but the fact that she even knew the name Inner Circle intrigued us.  She also mentioned your name frequently, referring to some private investigations she had you working on at one time that she insisted we would find beneficial to our organization.  Now, there's no reason for us to be cagey about why we're here.  You know good and well we're here primarily to collect two missing persons, as it were ... two runaways who belong to us, who must return and face up to their duty.  It is their destiny and it's long overdue.  But it is also our job to protect our group from outsiders, those who wouldn't understand what we do.  So among other things, Inspector, we need answers from you ... just what do you know of the Inner Circle?

 

Abberline *suspiciously*  SO this is not just about 'missing persons'.  I understand perfectly what you do, you are just killers, nothing more.  And you are wasting your time, gentlemen.  You won't get any help from me.  I have done no private investigation for Commander Portsmith regarding your Order.  *looks in amusement how Mr. Brown nearly chokes tasting the absinth*  And even if I had, I would not share it with you.  I find it very odd that you have to come to me for that information, instead of just asking from someone belonging to your precious Inner Circle.  *smirks*  You don't know, isn't that so, you don't know whom to ask?  If you want some answers, you got to pay for it.  You could tell me the names of those men who were responsible for my family.  *orders another absinth*  As for the Commander, you make a mistake underestimating her. 

 

Mr. Black *looks at him steadily, then laughs*  My dear Abberline, we haven’t come to you for information about the Inner Circle.  We wanted to know YOUR level of knowledge of it.  As far as the Inner Circle goes, I’m perfectly happy to put my cards on the table.  *waves a hand at Mr. Brown, sees, he’s still gagging on the absinthe; sighs, shakes head, looks back at Abberline*  My colleague and I are aspiring to become members of the IC, as we call it.  We have a great deal of knowledge about it, though we both have a long way to go.  *watches Mr. Brown gulp down some water, then a handful of peanuts*  One of us has perhaps a bit farther than the other.  But that’s neither here nor there.  If you say you did no investigation of the Order for Portsmith, I believe you.  I felt pretty certain Portsmith was lying on that count.  So, that’s all we need to know … about that.  However, there is something else … *pauses, takes bite of toast, glances out window.  Then looks around room, to make sure there are still no patrons near their booth; leans in, speaks more quietly*  We have been doing a little investigating of our own, Inspector … about a certain item we sold to Portsmith, for which she still owes us payment … the soul box.  Our agreement with her was that part of the payment for the box would be the two runaways.  She then started some further negotiations, insisting that we bring her into the organization, and so on … and she has yet to complete her end of the transaction.  We backed off after awhile, finding her tiresome to deal with … and we also had read in your local rag, what is it called … *snaps fingers*

 

Mr. Brown *drinking absinthe carefully this time, wipes mouth with sleeve*  Deppville Tattler

 

Mr. Black:  Yes, that’s it … we read in the Tattler that she was assisting the Shadows.  So we decided it was time we did a little investigating on our own.  What we’ve learned is that Portsmith doesn’t even have the box, that its whereabouts are unknown … and, coincidentally enough, one of our runaways is very closely tied in with the box and its power.  Sooooo, we’re starting to reconsider our options and priorities, you might say.  We feel that harnessing the power of the box would give us an edge toward our eventual goal to become accepted in the IC.  Since Commander Portsmith has failed to complete the transaction, the box is not hers.  We are more than willing to take it ourselves, along with our runaways.  This is where we believe you could be helpful.  We would like you to help us capture the two of them, and we’ll leave your lovely little town once and for all.  We happen to know you would like to never see or hear another thing about that box again … wouldn’t it be nice to have it far away, to know it’s out of your life forever?  Think about it, Inspector. 

 

Abberline *stares at Mr. Black in disbelief*  Deppville Tattler, indeed.  *laughs*  I see that you are well informed.  Help you?  Why on earth would I be helping the Order?  After what you did to me?  No way.  *lights a new cigarette despite Mr. Black's glance of reproof, then offers one to Mr. Brown, lights it for him*  Care to try?  I can't see any reason assisting you in any way.  I can't believe that you are really asking me to betray my friends, though I know it is a term that has no meaning to you.  If you believe that you can harness the powers of the box, you are greatly mistaken.  You are not up to that.  The box should be destroyed.  As the Order itself.  *falls silent for a while, thinks intently*  Why turn to me with such an outrageous proposition?  What would there be for me?  Will you give me the names?  

 

Mr. Black *nods slowly, breaking off another piece of toast, replies in a voice that’s almost weary, as if explaining something to a child for the umpteenth time*  Yes, Inspector, we will give you the names.  As a matter of fact, we can do more than that.  We can give you the men themselves.  *glances up, sees from Abberline’s face that he’s made an impression, smiles slightly*  I thought you might find that interesting.  Just imagine … those men responsible for the death of your beautiful wife and child, they’re still alive and well, and they’ve not given a second thought to anyone bearing the name Abberline all these years.  *leans forward*  You help us with this, and I can promise you a nice, long stretch of time in which you can confront these men, and you can do anything to them you wish.  They’ll be suitably … subdued, am I right, Mr. Brown?  *Mr. Brown nods; Mr. Black smirks*  Yes, Mr. Brown knows his work.  They’ll be restrained, the location will be completely isolated, no one will ever know what takes place between you and them.  It’s entirely up to you.  You see, Mr. Abberline … we have our reasons for wanting those men out of the way.  I won’t bore you with those details.  Just suffice to say, if it’s revenge you’ve dreamed of these many years … alongside the nightmares of your wife lying dead on the floor that even the strongest drugs cannot block out … then your time has come.  If you cooperate with us.  And think about the tradeoff, Inspector … what would you be losing, really?  The two runaways are riff-raff, always have been, always will be.  Especially the girl – trouble follows her everywhere, no doubt it’s visited you by your mere association with her.  If I understand correctly, she’s been a major distraction between you and your son getting together, isn’t that so?  *takes a drink of water, glances around room again*  However … if, after all I've said, you're still wavering because your conscience still bothers you, I can assure you we can handle this in a manner so that no one ever need know you helped us capture them.  Then, for the short time they have left to them, they won't have any ill thoughts about you.  *pauses, looks out window again, then back to Abberline*  I believe that pretty much sums up all we had to say to you, Inspector.  We’ve given you a lot to think about, so consider everything carefully, take your time.  We’re very patient, we’ve waited this long, a little longer won’t kill us.  *sits back, smiles congenially*  But we would appreciate an answer at your earliest convenience.  We'll be waiting, and we always know where to find you.  *waves a hand*  If you have no questions for us, you’re free to go.

 

Abberline *looking intently at his absinthe, doesn't answer for a long while*  Yes, it is revenge I am after.  If you really give them to me, I will consider the deal.  During all these years, I have tried to track them down …  Maybe that is what's needed to liberate her.  *The mentioning of Raven makes him thoughtful*  I don't think she's been a distraction, it could be quite the opposite, yes, indeed ...  *looks up at Mr. Black*  When do you want my answer? 

 

Mr. Black *shrugs*  As soon as possible.  Why don’t you sleep on it, at least?  We could give you two days, that should be plenty of time.  And now, Inspector, we’ll bid you good day.  Mr. Brown and I have some things to discuss, so if you don’t mind.  *Abberline starts to stand up; Mr. Black swiftly brings his hand down on Abberline’s wrist, grasping it tightly, pinning his arm to the table.  Abberline winces from the pain*  Just remember, Inspector Frederick Abberline, this decision is final.  So be quite certain of your answer, whatever it is.  There will be no renegotiations, no change of heart, savvy?  We’ve been through enough of that nonsense with Commander Portsmith.  She has worn our patience quite thin, so do not cross us.  Our mood is less than charitable at this time.  I hope I make myself clear.  You have two days.

 

*Abberline looks at him, then at Mr. Brown, who grins at him, but the grin is more sinister than affable.  He nods slightly at them both, says nothing.  Mr. Black releases him, Mr. Brown stands up to allow him out of the booth.  Abberline looks at them both cautiously, slowly stands, walks to the door, still glancing back at them, leaves Chez Roux.*

 

Mr. Brown *nods head in direction of window*  He didn’t come alone …

 

Mr. Black *drinks water*  Of course he didn’t.  But at least they had the good sense to remain outside.  *smiles*  Did you see how they tried to hide across the way?  Rather charming, really.  What on earth did they think we would do to Abberline here, in broad daylight, with witnesses?  This town is full of idiots and amateurs, Mr. Brown, and the sooner we’re through with it, the happier I’ll be.  Now then, about the men who killed the Inspector’s wife …

 

Mr. Brown:  Resting comfortably, no worries.  They spend their waking hours wondering what’s going on, but … well, they don’t have many of those.  Waking hours, I mean.  *hungrily eyes a waiter carrying a tray of food, gives Mr. Black a pleading look*  Mr. Black, as you know, I am constantly striving to live by the Order’s Spartan creeds.  However, I find I’m quite peckish at the moment.  Can we please have something to eat?

 

Mr. Black *gazing absently at a ring on his finger, nods*  Certainly, Mr. Brown.  I’m feeling particularly expansive today, and you’ve done some excellent work as of late.  The Order believes in rewarding those who have performed valuable service on its behalf.  So have anything you like on the menu … we’ll call it a business expense.

 

Mr. Brown:  I’m obliged, sir.  *they browse the menus, waiter comes over*  I think I’ll have the seafood risotto, salad, garlic bread, and a glass of red.

 

Mr. Black *reads for a moment, closes menu, looks at waiter*  Pot of tea, please, with an extra teabag ... and more toast.  No, wait … make that cinnamon raisin toast, with butter.  *hands menu to waiter, frowns as Mr. Brown stares at him, shocked*  We all have to let our hair down occasionally, Mr. Brown. 

 

On The Lancet:

 

Malachi *in cell, smoking cigarette, looks up as he hears footsteps approaching, sees Raven come down stairs.  Jumps up, grasps bars; looks first at Noble, who’s snoring in the corner, then looks at Raven.  Whispers loudly through bars*  Psst, Raven!  C’mere, kid. 

 

Raven *doesn’t respond, picks up tray near door, gathers flung magazines*

 

Malachi:  Okay, okay … White.  You there, White.  Can I have a word? 

 

Raven *looks up at him, shrugs, comes over to stand in front of him* 

 

Malachi *stares at him*  Y – you don’t remember me, kid?  You don’t know who I am? 

 

Raven *shakes head*  Never seen you before, mister.  *reaches in pocket*  Here, I brought more magazines … the latest Tattler, an’ the new Monuments Illustrated.  *flips open MI*  See, it’s got a whole article on the Equestrian Statue for Commander Portsmith of Chateau Blanchefort … Looks like someone got ahold of her speech for the dedication ceremony, they printed the whole thing right here.  *grins*  Quite a scoop, ain’t it?  The dedication is a few days away, I think is what it says.  She’ll prob’ly be mad, I hear she has quite a temper …

Malachi *scowls, smacks magazine out of the way*  Hang all that.  *pauses, crouches down so he’s at eye level, looks at him anxiously*  Kid, take a good, long look at me … are you sure you don’t remember me?  Malachi?

Raven *shrugs*  How could I remember you if I’ve never met you?  *glances back at stairwell*  I gotta go … *picks up tray, turns to leave* 

Malachi *stands up, calls after him*  What about your parents?  Kat an’ Inspector Abberline? 

Raven *calls back*  I never knew my parents …

Malachi:  What about Manouche? 

Raven *hesitates at the first step, squares his shoulders; starts to turn around, then hears a voice calling his name from the upper deck.  Runs up the stairs without another word* 

Malachi *considers calling out after him again, then hears Noble stop snoring; turns to look at him, relieved to see he’s simply changed position and soon is back to snoring away happily.  Malachi sighs, looks at the stairwell again*

At Chez Roux:

Abberline *stops in the lobby, gathering his thoughts.  The meeting had turned out to be something he was not prepared for; he was sure that they would only be interested in finding out how much he knows, just like Portsmith before, and he could even understand their sudden interest in the hidden soul box, but to assist the Order, the hateful Order to capture Manouche and Malachi, who have helped him, who have become his friends, who trust him, is an entirely different matter ... When he steps out of the door to meet the others, he has already reached the only possible decision.*

 

Godley, Manouche and Blake *approach Abberline as he emerges from Chez Roux*

 

Manouche:  How’d it go, mate?  *looks past him, at the restaurant*  They’re still in there, ay?  What’d they want from ye, are y’ in danger?

 

Abberline *rubbing his wrist*  They want information.  Commander Portsmith has been bragging to them about a contact in the Inner Circle, and they were very anxious to know where she got her information from.  They suspect it is from me, and wanted to find out how much I know and whether I left out something from the files they stole from me.  And they have also developed an interest to that damned soul box ... I don't know where it is, and I don't have any extra information on the Order, so I believe I am out of danger.  And …  *looks at Manouche for the first time* ... I think that was all.

 

Manouche *looks at him carefully*  That’s all?  Seems too easy …  *glances back at restaurant, shakes head*  I s’pose it’s possible.  But … why would they be so insistent on meetin’ with ye if that were all there is to it?  I mean, assaultin’ Mr. Blake, threatenin’ Sergeant Godley …  

 

Blake *shrugs*  They’re bullies.  That’s what bullies do.  Let’s just be glad if that’s really all there was to it.  I think we’d be wise to put some distance between ourselves and them. 

 

Manouche:  I reckon yer right.  No doubt they're still as keen on takin’ Malachi an’ me as they ever was.  *looks at Blake*  C’mon, love, let’s go home.  *to Abberline*  Inspector, yer lookin’ much better.  We’ll come back tomorrow an’ collect that box fer Willy an’ Madame.  Might be somethin’ in it they would like.  *hugs him, murmurs*  Take care, mate.  *to Godley*  Cheers, Sergeant, that were a fine brunch.  *She and Blake pat him on the shoulder, turn toward home* 

 

Godley *astonished*  That was really all?

 

Abberline:  Yes.  Maintaining their secrecy is very important to them, and they seemed upset enough for the Commander even knowing about the existence of something called the Inner Circle.  That's how their mind works ...  I doubt that even those who are in the Order know much about the Inner Circle.  *shrugs*

 

Godley:  But are they still pressing the Commander about that deal?

 

Abberline:  They said they don't trust her.  As for the deal or transaction, I can't say.  Probably they don't give up easily, but they did not mention it to me ... They know that Manouche and Malachi are friends, so they probably didn't want to share any information with me on their plans.  *crushes cigarette butt with his shoe*  Let's go home, Godley, there's nothing more here to do.

 

Godley *hesitating*  Maybe I should go to the Office ...

 

Abberline:  You can do that.

 

Godley:  Can I?  You won't do anything stupid?

 

Abberline:  I promise.  I just want to go home and think about this ...

At Manouche and Blake’s house:

Manouche and Blake *enter house, Blake heads toward kitchen, Manouche stops to greet Wilko and feed him.  Goes on through to kitchen, sees that Blake is out on patio, two glasses on table beside him; she walks out, takes the opposite chair*

Manouche *picks up one of the glasses, smiles*  Mimosas!  Readin’ me mind again, love.

Blake:  They would’ve been perfect with Godley’s brunch.  I figure better late than never.  *taps his glass against hers, drinks*  So … what did you really think back there?

Manouche *sighs*  Th’ Inspector ain’t tellin’ us everything.  Ye’d think he’d know by now that I can tell.  But I decided not t’ call ‘im on it.  I could tell he wants some time to sort it all out … whatever it is they told ‘im.

Blake:  So what do you want to do, do you want to ask him later?  Let it go until he brings it up?

Manouche:  I think I’ll leave it to him.  I admit, I’m dashed curious, but … if it had t’ do with me, he’d tell me.  I reckon their business with ‘im is somethin’ separate from their interest in Malachi an’ me.  I … I hope it ain’t somethin’ concernin’ Raven.  *drinks, gazes out at river*  I s’pose me next move should be to talk to Malachi, as I’d planned.  We ‘ave to do somethin’ about those men, we can’t hide from ‘em forever.

Blake:  I guess you’re right.  I doubt if they’ll just go away.  *drinks, sets glass down, reaches over, takes her hand*  Be careful, honey … and let me help, if I can.

Manouche *smiles*  I’ll be careful.  I admit, when I ‘eard what they’d done t’ ye, I were ready to ‘ave at ‘em, guns blazin’.  But Malachi made me see th’ value in lettin’ a cooler head prevail, as it were.  *squeezes his hand*  I ‘ave no idea how to approach this, I confess.  I reckon we can put our heads together with Malachi, come up with somethin’.  *pauses, looks at him*  How’re ye feelin’, love?

Blake:  A lot better than yesterday.  Shouldn’t take long to heal.  Do you want to try to see Malachi today?

Manouche *shakes head*  Per’aps I should … but … I’m tired, Mr. Blake.  D’ye s’pose we could take what’s left of th’ daylight an’ ‘ave a drift on our river?  Refresh our drinks, do a bit o’ raftin’, come back fer light supper … early to bed …

Blake *raises eyebrows*  Early to rise?

Manouche *grins*  Not necessarily.

Blake *laughs*  We have an accord.  *they stand up*  You make more drinks, I’ll get the boat ready.  *kisses her, walks down toward the river*

Manouche *watches him go, turns, enters kitchen.  Finds a container they can take on the boat, makes mimosas for two more glasses, pours mix into container.  Feels a wave of dizziness, grips kitchen counter*  Blast, what is it about this bloody kitchen?!  *sinks down to floor as blurry vision fills her head … the brigs of two ships, neither of which she recognizes … gets an impression of Dimitri from one, and someone else in the other, she can’t make out who it is … her heart beats faster as she sees a white feather … she then hears what she guesses to be an elderly woman’s voice, tries to concentrate, realizes with amazement it’s Raven’s grandmother*

Ama:  The baby is doing well … where is my daughter?

Manouche *whispers*  I … I don’t know, luv … she were with Ichy last I saw ‘er …

Ama:  Raven has withdrawn, but you can still reach him if you try.  His father … his father … He has a lot to sort out, and he carries a great burden.  At the same time, he must be held accountable for his actions.

Manouche:  Th’ Inspector?  Blimey, what’s ‘e done?  *vision fades to dark, save for a fleeting glimpse of Kat’s tattoo*

Ama:  Do what you can for them, but don’t do what you cannot do.  Beware the darkness.

Manouche *shakes head, confused; before she can respond to this, she hears Alifi’s voice, very faint:*

Alifi:  Je toujours vous aimerai, le petit oiseau.  *vision softly clears away, and Manouche finds herself on the floor of the kitchen*

Manouche:  B-blimey …  *pulls herself up slowly, looking around.  Leans against sink till she feels recovered, then starts to step away.  Something catches her eye, and she gasps as she sees a small white feather on the countertop.  As she picks it up, she feels the key around her neck warm slightly, then cool off.  She slips the feather into a pocket, picks up container of mimosas, glances around kitchen worriedly, then walks outside, heads down to river to join Blake*

Colonel’s Letter to Portsmith:

Dear Commander,

 

I must admit, on paper I see fit, that I am very uncomfortable with you.  The slapping of the back, the dragging me everywhere.  I'm uncomfortable that you want me to spy on the pirates.  I know you don't think of them as important, but I can't spy on them for you.

 

Tom and I will be leaving for Spain on Tuesday.  Now, Portsmith, I must warn you, I may not find the painting.  I'll have to have one last talk with Corso, get more information about the painting than you gave me.  The painting is from Spain, so I thought I'd start there, it's a possibility that someone stole it, took it back to where it came from, so it would be of more value to the locals.  Or, maybe I'll get some information that someone’s taken it to Spain, sold it there, and now it's somewhere else.  I'm not entirely sure, but I'll try.

 

I hope you can understand that I won't be able to be your Secret Agent when it comes to the pirates.  Maybe you won't understand, maybe I have too big of a heart.  I'm sorry that I do, and there's nothing to be done about it.

 

I have waited this long to tell you I was uncomfortable with you, because I was afraid to hurt your feelings or make you mad, or lose my job.  I care about everyone.  So I held it in.  I usually hold my feelings in, especially about certain things, like being uncomfortable.  You see, I tried to cope with it.  I tried to get over the uncomfortable feeling, but it just wouldn't go away.  So I'm confronting my feelings.

 

Please forgive me, but I must be off and pack for the journey.  It's been a pleasure,

Colonel

At Chateau Blanchefort:

Corso *opens the letter with the help of hot steam and a sharp knife, unfolds it and starts to read, raising eyebrows to the Colonel's boldness, when the door suddenly bursts open and the Commander steps in*  I would really appreciate you knocking first.  *hides letter in his pocket*

Portsmith:  Dean, don't bother to whine, this is my castle and I do what I want.  I don't have time to knock on every door and beg for entrance.

Corso *sighs*

Portsmith *bangs the table so violently with a rolled-up mag that Corso's inkbottle jumps a few inches*  Look at this!

Corso* takes carefully the mag and rolls it open, stifles a smile*  They have an article on the Statue, Commander.

Portsmith:  Are you daft, Dean!  Look at it closer, they have printed the speech!  Where did they get that from?  Those journalists, they are just like hyenas and ... and … pirates, just bloody pirates!

Corso *very carefully*  I can't imagine how they got it, but don't you think that it just shows that the Statue is big news and they clearly are impressed by your speech.  Look here, it says, 'impressively long and full of magnificent words, with a pomp true to her style.'

Portsmith:  Enough!  *suspiciously*  Do you really think they are impressed?  Not making fun?

Corso:  Absolutely not!

Portsmith *still not sure what to think*  Hm ... Any news on the Colonel?

Corso:  No, Commander!

Portsmith:  Give her all assistance she needs.  I am sure that if anyone solves this case it is her.  She seems to be trustworthy and devoted.

Corso *coughs in embarrassment*  Absolutely so!

At Chateau Blanchefort / Colonel Visits Corso:

Corso:  Come in, the door is not locked.  *sees Colonel enter and looks at her, surprised and embarrassed*  Oh, I thought it was the Commander, I should have known it was somebody else, she never knocks even though I every time remind her of that.  Er ... I believed you were in Spain already.

Colonel:  We'll be leaving after I am done talking with you.  I have to ask, do you remember who you sold it to?  *looks at Corso, studies him*  Why are you blushing?

Corso *fanning himself with a paper*  It's just so hot here ...  *then he realizes that the paper is her letter, hides it quickly among the stacks of papers on his desk.*  Er … why do you ask that?

Colonel *looks at him in curiosity,walks towards him a bit closer*  It's not hot in here.  It's actually a bit nippy.  *shivers, rubs arms, looks over at his desk*

Corso:  Really?  What do you want?  Is it money, did you come for a payment from me?

Colonel *puts her hands on his shoulders*  Calm down, Dean.  *sighs*  I don't want payment.  I know, how unprofessional of me, huh?  Oh well ...  I dunno what I want anyway, so I'll just leave it at nothing.

Corso:  I can give you some addresses of Spanish art dealers if you want, and write a letter of recommendation, otherwise they will be very suspicious.  They are able to find anything you want, even the stolen painting.  Or two of them.  *grins*

Colonel:  Uh-huh.  *looks down at the papers on his desk, recognizes the paper she used to write Portsmith, puts her hand on the pile of papers, her letter being on top*  Now tell me, Dean … *he looks nervously at her hand on her letter, Colonel pretends to pay no mind*  Not only are you sweating, you're blushing ... You took more than one painting.  *sighs*  Give me the information I'll need.  *picks up her letter along with some other papers, fans Corso, grabs some tissues and wipes his face and neck, says softly*  Is there something you're not telling me, Dean?

Corso:  Why don't you trust me at all?  *looks at her and sees that he's out of luck with her*  I opened your letter, but you are going to thank me for it.  You don't want the Commander as your enemy ...  I could give you some advice, but I am not sure if you'd appreciate it any way.  It's no use being too straight and honest.  Why don't you just tell the Commander that she's made an impression on you and that you admire her intensely?  That may not be true, but it gets you far.  And why don't you tell her that you are doing your best spying on the pirates even though you don't intend to do anything like that?  You are just getting yourself into trouble with this.

Colonel *leans against the wall, slides to the floor, face in her hands, holds back tears, looks up at Corso with sad eyes, a few tears escape and run down her cheek*  I can't lie anymore, Dean.  *stares dazed at his desk, shakes her head*  I can't.  I can't work for her anymore.  I don't know how you do it, but I can't.  *swallows, takes in a deep breath, lets it out slowly*  Just give me the information, who I should meet, everything like that.  Pictures of the ...  *glares at Corso* … two paintings, and I'll leave you alone.  I'll find them, send them back, and never return here.

Corso:  Tired of Deppville?  How can that be, this is a magnificent place with many opportunities.  *takes a notepad, writes down some names and addresses and pens a short letter of recommendation.*  I'll put down that they can rely on you as much as on myself.  *grins*  No, wait, maybe not, they don't trust me at all, of course, as little as I trust them.  That's the way in this business.  I'll just write that they give you all the assistance you need.  Please don't ever mention fakes and forgeries aloud in their company ...  *helps her up*  By the way, telling the truth is usually the worst option.

Colonel *dries her eyes*  No fakes, no forgeries ...  The truth ... not good ... ok ... I need to tell Portsmith that I'm retiring law enforcement and handing the case over to Tom.  But I'll still be there, on the job, it will be a while for the retirement.  But after this, no more for Portsmith.  Not from me, I can't.  For the case, we'll need money to buy the painting back, if we're going to blend in.  Or we could put a gun in their face, make an arrest, take the paintings, bring them back here for Portsmith to lock up and do what she likes.

 

Corso *horrified*  No, no guns!  You won't need any guns!  Just a fair amount of money is enough, you don't even have to buy the original painting, the Commander can't distinguish it from an excellent copy.  *thinks for a while*  In fact, I can do a favour for you, in return for you not telling about me to the Commander ...  I will see to it that you get all the money you need, she's got loads of it anyway, and I can help you to explain away to her why you don't want to work for her.  That way, you are free from her service without her getting angry at you.  *holds out his hand, grins*  Do we have an accord, or, savvy, as the pirates say?

 

Colonel *looks at his hand with suspicion, thinks, grasps his hand, shakes*  Agreed.  But … *puts other hand on his shoulder* … you'd make a good pirate, you'd just have to work on the pirate lingo, mate.  *grins*  OK, so, if I don't tell the Commander about your wrongdoing … *gives him a sly smile* … then you'll help free me of the Commander?

 

Corso *shakes her hand, laughs*  No, I am not planning to become a pirate, I like more borrowing than plundering.  But I kind of like that 'take what you can, give nothing back' ... You can trust me, I promise, I know how to handle this.  You will see that you will get as free from her as you want and even earn her respect.  I can do it.  Just leave it to me.  *Lets her hand go*  I'll get you the money for all expenses.  *frowns*  Which brings to my mind my own situation, I guess I'll have to do without new finds for a while, as she's turned so suspicious.  *grins*  Fortunately, they paid me well at Monuments Illustrated for publishing her speech ....   Oh, and before you go, I have compiled a small list of my most important contacts for you and written some letters of recommendation, saying that you are investigating a stolen painting and that I want them to assist you.  They are going to do that because I know too much of them …

Fra Angelico, a Cistercian monk, Santiago de Compostela (expert on medieval Virgin and Child-paintings, absolutely reliable and most boring)

Gabriel de la Corte, Art Gallerist, Barcelona  (famous on the black market, too)

Fernando Gallego, Intendent of the Museum of Medieval Art, Madrid (expert on restoring art which qualifies him as a good forger)

Vincente Lopez y Portana, Art Dealer (some call him a simple thief)

Bartolome Murillo, Painter with a famous namesake (can paint in most varied styles)

 

Colonel *stares him in the eye*  So I can trust you?  *sighs*  Oh well ... I should get going, I left Hanson to pack and we should be leaving soon.  Not sure when we'll be back.  Who knows ... might put the house up for sale, buy something else.  Maybe a cottage in Spain or Italy or France or somewhere.  I'll be sure to send the paintings back, stay a while, travel around a bit.  Then come back to decide what to do about Deppville.  *sighs*  I haven't a clue.  I'm so lost.  *takes the list, reads it, folds it, puts it in her pocket*  OK, thank you.  *smiles, stands there for a moment, shrugs, gives Corso a hug*  You did a lot of ... interesting things.  Now, all you have to remember is, treat me right, keep to your word, and if not ... cuff 'im in irons, as they say.  If you don't keep to your word, Portsmith will find out everything, and I'll have her lock you up in the dungeon.  Torture you.  Whatever she wants.  *says softly, with sad eyes*  Mr. Hot Shot Dean Corso doesn't want that now, does he?  *he shakes his head*  I didn't think so.  *pats him on the back*  If you do a good job, word won't get out.  *smiles*

 

At Bournemouth House:

Abberline *goes straight upstairs to his study, sits by the desk and stares out of the window for a long time, thinking about the decision, doubting if he made the right choice, begins to waver ... But what else could he do?*

*Then he remembers the box with the photos he found when he was looking after the toys, he takes it and lifts it on the desk, opens it.  There is the wedding photo with
Victoria and himself, and a framed large photo of her; he takes it and puts it on the desk.  The next item is a file folder that he took from the police archives, labeled Victoria Abberline, with all the material from the investigation of her murder.  He opens it and finds the gruesome photos of the scene that is forever etched into his mind, the scene he encountered when he came home late at night and found Victoria lying bloodied and dead on the floor, with her eyes open, as if looking at him with reproach.  'You left us alone.'  He slams the folder shut.  The men were never found ... Until now.  Should not they get their punishment?  Should not Victoria be avenged?  *to himself, thinking of Manouche, who has been so kind to him*  I am sorry, Manouche, I will see somehow to it that they don’t harm you ... I am doing it for Raven, he will not listen to me, but he can't ignore you ...

*then he sees Raven in a vision, as he was when he spent the night at his house, sitting by the fire, eating chocolate and talking about True Dreamer … Raven, who is now far away, maybe in danger on a pirate ship.  His only family.  What else could he do?*

*Still struggling with his conscience, he gets up and goes out, right to From Hell Court and the nearest den.  There is only one answer he can give to the Order guys.  Cooperation.  Or is there still a choice?*

At From Hell Court:

Mr. Black and Mr. Brown *sitting in car parked across the street, watch Abberline enter tavern.*

Mr. Black *smirks*  Looks like our friend is working on his decision-making.

Mr. Brown:  Do you think he’ll agree?

Mr. Black:  He’s waited all these years to confront the men who killed his wife.  How could he turn down that opportunity?  And if he wavers, I have something to further sweeten the deal.  *pulls from coat pocket brown-wrapped package; holds it up to Mr. Brown, smiles*  Dragon in a box, Mr. Brown, dragon in a box.  Our Inspector’s face’ll light up like a kid on Christmas morning.  *returns package to coat*  I feel confident that he’ll give us the answer we want.

Mr. Brown *shrugs*  He’s a funny guy, you never know.

Mr. Black *sternly*  You let me worry about Abberline.  You just make sure those men don’t escape.  I don’t think Abberline would be quite so anxious to cooperate if we just give him their names.  *pauses, glances at tavern*  I won’t argue that it’s a good idea for us to keep a close eye on him until we’ve concluded our business.  *Mr. Brown nods agreement; they continue to watch the tavern from their car*

In the opium den:

Abberline *opens the door to his house late at night, it's completely dark and silent inside, and he sighs with relief.  She is not awake and waiting for him tonight, to ask him where he's been and why he's always so late.  He doesn't turn on the lights, and almost steps on a bundle in the hall ...  He puts on the night lamp and sees his wife lying on the floor, there's something dark on her clothes.  Alarmed, suddenly feeling sober, he crouches by her to help her up, but drops instantly her hand.  It's icy cold.  He staggers up and stares at the body, feels faint and leans on the wall, switches on the light.  The blotches on her dress are blood, and her eyes are lifeless.  She's got a strange pendant ...  And then she suddenly changes and he recognizes it's Manouche ... and wakes up on the sofa in the den, with all the effects of the drug gone.*

 

Abberline *gets up slowly, calls the owner*  The stuff you are selling is not worth its price.

 

Owner:  You get any stronger stuff and you're dead, mate.

 

Abberline *not bothering to answer, goes out into the night, stops on the street, not wanting to go home.  He spots the black car waiting silently and walks straight to it, knocks on the tinted glass*  I have made the decision.

Mr. Black *waits for window to slide all the way down, looks at Abberline with a mild expression*  Well, Inspector, what's your answer?  Are you ready at last to wreak your revenge on those thugs who murdered your wife?

Abberline *nods, looks intently at Mr. Black*  This hard for me to say, but my answer is yes.  Yes, I am ready, and I will assist you in exchange for those bastards, whatever it will cost me.  What do you want me to do? 

Mr. Black:  Very good, you’ve made the right decision.  *glances around*  We have a plan, but it must be discussed with utmost secrecy.  We could go to your house, but we don’t want to be overheard by your friend the Happy Homemaker, even though I understand he has gone to the Office for awhile.  *nods his head toward the back seat*  Get in.  We’ll go somewhere where we can talk.  *snaps impatiently*  Hurry up!  And don’t give me that look.  If we wanted to harm you, we would’ve done so by now.  Don’t be a fool.

Abberline *looks at him suspiciously, then opens car door, gets in, slams door shut.  Car drives away to the road leading out of town, to an undisclosed location*

 

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Deppville,where anything can happen.
 

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